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John, it takes a rare breed (and an irritating one) to hijack someone's thread, throwing out insults at someone else trying to help. It's that same breed who has the audacity to think (and come right out and say) that all other opinions other than his own, are incorrect and shouldn't even be offered.
John, keep in mind, that once again, you are the one who instigated this. You are the one who decided to throw out insults at me, based on what I was offering to Kim.
Man, I don't understand you. I really don't. You're such an arrogant little prick, but the sad thing is that you have nothing to back that arrogance up with. Have you ever even written a feature length script before? Are you a logline expert? What are you basing all this crap on and who are you to say what's better or best?
It's all opinions, dumbfuck. Even a horse's ass like you should know that. If Kim doesn't want my advice or input, all she has to do is say so. Based on your demeanor, she shouldn't listen to anyone except you. Why even post anything here, actually, just send it over to John C...you'll set 'em all straight, huh?
In response to your comments, once again, you can't seem to read what's actually written down in black and white, which is really scary, considering your input is so sacred and valuable. I stated that IMO (which stands for "in my opinion") Kim's original logline was better than the one some coverage A-Hole gave her. I also stated that I understood why she was having difficulty with it. And I stated that I am far from a logline expert, like you, but then again, you're an expert on everything, aren't you?
Your last comment about Dream and Flashback scenes really hit the nail on the head when you used the phrase "fooling us". Not the way to go, A-Hole. A script is not meant to fool anyone. When it tries to, it does so because it either can't deliver on its own, or it's written by a douchebag who feels the need to deceive his audience.
As I clearly stated, I didn't read this entire script, so I don't know exactly how it flows, but it seems like dreams play a major part in the story, meaning, there are most likely a bunch of them. So, genius, is your advice that Kim conceal every dream scene by not labeling it as such? Or should she label some and deceive and confuse the audience on others? Same thing on Flashbacks, too?
Dude, this is funny actually. I now recall why your name and irritating avatar seem so familiar. We had an altercation on a "script" you wrote and you just couldn't admit to any of its many mistakes. You just couldn't stop with personal attacks and out of left field comments that made absolutely no sense. You were just completely clueless what was even wrong with that sad excuse for a first time writer's script, and couldn't wrap your ass cheeks around the fact that there wasn't a story there, and the entire joke ending was tied to an unfilmable, meaning the joke was actually on you, not your poor audience that had to sit through the read.
Again John, you started this with you personal attacks on me. You started this with your holier than though attitude. My original post stated over and over that what I was saying was my personal opinion. There's nothing wrong with opinions, asswipe, and yours isn't the only one out there.
Now, please, go back to whatever it is you do with your time. Or maybe, you should go back and read that awesome werewolf script pf yours and try and figure out what I was talking about. Trust me, it will help you, and it's clear you need all the help you can get.
Jeff, get a hold of yourself. You're acting like a buffoon.
The points on which we disagree are that loglines are all just a matter of opinion, and that dream sequences must be labeled as such. And you're wrong on both points. First, everyone may have an opinion, but not all opinions are equal. Some people know what they're talking about and others do not, and when it comes to loglines you've more than proven that you don't know what the f*ck you're talking about. Second, you should avoid labelling dream sequences, if you don't want the reader to know that what s/he is witnessing is a dream. That fact can be revealed afterwards, when its appropriate to the story. Case in point, should the script to The Matrix label all the scenes in the first half of the movie as a dream?
This is completely off topic quys! Entertaining as it is to watch you two attacking each other, I think it's time to stop and move on. You aren't helping the author anymore.
Both of the issues you two are arguing about are matters of opinion. The loglines especially (and just because some reader came up with the second one doesn't make it automatically better). However, I do think the second logline is less clunky.
As far as the DREAM goes. It should clearly be marked a dream and if the author doesn't mention it beforehand then they should make sure we know afterwards. Nothing worse than confusion because someone wants to be artsy when they really don't need to be. The director needs to know he has a dream sequence - it needs to be clear.
Thank you, Michael. It's good to see a voice of reason every now and then.
I was about to tell big John C that I was done with this and him, as I've got enough shit going on in my life these days without listening to his drivel, so now I'll bow out.
Apologies to Kim again. I sure didn't intend for things to go this route.
What can I say? I've always been a fan of your work. You've got a style that puts most others to shame, IMO. This was an intriguing story. Effortless read. Marketable.
If I had one gripe it might be the title. I think you could come up with something better. But that's just me.
This is completely off topic quys! Entertaining as it is to watch you two attacking each other, I think it's time to stop and move on. You aren't helping the author anymore.
Both of the issues you two are arguing about are matters of opinion. The loglines especially (and just because some reader came up with the second one doesn't make it automatically better). However, I do think the second logline is less clunky.
As far as the DREAM goes. It should clearly be marked a dream and if the author doesn't mention it beforehand then they should make sure we know afterwards. Nothing worse than confusion because someone wants to be artsy when they really don't need to be. The director needs to know he has a dream sequence - it needs to be clear.
Sorry to disagree, Mike, but in stepping in to rescue Jeff from further embarrassment, you're misrepresenting things. It's not just a difference of opinion, or an "off topic" dispute. We're dealing with issues brought up in Kim's script -- or at least I am. Our friend Jeff, on the other hand, has gone into full blown attack mode. One of us is responding in a rational manner, while the other is frothing at the mouth. There is a right and wrong here.
Quoted Text
Bottom line -- Flashbacks and Dreams need to be labeled as such. If they're not, it won't make any sense at all, and that's the last thing you want in your script.
Jeff is giving wrong advice. And one should have the right to correct him if that's the case. And it's the same about the logline. It's not strictly a matter of opinion. A good logline tells us what we need to know about the character, his main goal, and the central conflict of the story. And I explained clearly why one logline does that better than the other (and not just because it was written by some reader). Jeff, on the other hand, couldn't muster any response other than it's his opinion and that's he's entitled to it. Sure, people have the right to be wrong, but they shouldn't be surprised when they're called an idiot.
Sorry to disagree, Mike, but in stepping in to rescue Jeff from further embarrassment, you're misrepresenting things. It's not just a difference of opinion, or an "off topic" dispute. We're dealing with issues brought up in Kim's script -- or at least I am. Our friend Jeff, on the other hand, has gone into full blown attack mode. One of us is responding in a rational manner, while the other is frothing at the mouth. There is a right and wrong here.
Jeff is giving wrong advice. And one should have the right to correct him if that's the case. And it's the same about the logline. It's not strictly a matter of opinion. A good logline tells us what we need to know about the character, his main goal, and the central conflict of the story. And I explained clearly why one logline does that better than the other (and not just because it was written by some reader). Jeff, on the other hand, couldn't muster any response other than it's his opinion and that's he's entitled to it. Sure, people have the right to be wrong, but they shouldn't be surprised when they're called an idiot.
My apologies if you think I'm wrong. But I do believe this thread is about the script, not Jeff's advice. If you want an actual representation of whether of not advice is correct then you should take it up with the whole board. Go open a thread in the screenwriting class section and argue about it there. Jeff is not representative of the whole board and neither are you. And btw, what makes you think that it was Jeff I was trying to save from further embarrassment?
My apologies if you think I'm wrong. But I do believe this thread is about the script, not Jeff's advice. If you want an actual representation of whether of not advice is correct then you should take it up with the whole board. Go open a thread in the screenwriting class section and argue about it there. Jeff is not representative of the whole board and neither are you. And btw, what makes you think that it was Jeff I was trying to save from further embarrassment?
Mike, no one is claiming their views represent the whole board. We're all individuals with their own opinions on a site that's supposed to be about the free exchange of ideas. Sometimes disagreements arise, and people argue their side, that's what a message board is supposed to be. However, our friend Jeff here has gone completely off the deep end, hurling a childish and abusive tantrum, and I don't appreciate you sweeping us both aside as argumentative troublemakers when its clear which side is behaving inappropriately.
John, damn, man, you literally can't let it go, can you, big guy?
Your last post is incorrect once again, as you have said from your original post that these issues are not a matter of opinion and you are correct and everyone else is incorrect. Just go back and read your words, or if you need someone else to, that can be arranged as well.
Also, you are the one who initiated the problems here, not me. I have stated very clearly from my initial post to Kim, not to you, that everything I said was my opinion. For the record, that's exactly what "IMO" means. You immediately jumped at me, telling me I was incorrect and you were correct (although you are once again clearly incorrect). I don't think you once said that what you were offering was your opinion. You made it very clear that what you were offering (other than really piss poor advice) was gospel.
This is the same situation on an earlier post where you couldn't seem to understand what an opinion is, nor can you even fathom that what you are saying is so far from correct.
I ask you again, since you can't seem to let this die, have you ever written a script? What are you basing your authority on? What can you show us that shows off this odd belief that you even have a clue what you're talking about?
Please, brother, do tell...I for one am dying to see it.
What part of 'that's the end of it in this thread' don't you two understand? This is Kim's thread. She gets advice from people unsolicited or solicited. It's up to her to decide if the advice works for her or not. Not anyone else.
Now if I see either of you two posting in this thread again then I'm going to lock this thread - no matter what you have to say. I'm sure Kim will be very happy with you if that happens and she'll certainly take your advice to heart then.
I think some of this crap should be deleted. However, I will leave it up to Kim from which post I should start deleting. She can pm me or bert and let us know. Everything will remain in this thread until she tells us to delete it.
Wow, okay, a lot's happened since I last visited this thread. My apologies to all those that offered advice when I wasn't here to accept it. Thanks to everyone that decided to give Subconscious a read despite the bad logline, and I agree, it was bad.
I don't even know where to start. So just to clarify, it was an "it was all a dream" ending, but I've since reconsidered. If I had paid $10 to see a movie and got all the way to the end only to find out it was all a coma-induced dream, I'd want my money back. So I'll see if I can get the old version swapped out for the new one. I also have a much better logline, although I can't take the credit since it was given to me by a friend on another message board.
Again, thank you all so much for the advice. I'll be putting it to good use in my next rewrite.
Mike, no need to delete anything. I wasn't offended. Everyone has a right to their own opinion, no matter how they choose to express it
You've gotten some interesting comments and non sequitur traffic on this thread. Thought I'd give this a look see since the new draft is largely neglected.
I have to say Kim, these pages read really fast, I'm impressed. This isn't my kind of story, but the narrative keeps me on the page. I read the first third today, 32 pages, pretty clean. Good pacing. I will continue your script and finish as my schedule allows. You open strong and keep it tight. Kudos.
I have two sticking points so far:
1) The dream slug lines. I keep reviewing slugs when I'm unsure if it's a dream. Dreamscale offered some advice to this end, I'll echo that sentiment here.
2) Dialogue, especially the female characters. Annavay and the neighbor sound very stilted. Saying things like she was like a sister to me and all that jazz. Yuck.
I understand Nolan has a yet well defined medical condition. Hence, he needs to be reminded of things, but there's got to be a better way.
I'm intrigued as to where you'll take it in the second act.
Regards, E.D.
LATEST NEWS CineVita Films is producing a short based on my new feature!
I read through pages 32 - 64 this morning. Your pages still read super slick, but I found the mid section less compelling. I felt like you were keeping me at arm's length most of the second act. We're not discovering anything because characters are deliberately holding back. There are several instances of that and they pile up and get frustrating. The "stop asking questions if you know what's good for you" thing gets old fast. Towards the end you give us a few tidbits, which help move things along. Nolan is an angry sod, him taking swings at people gets a bit stale. I'm sure some of this will be explained away, but maybe lose the James punch? I'd like Nolan doing more discovery of his past on his own, police records perhaps? An old friend in the records room gives Nolan some clues, stuff like that. Anna's awful quick to run off with Nolan, hmmm, wonder why.
I'm looking forward to seeing how you wrap this up!
Regards, E.D.
LATEST NEWS CineVita Films is producing a short based on my new feature!
I read the logline and remembered another feature I once read called Eight Minute Dream.
The logline goes: After a head injury, a writer struggles to separate memory from imagination to save the life of a little girl who is reaching out to him in his visions.