All screenplays on the simplyscripts.com and simplyscripts.net domain are copyrighted to their respective authors. All rights reserved. This screenplaymay not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.
Caution: Flashing Strobe Effect Used in this Video
By Friday, February 12th, 11:59 pm est, you must write a script (properly formatted)8 - 12 pages (courier 12 point font) on the following theme and genre:
Theme:The Dark - A complete story that sheds light into the darkest reaches of the mind, into deepest shadows of the imagination and into the blackest void at the end of the universe.
Genre:horror, supernatural thriller, fantasy, or science fiction
Limitations: The script must be between 8 and 12 pages. Properly formatted. All sounds and effects should be capitalized. Do not include specific songs. Avoid descriptions of the sets and costumes, unless there are specific items that are required for the story. No children or animals. Keep the cast to a minimum. Try to concentrate more on character than on action. This is to be a micro-budget script.
This is not a contest, it is a challenge, so with that being said, up to six scripts submitted will be selected for production and distributed on the Machinima.com network (upon approval by the author of the work). The only compensation will be "Written By" credit. It is recommended that your script be written with the target audience of Machinima.com subscribers in mind. That audience would have a significant majority of gamers.
If you aren't acquainted with Moviestorm, it wouldn't hurt to visit the site here. Once there check out the packages that are avialable in the Marketplace to get an idea of what sorts of sets and characters are available. Check out the Favourite or Top Rated videos to see these packages in action.
Bear in mind that props and the actions you can do with them are also limited. The list of props available are: Briefcase Empty, Sports Bag full of Drugs, Knife, PDA, Megaphone, Shotgun, Badgem Wallet, Drumsticks, Microphone, Glock, Cell (Mobile) Phone, Electric Guitar, Wine Glass, Coffee Mug, Book, Mistletoe, Carol Sheet, Snowball, Spraycan, Magic Wand, Torch (the kind with fire), Sparkler.
This doesn't mean that you can't use other props, just that we can't see them being used. A very good technique for dealing with this is to mention the prop in dialogue.
The challenge is not supported nor endorsed by machinima.com or moviestorm.com
Timeline The scripts must be received by Friday, February 12th at 11:59 pm e.d.t.. Please do not put your real name on your script, however, please use your real name and real e-mail address on the submission form below. (After the exercise closes you can either have your script removed or resubmit the script with your name on it). Please put "(c) Copyright 2010" on your script.
This is completely Free to enter.
This is only an exercise. There is no prize for winning (after all, we all win if we have fun). There will not be an official judging for the best script (after all, we all win if we have fun).
All submitted scripts will be posted anonymously for a few weeks before the writers are revealed.
The Schedule: 2/5 - theme and genre revealed
2/12 - submissions due 11:59 pm edt
2/14 - 12/21 - scripts posted without author's names review, critique, comment, guess who wrote what
2/21 - Author's names revealed.
Please post any questions you may have in this thread.
Thanks, Michael, that definitely helps...a little. I'm confused about what we can and can't bring into the script though. I guess we're talking about what animation is available for different items? Not sure, still confused. Remember, I'm slow...r...e...a...l...s...l...o...w...
What you can or can't do varies a lot with what you add onto Moviestorm. Therefore, it is too complex to explain easily. It's actually best if you watch a few Moviestorm films to see how things are done.
Suffice to say that if you keep things pretty simple then there shouldn't be any isse.
Try to stick with the list of props given. You can do basic things with the props, shoot a gun, hold a bag, speak or sing into a mic. The first part of this clip shows the props I currently have and what you can do with them.
It's a long clip and if you continue watching you can see all the gestures that I have but you would probably only do that if you were going to use the program yourself.
Interaction between characters is also limited. They can hug and kiss, lie on top of one another in bed, have a fist fight.
One other thing you can do is have a look at the marketplace to see what is available for inclusion in Moviestorm.
There are other things that can be included and if you are that interested doing something different you can have a look at some of these movies which show demos of modifications other people make available for use in Moviestorm.
Be warned though, some of these may not actually be available due to various reasons so it's risky to plan on them.
You have a lot of leeway with sets and props that are not interacted with. I can produce mods of just about anything Google has in it's 3d warehouse and include them in Moviestorm.
I can also produce some special effects, like fires, or even a meteor shower. I would have limitations where water is concerned though, so running water is out.
The biggest restriction is the models and their clothes. The characters. There can be no children, no overly fat or skinny people. The models that are available with Moviestorm are the ones you must use.
Hope this helps some. If you have any specific questions, please let me know and I will try to answer them.
Thank you for the explanation of a glock I was perusing through those sights you mentioned, Micheal; the characters are all young...Are we not able to use elderly characters?
I would say you could have older characters like in their 50s but if you start getting to wizened old men or ancient swamp witches then there isn't going to be a character for that.
There were some unusual heads introduced, not old but monsters and aliens.
This is close as we possibly can get to a real writing assignment. It is supposed to be a challenge after all.
I don't really see how it limits your imagination at all. As a matter of fact it makes you use your imagination and creativity all the more in order to write something interesting with those parameters.
This is close as we possibly can get to a real writing assignment. It is supposed to be a challenge after all.
I don't really see how it limits your imagination at all. As a matter of fact it makes you use your imagination and creativity all the more in order to write something interesting with those parameters.
Yeah i understand that Michael, and its good to have something different.
I had some good ideas but hadn't seen the parameters for the machima stuff. It sorta halted me a bit. I'm sure a few other people would feel the same too.
If we ignore the limits of the tech stuff, you might need two sections.
what is the purpose of the concept video? are we supposed to stick to that or is that just there for our enjoyment?
And are we to pick one of the genres, is that what I am to understand?
Sorry for these questions. I sort of new to participating on the board and I'm definitely new to this...
Six of the shorts will be turned (with the owners permission) into the Dark, a moviestorm "mini-series" if you will. It's just a concept example. You don't have to stick to the specific ideas contained within, as far as I know.
You just have to write an 8-12 page script in one or all of the mentioned genres.
The moviestorm software has some inherent limitations, so it's best to avoid certain things (see above).
The purpose of the video is to give you a feel for the anticipated mood of the anthology and the concept behind the anthology - in this case 6 authors 6 stories 6 episodes. The ambience is dark and these are all night time scenes, some threatening, some exciting, some perplexing and some amusing. All of the sections become a thread connected by The Dark (or shadows or black).
(Don't mind me, it's late here and I'm about to turn in.)
But something like that would be used as a tool to pitch the series.
As far as the genre goes, yeah, pick one or mix them. It's up to you.
Do we have to pick the genre when we're submitting the script or are they all labeled the same as usual?
Also, define "animal." I saw quite a few nonhuman creatures in that video.
I'm not sure I understand the first question.
For the second question, there are nonhumans but they are still have the proportions of a human. So they have a non-human head but on a bipedal human like body - think someone in a costume.
I just took a look at the submission form and basically answered my own question. So I'll just rephrase it. Say you submitted a straight horror or straight sci-fi script. Would the genre show up as such in the script thread or will they all be labeled as "horror, supernatural thriller, fantasy or science fiction?" After seeing the form, I guess it doesn't really matter but I'm curious nevertheless.
I just took a look at the submission form and basically answered my own question. So I'll just rephrase it. Say you submitted a straight horror or straight sci-fi script. Would the genre show up as such in the script thread or will they all be labeled as "horror, supernatural thriller, fantasy or science fiction?" After seeing the form, I guess it doesn't really matter but I'm curious nevertheless.
I actually was going to give you an elaborate I don't know, but I just looked at the submission form and I understand what you are asking. I can't answer it though because Don does the posting but I'll ask him.
Naturally. I just figured more specific genres would make browsing scripts a little more informative. Although I suppose the loglines should give an idea.
Naturally. I just figured more specific genres would make browsing scripts a little more informative. Although I suppose the loglines should give an idea.
I've added a box for genre on the submission form.
I had planned to rant more about the specifics of this challenge. But i can't be bothered. I might do two scripts - one without constraints and one with.
I still feel our imaginations have been stunted somewhat by the machima thing. To someone, the phrase 'the dark' might be a mysterious portal in the black depths of the Pacifc Ocean. So they can't write about that because of the animation's limits?
I still think there should be two sections for submissions - one for peeple who just want to write about The Dark in any form they choose, and another for those who are interested in the animation bit.
Not trying to cause a shit fight; i just wanted to have my say.
I want to get this straight. We are to write an 8 to 12 page script under the genre of horror or the other themes you mentioned. With the scripts, we should write using only the props availible to the designer who would be making the anamated movie.
I can understand that you feel your freedom is limited by having specific production guidelines - that makes sense. That would be true of pretty much any real writing assignment. There are always limitations whether it be budget, location, or cast. This is no different.
However, if you feel your imagination is limited then you are wrong. Think of things like Dr Who which went very far on very little. Granted, today, it looks kind of silly but at the time it was pretty cool stuff and certainly they didn't let the limitations get in the way of their imagination. The box you put your imagination in is your own creation - break out of it.
I want to get this straight. We are to write an 8 to 12 page script under the genre of horror or the other themes you mentioned. With the scripts, we should write using only the props availible to the designer who would be making the anamated movie.
one more question if I may. Any limit to the level or style of horror? Are we talking twilight zone or house of a thousand corpses? Is it open to anything in between?
Blood spattering effects is not something Moviestorm easily does. Besides reacting to a gunshot or fist fight there really isn't any violence you can do between characters. You can, imply these things though. And sometimes, through clever camera placement and editing, you can make it seem like other things are happening.
For example, I don't know if you've seen the first episode of Computer Girl but I use these techniques a lot in that episode.
So you can imply whatever type of horror you want, it just might not be able to be shown.
The point here is that you don't want to have to imply too much in one video so while it is okay to use this technique once or twice you want to avoid it if you can.
You know, the last thing I expected to see when I looked at this thread today is a bunch of complaints about production restrictions. Productions have lots of different sorts of limits, and they're all unique based on whatever that production is. Here's the dead as I see it. IF YOU WANT TO, you can write a short that will fit within the production constraints and it might be selected to be produced machinima style. Or you can write whatever the hell you want to and let someone else do it some other time. Seriously, no one is making you do anything.
Personally, I do find parameters and constraints to spark my imagination because I am forced to find a different way to do something. The way I would approach this challenge is to write the script with the parameters in the back of your head. You know they're there, but you're not putting a lot of stock in them. Then review them to find out if there is something in there that might be outside what is possible. If necessary, rewrite creatively.
Again, I really didn't expect a production opportunity to cause so much fuss. Seems that some people feel like the world should revolve around them... It don't work like that. Welcome to the movie biz.
Michael, thanks for being so gracious in answering all the questions about this. I'm sure it has helped (some people) a lot.
What if you don't care about your script being made into one of those little movies?
That's kinda condescending...
I actually think this is a really good idea - it means we're approaching the writing in a much more grounded, less abstract way, and there's the real promise of some form of visual production at the end! Bring it on, I say.
I too am slightly unsure about what can or can't be shown on a Moviestorm video (although I used to play The Movies a lot, which I think utilises the same technology?), although having visited the site it does seem that all you really need to bear in mind is that this is micro-budget, rather than animated. The film Grace on that site is pretty fantastic - it's very atmospheric, genuinely moving, and really reminded me of Moon. Reccomend that one to anybody questioning what this technology can do.
And as for the theme, there are just two words that you should keep in mind while writing: Stephen King.
What if you don't care about your script being made into one of those little movies? Is it alright to follow the genre and theme without constraint?
~Zack~
It is fairly certain that whatever films are made and distributed over the Machinima network will get at least 5,000 views. Computer Girl V1.3. is currently close to 9,000 views. Some of the videos on this network have over 100,000 views. So call it little if you want but there is a huge potential audience out there to see your work.
We can write what we want as long as its to do with 'the dark'.
If you don't want to write it under the machima constraint, then don't. All that happens then is it won't be picked as one of the six. It will still be read and reviewed the same. If it is a good script, people will say so.
I'm gonna try and do two scripts - one a machima, the other not.
Actually, I don't quite get the theme. Are we suppose to write something that has a dark tone, i.e. not a comedy? The explanation of the theme is kinda abstract.
FEATURE:
Memwipe - Sci-Fi, Action, Thriller (114 pages) - In a world where memories can be erased by request, a Memory Erasing Specialist desperately searches for the culprit when his wife becomes a target for erasure -- with his former colleagues hot on his trail.
As I understand it, a dark tone is right. You are to write a short based on this with the tools used to make the anamated story. The tools mentioned eariler are what you have to work with. In other words, this is an exercise that challanges your use of dialog with limited props.
Remember the twilight zone? All great writing, very little props. That is what this challange is about.
I've been searching the Machinama movies for a beach/ocean EXT. Can't seem to find one. Does it exist? The closest thing to nature that I found was a park/forest.
Also, who's gonna produce the winner's movie? Will the screenwriter have any say as to how it gets put together?
I will be producing and directing the selected films. There's no winners as this is a challenge, not a contest.
I intend to work the screenwriters, if they are interested. Mostly I will film what you have or ask you for the changes I need up front. I'm a pretty good guy to work with, ask anyone.
I have also encouraged the other directors at Moviestorm to have a look at the unselected scripts, since they will be written with Moviestorm in mind. So while, your script might not get selected for The Dark, it has a chance of being produced by another director.
I'll do my best to enter...and submit, it a solid script. Plans may see me cruising to CO for some skiing...Could be a last minute sprint to the gate, but I already have what i think is a cool solid script, in line with what is available.
If I can't get it in, please...everybody, understand that it's the female persuasion that is drawing me away this week. You know...kind of like a starving puppy that sees a free meal off in the distance. I'm a very hungry puppy these days.
Best of luck to all who choose to enter! Great theme, great opportunities for all. Bring it, people!!!!
You crack me up! I hope you find your free meal satisfying and stills your hunger.
As far as the writing goes, I know you can do it. I know you can whip something up in a hurry. I've written 2 now...are they good? Don't know...
Memwipe - Sci-Fi, Action, Thriller (114 pages) - In a world where memories can be erased by request, a Memory Erasing Specialist desperately searches for the culprit when his wife becomes a target for erasure -- with his former colleagues hot on his trail.
Just a playful joke my friend. Loyd Christmas was a man who spent his fortune to go to Colorado to find his true love. He spared no expense to travel cross country with his best friend to track down the woman of his dreams and announce his love for her. Your picture on your avatar reminds me of him dressed in his finest ski appearel. The problem is she stood him up in a bar only to find out she was with his best friend.
You're right, Michael...don't like Jim Carey at all. I used to literally not be able to even watch him, once he got going. He was much better in whatever that semi horror movie was about #'s. The Number 33, or something?
I get what you mean about Carrey's ability to get on one's nerves but surely "Eternal Sunshine of a Spotless Mind", "Man On The Moon" and "The Truman Show" rank among his best performances. "The Number 23" was horrendous (with a big fat) in my opinion (at the end)
Damn, thought I had a good idea, then I realized I needed children (a few of them, for about a second). I also need a large boulder (okay, everyone's adding 2 + 2 now).
If there are no children characters, can there at least be (O.S.) childrens' voices?
How's everyone coming along in their scripts? I haven't started mine yet, but I do have a workable idea...at least IMO. We'll see. I hope to start the actual writing tomorrow or Thursday.
There won't be any blue...or any color boulders in my script. There may be a goat, though...do we have goats available to us?
2/14 - 12/21 - scripts posted without author's names review, critique, comment, guess who wrote what 2/21 - Author's names revealed.
Michael,
Might be a dumb question, but just wanted to clarify that the above rules mean we submit our script with nothing but the title and copyright on it. Correct?
Might be a dumb question, but just wanted to clarify that the above rules mean we submit our script with nothing but the title and copyright on it. Correct?
2/14 - 12/21 - scripts posted without author's names review, critique, comment, guess who wrote what 2/21 - Author's names revealed.
Michael,
Might be a dumb question, but just wanted to clarify that the above rules mean we submit our script with nothing but the title and copyright on it. Correct?
Sort of...they are not really rules as this is not an official contest.
usually Don adds some fun fake author names to the scripts which he later changes back to the real author's names about a week later.
Yes, please do NOT put your name on the script. Part of the fun is trying to guess who wrote what.
Yes, Mike...you'll also want to make sure that when you click on the actual PDF, your name isn't there. You may have to download some extra software that will do that for you. Mike Shelton helped me before, and since I lost my computer recently, I'll need to find it again.
Mike, if you're there, do you remember how you led me to that?
First of all, that's a really cool 'Concept Reel', Michael. Particularly liked the spooky telephone shot.
Just also like to thank you for undertaking such a large job with the production of 6 shorts. Look forward to the end product and many more than 6 great scripts from this 'OWC'.
This challenge is great, 'cos it could mean produced work at the end of it. At the minute, I'm interviewing for prodcos for writer/producers roles here in Singapore, and almost every one of them seeks a 'Showreel'. Not having one, or next to no production experience, I've had to mock up samples, and am now only able to get my foot in the door by conceptualising TVCs, corp videos, etc to show what I am capable of. This challenge provides a fantastic opportunity to anyone looking to build a showreel up to help remedy such problems.
That's the crux of this challenge, it's such an opportunity to help aid the self-promotion of one's skills going forward. I've seen a lot of talk about people struggling to self-promote and the discussion in the SC, taps into it also. But that's another discussion.
Also, not necessarily pertinent to this challenge, and this suggestion may hint at a 'contest', but I did see a chap logging a new thread with a call to action for scripts his new company could produce, and I wondered if next time round, he/or another prodco that's part of the community could conceptualise a genre/theme and offer production at the end of it. I know it kind of lurks towards a contest, but is essentially just an extension of this current challenge.
Just food for thought.
In terms of a question: Is it easy enough to dress the same character in different outfits?
I'm really looking forward to seeing what great scripts you guys come up with too.
As far as a quick answer to your question is yes. But only within the same gender.
You can't dress a man in woman's clothing and vice versa. So no stories about transsexualism - sorry. I should make a post over at Moviestorm telling them they are excluding a whole segment of the population.
First of all, that's a really cool 'Concept Reel', Michael. Particularly liked the spooky telephone shot.
Just also like to thank you for undertaking such a large job with the production of 6 shorts. Look forward to the end product and many more than 6 great scripts from this 'OWC'.
This challenge is great, 'cos it could mean produced work at the end of it. At the minute, I'm interviewing for prodcos for writer/producers roles here in Singapore, and almost every one of them seeks a 'Showreel'. Not having one, or next to no production experience, I've had to mock up samples, and am now only able to get my foot in the door by conceptualising TVCs, corp videos, etc to show what I am capable of. This challenge provides a fantastic opportunity to anyone looking to build a showreel up to help remedy such problems.
That's the crux of this challenge, it's such an opportunity to help aid the self-promotion of one's skills going forward. I've seen a lot of talk about people struggling to self-promote and the discussion in the SC, taps into it also. But that's another discussion.
Also, not necessarily pertinent to this challenge, and this suggestion may hint at a 'contest', but I did see a chap logging a new thread with a call to action for scripts his new company could produce, and I wondered if next time round, he/or another prodco that's part of the community could conceptualise a genre/theme and offer production at the end of it. I know it kind of lurks towards a contest, but is essentially just an extension of this current challenge.
Just food for thought.
In terms of a question: Is it easy enough to dress the same character in different outfits?
Look forward to all of the scripts.
Andrew
I would be interested in doing such a thing. As it happens I've already spent a bit of time thinking about the mechanics of how it would work.
I've been spending a lot of time looking at internet marketing and recently met a guy called Scott Kirsner who is something of an expert in that field to put together a plan of action to raise awareness of my company.
I've come up with a concept that I think could be of mutual benefit to a number of us, along the lines we are discussing.
Yes, Mike...you'll also want to make sure that when you click on the actual PDF, your name isn't there. You may have to download some extra software that will do that for you. Mike Shelton helped me before, and since I lost my computer recently, I'll need to find it again.
Mike, if you're there, do you remember how you led me to that?
You have to adjust the properties. Go into the description portion, delete, and save.
Generally, it's one script per person during these challenges. As far as I remember it's called the Helio rule. But I also think it's informal and since a couple of other people seem to be entering two scripts and none of the other moderators or Don have chimed in against it - then I suppose it's ok to enter more than one but I'm going to check with Don about it.
At the risk of sounding mean, insecure and petty...are people going to be allowed to have more than one script selected as part of the six? Or, as the concept reel stated, will it really be '6 stories, 6 authors'?
Just aware there are better writers than me on here, that's all...
At the risk of sounding mean, insecure and petty...are people going to be allowed to have more than one script selected as part of the six? Or, as the concept reel stated, will it really be '6 stories, 6 authors'?
Just aware there are better writers on me, that's all...
It's as the concept reel stated 6 stories 6 authors.
At the risk of sounding mean, insecure and petty...
Not to mention we're having to compete with the likes of Pia "Queen Machinama", herself. If you've seen "Daddy Is Home" then you know we're swimming in shark-infested waters with her around.
And yes, I know this isn't a contest, but still...it's just not fair.
Not to mention we're having to compete with the likes of Pia "Queen Machinama", herself. If you've seen "Daddy Is Home" then you know we're swimming in shark-infested waters with her around.
And yes, I know this isn't a contest, but still...it's just not fair.
No one will know who submitted what. It's completely fair.
Not to mention we're having to compete with the likes of Pia "Queen Machinama", herself. If you've seen "Daddy Is Home" then you know we're swimming in shark-infested waters with her around.
Wow! Now I feel pressured to come up with really good stuff!...Hey! Did you just call me a shark?
Actually, the only reason I decided to give this a go is I needed a break from my feature and I love writing shorts and I've been whining for a looooong time about the OWC's being too "family friendly". When the dark assignment showed up, I felt it would be crummy of me not to take part.
Pia...I knew you'd be in...didn't I? Nice, that will be a great addition.
I better start the actual writing process...I seem to have a way of putting it off until the deadline starts looming.
I've got my story, my characters, and my settings. All should be very simple for eh machinma thing. I think you'll find it a bit different from my usual stuff, but some in here seem to know it's mine immediately. We'll see.
Hey, btw, I'm still trying to figure out where to download an Adobe thing so I can delete my name from the "document properties". Shelton helped me before but he doesn't seem to be able to this time, and I lost all my old E-mails with teh inof.
"If you aren't acquainted with Moviestorm, it wouldn't hurt to visit the site here. Once there check out the packages that are avialable in the Marketplace to get an idea of what sorts of sets and characters are available. Check out the Favourite or Top Rated videos to see these packages in action."
1) Having watched a number of machimina videos, it seems to me that camera movement is just as important as onscreen action. If we have specific camera moves in mind, would it frowned upon if we wrote them into the script? I know usually this is a big no-no, but since (if selected) we'd be working with the director and since this is a different kind of production, does that constitute an exceptional case?
2) You say that you should be able to find and include pretty much any prop that characters don't interact with. Can those props be active in any way? For instance (and neither of these examples come from scripts I may or may not be working on), a laptop where words appear on the screen, typed out without anyone touching the keypad...or a grandfather clock with a swinging pendulum...or a washing machine with clothes spinning round inside. You know, that kind of thing.
I know it must be pretty frustrating having to constantly answer all our queries. Much appraciated, Michael!
I once managed a feature in two days, but I can't knock scripts out for these competitions for love or money.
Remember the challenge with the boat, probably years ago now...I've still got an incomplete script from that I intend to finish one day....
I think it's helpful to have a deadline imposed on you as it forces your mind to focus and concentrate on the task at hand. I think it's Parkinson's Law that states that a task will swell in perceived importance in relation to the time alloted to it. So basically if you had a whole month to write a script, you would complete it in a month. But if you were told it had to be finished in five days you'd still find a way to get it done in time.
I know I procrastinate too much at times so I find these sorts of challenges useful. I have written one and am giving myself a day to try to get a second one finished. The quality might suffer some but I'll be happy just to get two scripts completed in time.
As for writing a feature in two days, now that's impressive! I can't imagine ever being able to knock out pages at that rate.
1) Having watched a number of machimina videos, it seems to me that camera movement is just as important as onscreen action. If we have specific camera moves in mind, would it frowned upon if we wrote them into the script? I know usually this is a big no-no, but since (if selected) we'd be working with the director and since this is a different kind of production, does that constitute an exceptional case?
2) You say that you should be able to find and include pretty much any prop that characters don't interact with. Can those props be active in any way? For instance (and neither of these examples come from scripts I may or may not be working on), a laptop where words appear on the screen, typed out without anyone touching the keypad...or a grandfather clock with a swinging pendulum...or a washing machine with clothes spinning round inside. You know, that kind of thing.
I know it must be pretty frustrating having to constantly answer all our queries. Much appraciated, Michael!
1. The usual rules about camera movement apply.
2. Animation of included items is not possible, with the exception of the lap top example you gave above.
But honestly, the point here is to do your best given the information you have. If I really think the script fits the series and I think the story is solid then I'll find ways to do the things needed or I'll have you write them out before production.
Good luck to everyone on this one. I started writing one for this but decided not to submit and work on developing more since I have a tendency in making things confusing.
Gabe
Just Murdered by Sean Elwood (Zombie Sean) and Gabriel Moronta (Mr. Ripley) - (Dark Comedy, Horror) All is fair in love and war. A hopeless romantic gay man resorts to bloodshed to win the coveted position of Bridesmaid. 99 pages. https://www.simplyscripts.net/cgi-bin/Blah/Blah.pl?b-comedy/m-1624410571/
Good luck to everyone on this one. I started writing one for this but decided not to submit and work on developing more since I have a tendency in making things confusing.
Gabe
C'mon Gabe - you can do it. Get that script in. You have over over 1 day to do it.
I would be interested in doing such a thing. As it happens I've already spent a bit of time thinking about the mechanics of how it would work.
I've been spending a lot of time looking at internet marketing and recently met a guy called Scott Kirsner who is something of an expert in that field to put together a plan of action to raise awareness of my company.
I've come up with a concept that I think could be of mutual benefit to a number of us, along the lines we are discussing.
I definitely think, post this 'OWC', that this should be given consideration.
I really am very excited to see what people have come up with for this, and the different approaches they've taken towards the challenge. If all the people who've said they're taking part actually do, then this could be one hell of a miniseries!
It's 2:35am here where I am in Oz and I've just submitted my first script (which is pretty fucking weird!) and have another 6-8 pages to complete if I want to get my second one finished. Getting tired already but I'm determined to get the second one in on time...
I'm really looking forward to seeing what you guys have come up with. It should make for a number of interesting reads.
I wanted to let you know that this time I will be taking notes rather than leaving comments. So you won't see my reaction in any of your script threads. If, after the OWC, you want my comments then let me know.
How are the scripts for The Dark going to be selected?
Well, it won't be by me alone. There's a few people that are reading scripts and helping with this process. I'll let them remain nameless for now and you may or may not see their comments in your script threads.
1. Electric Apricot (2006) aka "National Lampoon Presents Electric Apricot: Quest for Festeroo" - USA (TV title) 2. Alister Apricot Learns a Lesson (2009) (V) 3. Diary of an Apricot Cream (2006)
Oh finally, just submitted mine. Mine will be full of errors with a not-so-coherent story. Please have mercy.
FEATURE:
Memwipe - Sci-Fi, Action, Thriller (114 pages) - In a world where memories can be erased by request, a Memory Erasing Specialist desperately searches for the culprit when his wife becomes a target for erasure -- with his former colleagues hot on his trail.