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Had a few peeps read my first draft and got enough feedback to start on a second. A second draft is a rare thing for me in a OWC.
As for what makes a good script/story; well as all things in life it is about balance. A good story is one that people enjoy, understand and remember fondly. A good script is one that can be read easily, understand and visualise clearly. Combine the two, and you have it made. A lot of writers are good at one, or the other; rarely both.
A script without dialogue isn’t easy, anyone who attempts this OWC and enters deserves a pat on the back and secret masonic handshake in my opinion. I do imagine some will down score scripts for including unfilmables and a none dialogue script may include more unfilmables than the norm. But again just consider balance. If it’s mainly prose, then yeah it’s not a screenplay but a bit of artistic flair is good. Most produced (famous) scripts have unfilmables in them. Most notably with character descriptions.
It seems to be accepted inside the industry to have a character description which says less about what they look like and what they are wearing (which changes during production anyway) and more about what type of person they are. Similar some action is described not simply as exactly what we see on screen, but with a few words which describe the tone, mood and atmosphere of the setting far more eloquently than “The man enters the small house.” Balance Padawans, baalAAAANCE! (Falls off Luke Skywalker’s shoulders.)
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The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
Never written a short before. But when I read the rules / subject matter one just popped into my head. It's a lunch-break job but have to say - really enjoyed writing it. So I've thrown it into the mix.
Really busy at work, but I just thought of a short to write. Hopefully I can get it written after work tonight.
Award winning screenwriter Available screenplays TINA DARLING - 114 page Comedy ONLY OSCAR KNOWS - 99 page Horror A SONG IN MY HEART - 94 page Drama HALLOWEEN GAMES - 105 page Drama
I finally had a germ of an idea, but doesn't look like I'll have time to write it.
I don't enter a lot of these because with the one week deadline, I only really get a few hours to do the actual writing.
Food for thought, for the future, for those of us who work a lot of hours during the week - maybe announce the theme on a Monday, this way we have all week to think about it and then the weekend to write it?
Announcing on a Friday means I have to have an instant idea, and then have the bones in place by Sunday night.
The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
Bounty (TV Pilot) -- Top 1% of discoverable screenplays on Coverfly I'll Be Seeing You (short) - OWC winner The Gambler (short) - OWC winner Skip (short) - filmed Country Road 12 (short) - filmed The Family Man (short) - filmed The Journeyers (feature) - optioned