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Good title Well, I smiled when reading the logline: "finds his quest for answers takes him closer to the truth than he ever expected"
A sheer Picasso of saying nothing
P5 a slow burner so far – not bad at all, then, something should happen soon
I quickly rechecked the genre because this reads as a drama to me
P7 complete switch of tone here – feels like trash horror from here on…
The very last picture does not work for my taste… I like that you include the other characters in the end but the punch line must be better imo, if you eventually go that "trashy" route
It's a mixed bag for me. Until the tone shifts, I was really taking it serious to some degree and was interested what you do with his conspiracy tics. Then it all went a completely different route. I don't know: just asked myself why should I invest so much in that guy when suddenly the plotting comes out of left field and just drives over the build-up like a bulldozer.
Still, there is a lot entertainment, no doubt. But if it all ends in fun and games then better get in and out within a minimal timeframe. What else is there to learn? Why watch this guy for so long if it ends with eyeballs popping up from his body…
Good entertainment - just not balanced yet in case of its cinematic expression.
I'd lose all the camera directions, try and find a way to show us how you want a specific moment filmed rather than add camera directions, would read much better,
I enjoyed this, a slow build up to insanity. Brookes conversation with the courier guy was good stuff as was the eyeballs popping up around his body. What I would cut however is them appearing on Greenfingers.
I like the character. It's really authentic and complex in a delighting way. Although I'm not a fan of the transitions between some scenes here and sometimes got lost, is this screenplay an entertaining piece after all.