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Introducing an unseen character. (currently 2090 views)
Gage
Posted: January 4th, 2013, 10:46pm
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I'm sure this has been posted about before, but I'm not quite sure what to search in order to find the answer. The script I'm currently writing begins over black, with the protagonist speaking in VO. Should I give him a name in the character line? Or refer to it as "Voice" or "Our Unseen Protagonist"? I did something like this with Grid-Lock and I was never sure what was correct.
danbotha
Posted: January 4th, 2013, 10:52pm
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Is there any reason to hide the Protagonists name so early in the script, Gage? If not, I'd just give his name.
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Gage
Posted: January 4th, 2013, 11:23pm
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Nope, no reason. Just figured this was a technicality.
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Dreamscale
Posted: January 5th, 2013, 10:13am
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dogglebe
Posted: January 5th, 2013, 7:05pm
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Unless you want to keep the character's identity a secret, name him. Otherwise, it'll be confusing for the reader when you change his name. The only time when you keep a character's identity a secret is when you're writing a mystery, or something like that. Phil
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Gary in Houston
Posted: January 6th, 2013, 2:48pm
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Here's how Alan Ball wrote the intro to "American Beauty," He identifies Lester right off. No reason to hide the protagonist unless there is going to be a twist down the road. EXT. ROBIN HOOD TRAIL - EARLY MORNING We're FLYING above suburban America, DESCENDING SLOWLY toward a tree-lined street. LESTER (V.O.) My name is Lester Burnham. This is my neighborhood. This is my street. This... is my life. I'm forty-two years old. In less than a year, I'll be dead.
Some of my scripts: Bounty (TV Pilot) -- Top 1% of discoverable screenplays on Coverfly I'll Be Seeing You (short) - OWC winner The Gambler (short) - OWC winner Skip (short) - filmed Country Road 12 (short) - filmed The Family Man (short) - filmed The Journeyers (feature) - optioned
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Electric Dreamer
Posted: January 7th, 2013, 10:53am
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Only be mysterious if it's in service to your story.
You must have a legit narrative reason for the fancy-pants intro.
Don't throw devices at your script just to spice up a scene.
Just work the scene, don't worry about the fancy finish.
But if you're going to do it anyways, try this...
EXT. PARK - DAY A WOMAN jogs. SOMEONE watches her... CREEPY MALE VOICE (V.O.) One day, you'll be mine. Regards,
E.D.
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kingcooky555
Posted: January 7th, 2013, 12:09pm
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In "Phone Booth", the writer uses "Narrator" and then switches it to "Voice" when Keifer Sutherland is speaking on the phone. There's no hard rule - I think - as long as it's clear and the anonymity has a purpose.
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