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SimplyScripts Screenwriting Discussion Board    Screenwriting Discussion    The 2018 Writers' Tournament  ›  Control - WT Champion Round Moderators: Mr. Blonde
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  Author    Control - WT Champion Round  (currently 2526 views)
Don
Posted: April 27th, 2018, 8:10pm Report to Moderator
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So, what are you writing?

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Control by 0 - Short, Thriller - A CIA agent with a questionable past is called in to help his soon-to-be-president wife through an election night threat. 11 pages - pdf, format

Writer interested in feedback on this work



Visit SimplyScripts.com for what is new on the site.

-------------
You will miss 100% of the shots you don't take.
- Wayne Gretzky
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eldave1
Posted: April 28th, 2018, 1:17pm Report to Moderator
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Have read.  Will comment later


My Scripts can all be seen here:

http://dlambertson.wix.com/scripts
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DanC
Posted: April 28th, 2018, 1:34pm Report to Moderator
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Killing villains since 1980!

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Am I the only one confused??

Will say more later.

Dan


Please read my scripts:
http://www.simplyscripts.net/cgi-bin/Blah/Blah.pl?b-series/m-1427564706/

I'm interested in reading animation, horror, sci fy, suspense, fantasy, and anything that is good.  I enjoy writing the same.  Looking to team with anyone!

Thanks
Dan
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ajr
Posted: April 28th, 2018, 4:00pm Report to Moderator
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Dan,

I was confused the first time too, then I re-read it and *whispers to Dan because he doesn't want to say anything to bias other readers*

(0:


Click HERE to read JOHN LENNON'S HEAVEN https://preview.tinyurl.com/John-Lennon-s-Heaven-110-pgs/
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LC
Posted: April 29th, 2018, 2:53am Report to Moderator
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You begin with a nod to Jay McInerney?
Does the trick, but a bit lazy.

Bruce Bailey? Bruce Wayne, John McClane. Heroes by any other name.

He scans the world outside as it passes, hyper-aware, like a man with military
experience.


Could do better, but I get it. I'd delete the 'like'. And maybe use a word like military bearing/precision.

Okay, so it's clear the final denouement has to take place ten years in the future. It's election night 2028 in both scripts.

This line:
ELIZABETH
Always business with you.
Is pushing the credibility of the cool and witty repartee. She’s received a death threat after all.

Nice little touches of irony in their convo in the lift. The second Oprah line is funny, good pickup on the first reference.

Bit abrupt the segue from just one bang on the ceiling of the lift to Bruce throwing off his jacket to go after these unknown, unseen assailants.

Stay here.
I personally think this should be: Stay right there. Or: Don't move.

Clever touch and nice visual with the Dali.

Okay, there’s two realities here and a reference to correlate with Dali's Persistence Of Time perhaps? And we've gone a bit Matrix with the pill exchange and a bit Sliding Doors/ Sixth Sense?

I think I get it... No reaction from the others to the two of them bursting into the room/they stay still when the announcement comes in, and we hear celebratory response in the other rooms.

Still a bit confusing but...

A very slick, very self assured writer. A little stereotypically derivative and I swear, Bruce Bailey is John McClane!

Enjoyable read.






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RJP
Posted: April 29th, 2018, 2:50pm Report to Moderator
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Pretty good script. Congratulations.

Technically the writing is sound. Was a little confusing on the first read but second time through I think I got a handle on it.

Where I think the script is weak is with some of the behaviours of the characters. Also, the plot has some issues as well. I apologize if I missed something, but here are my thoughts:

I'm not a huge fan of "it was all a dream" surprise endings, so maybe I'm finding it hard to get that taste out of my mouth. The issue for me is when does the world become the one that lives in Elizabeth's subconscious? Bruce's encounter with the cheeky doorman must have been outside of her dream because Elizabeth is not there. Bruce flashes his gun and the doorman, who in my opinion, does not act appropriately for someone who has not yet verified the badge. Also, the fact that Bruce is even showing up with a firearm is at odds with the real reason he is there -- to help give his ex-wife her medication because she trusts him. But hey, maybe he was on duty before he got the call...

In the elevator, Elizabeth makes an Oprah joke just as she's been shot at. This didn't sit well with me, but might make sense in the realm of a 90's action flick. Later on her eyes are "wide with fear" I think is how you put it.

Bruce climbs the elevator shaft (I think) and pursues the shooter. They have an exchange of gunfire. But again, this is Elizabeth's mind and the story must revolve around her at all times. This could be solved by the director showing Elizabeth witnessing the gun-fight through the glass elevator.

The ending is a real thinker. The future President is not in "CONTROL" of herself if she's off her meds. This almost makes me think that the underlying theme is "pro guns". A hidden message that "guns don't kill people, people kill people." Bruce also seems to be a "pro gun" guy as well. I don't think many people would buy into that theme, but Clint Eastwood would probably dig it lol. Maybe I'm looking too far into that though :p

Good script overall. If my notes don't mesh with your writer's instinct then pay no attention and do your thang'. Good luck!

Revision History (1 edits)
RJP  -  April 29th, 2018, 7:01pm
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DustinBowcot
Posted: April 29th, 2018, 3:30pm Report to Moderator
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The writing is good. Mature. Current. Not too cheesy. Not my genre, but it's handled well, that's the main thing.

Best of the two, IMO.
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JEStaats
Posted: April 29th, 2018, 5:07pm Report to Moderator
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No sh*t, there I was....

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I'm impressed. Only once did I think the writing hit me in the nose (explaining her gun control platform Kinda obvious). The writing was crisp and quick. Never got bogged down or slow. The 'time cuts', for lack of a better term, confused me at first but I figured it out. If filmed, it would be easily interpreted, I think.

Overall, very cool. I haven't read the other one yet but fantastic work here. This was worthy of the finals.
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ajr
Posted: April 29th, 2018, 6:16pm Report to Moderator
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I read this once and was confused, then I read the other entry, and then re-read this, and it made more sense to me.

I think the writer had a great idea here, and was certainly handcuffed by the criteria. For me, the dialogue was pretty standard action fare, and in places it was expository. For example, why would Bruce not know she got seventeen notes?

Other things too like why Bruce was sent to the back of the line was played for comedy when I think it shouldn't have been (calling in the biggest, best gun, and they don't tell the velvet rope guy?).  And the DIE HARD elevator shaft thing - the pursuit of Elizabeth could have been handled a bit more creatively, IMO.

Also, I never really see a switch to Elizabeth's POV so (SPOILERS) I'm not sure how much of this she imagined and how much she didn't. (Did she imagine Bruce getting rebuffed in line?)

Again, good idea, however I think the execution was off in spots.  The twist ending is worth it and sort of explains what we've seen before, but I was taken out of the read a bit before I got to the ending.

AJR


Click HERE to read JOHN LENNON'S HEAVEN https://preview.tinyurl.com/John-Lennon-s-Heaven-110-pgs/
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SAC
Posted: April 30th, 2018, 7:02am Report to Moderator
Of The Ancients


… but some dreams do

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Writer,

A fine effort, however it didn't work for me on a couple levels. Not enough back story. It could be as much as a simple line of dialogue or two, or a well placed flashback. Whatever, I just didn't feel much connection to Bruce or Elizabeth. Second, the ending. I think I know what you were trying to do, but it didn't answer the question as to why.

Good work, but falls short.

Steve


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FrankM
Posted: April 30th, 2018, 12:43pm Report to Moderator
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This is great work under the time constraints, then again if the time was a huge problem then this person wouldn't be in the finals!

There was only one technical glitch I noticed, that ELEVATOR was a shot when it should have been its own scene, but otherwise nothing distracted from reading the story. Which is good, because it's a mind-bending story.

I've been called out in my own writing for too-sparse setting descriptions, but since these are real locations maybe it's not a problem. I would have at least mentioned the establishing shot was a skyline.

SPOILERS

As for the story itself, I think it cheats a bit when switching between reality and fantasy. Sure, she could imagine the gunfight, but it would be clearer if she witnessed it somehow, which might require ditching the elevator as the setting. But then the ending would have to change as well (hiding behind a statue -> hiding behind the copier), and I like the closet better.

Liberals and conservatives each think the other live in a fantasy world... cute how this story takes that literally.


Feature-length scripts:
Who Wants to Be a Princess? (Family)
Glass House (Horror anthology)

TV pilots:
"Kord" (Fantasy)
"Mal Suerte" (Superhero)

Additional scripts are listed here.
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AnthonyCawood
Posted: April 30th, 2018, 1:43pm Report to Moderator
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Hmmm, was initially confused by some of the plot here but then the end tied it back up for me an it made some sense...

However there were still issues for me even when I understood what was happening.

But it is well written, has some nice touches and is a good effort given the time constraints.


Anthony Cawood - Award winning screenwriter
Available Short screenplays - http://www.anthonycawood.co.uk/short-scripts
Available Feature screenplays - http://www.anthonycawood.co.uk/feature-film-scripts/
Screenwriting articles - http://www.anthonycawood.co.uk/articles
IMDB Link - http://www.imdb.com/name/nm6495672/?ref_=fn_al_nm_1
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jayrex
Posted: April 30th, 2018, 3:45pm Report to Moderator
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Cut to three weeks earlier

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For what it is, it's not bad.  I'll have to read the other script to see what the topic could be.


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khamanna
Posted: May 1st, 2018, 11:45am Report to Moderator
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This is very strong script.
I went through the comments - don't get why some felt confused. I wasn't, not for a second.

I didn't like that first scene - I think it doesn't accomplish anything.

The story read like a big scene in my head. The flow is very much there - nice.

Emotionally - it did elicit emotion from me. I think it could be more. Not sure how to do it, maybe you could kill off the guy completely or something and make her think that it was a choice between struggling for 2nd amendment or him... I might be not very clear here. Just want a bit more.
Still it's a very strong script. Nice work.
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JEStaats
Posted: May 1st, 2018, 1:33pm Report to Moderator
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No sh*t, there I was....

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I'm right there with you, Kham. I thought this was very strong and once I got my head around the cuts, it wasn't confusing at all. I loved the reveal/ending of the candidate losing control from the pressure and needing medication. Especially the candidates staff not relishing the victory and knowing the long road ahead of them.
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