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Can you do secondary headings for a one room location?
For example... INT. MARY'S CABIN - DINNER TABLE - NIGHT THE BED THE FIREPLACE.
Or do you think it's best just to keep it as Mary's Cabin and just chop it up as... INT. MARY'S CABIN - NIGHT LATER HOURS LATER
Or maybe even... INT. MARY'S CABIN - NIGHT INT. MARY'S CABIN - NIGHT INT. MARY'S CABIN - NIGHT (which I hate) Also. My other silly question was if you could just do a single heading like...
JOHN'S BEDROOM - NIGHT JOHN'S BATHROOM - NIGHT
Instead of doing this constantly... JOHN'S HOUSE - BEDROOM - NIGHT
Subheads for locations within a room are definitely a thing, but you'd only use them if you plan to switch back and forth between these sub-locations.
A situation that comes to mind would be cutting from an on-stage play to a couple whispering in the audience, or different workstations inside the Mission Control Room, or some badguy waltzing through a room while some innocents cower behind a desk.
If each sub-location only gets visited once, you're better off just describing the movements in action.
One formatting oddity: you are supposed to have at least one line of action between the main header and the first sub-head, so often you'll describe your first sub-location in action. It only gets a subhead when you return to it.
Edit: There are examples of properly formatting sublocations on page 26 of the Who Wants to Be a Princess? script and page 9 of the Timmy script. As of this writing, both are linked in my signature, but each script needs a lot of work so anyone happening upon this message in the future may need to hunt a bit.
Hey. Thanks for the advice guys. Hmm. I'm half tempted to just describe it in action now. But still leaning towards that play-like format. Same time, I'd hate to look amateur for the script reader.
Do you think I should just go with...
INT. MARY'S CABIN - NIGHT The family gather at DINNER TABLE.
INT. MARY'S CABIN - NIGHT The family gather in BED.
Or could I still get away with this...
INT. MARY’S CABIN - NIGHT Everyone gathers at the dinner table. John props up his rifle against the table. Close to him.
DINNER TABLE John shifts around in his seat. Awkward.
Because half the film is set in one room, the sub headings help to break it up.
Hmm. Would I still be able to do subheadings like...
THE BED THE FIREPLACE THE DINNER TABLE.
There's no dining room or kitchen. It's just one room.
Also. In another script I have... EXT. NEW YORK CITY - DAY The streets are chaos. BIRDSEYE VIEW OF THE CITY A hellscape filled with trash and crime. There’s something dangerous and maybe even intoxicating about this place.
Would I be able to get away with the birdseye view as a secondary header? Or perhaps I should just write it as...
EXT. NEW YORK CITY - DAY BIRDSEYE VIEW of the city. Its a hellscape filled with trash and crime.
Thanks Dustin. Yeah, I totally agree. It's all about a good story well told.
I read a few scripts today then realised they were making me nervous - both writers did entirely different things. I'm starting to think reading while deep into writing might not be a good idea - at least for confidence anyways.