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SimplyScripts Screenwriting Discussion Board    One Week Challenge    The April 2021 Challenge  ›  A Protocol - 04C
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  Author    A Protocol - 04C  (currently 1644 views)
Don
Posted: April 17th, 2021, 11:40am Report to Moderator
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So, what are you writing?

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A Protocol by N/A - Short, Drama - A rule-abiding employee falls prey to restrictions set by her employer. - pdf format

Writer interested in feedback on this work



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jayrex
Posted: April 17th, 2021, 12:43pm Report to Moderator
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Cut to three weeks earlier

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Interesting take on the story.

If I were to read the logline first then the story, I'd see where you're coming from.  

But when I read the story first, I thought possibly that Laura was a robot.  Given the lines that came her way.


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eldave1
Posted: April 17th, 2021, 3:56pm Report to Moderator
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Definitely meets the parameters.

Despite some solid writing, I have to admit I am a bit confused. In the opening, Laura sounds like a robot (almost ready to say there is more of a sci-fi) – but then when he talks about her injury I am convinced she is human.

I also got a bit lost in what it was exactly her role was with the plane vs the customer service center and also a bit lost on the ending – it’s starting over again because??

I’ll give this one another read later – I enjoyed the writing – I’m just a bit confused on first blush.


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JEStaats
Posted: April 17th, 2021, 5:33pm Report to Moderator
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No sh*t, there I was....

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I'm confused. Is she in a coma? She can't be A.I.

Great writing on display but I'm lost. It's thought provoking because of that but can't wait to hear the writer's intent on this one.

Meets the parameters, for sure. Good work, writer.
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AnthonyCawood
Posted: April 17th, 2021, 5:46pm Report to Moderator
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Hmm, meets the criteria but Laura comes over as too robotic, I thought she/it was a computer until later into the script.

And I'm not sure if it's clear, but how did her not telling Client Services cause a plane to crash?

Liked the idea of her being on an endless loop, but not sure how/why.


Anthony Cawood - Award winning screenwriter
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Geezis
Posted: April 17th, 2021, 5:58pm Report to Moderator
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Meets the parameters and written well but confusing. Laura cannot divulge personal information but clearly identifies herself to the caller. So not a robot but someone clearly affected by a traumatic incident in which she didn’t follow protocols and people died. Not sure if that’s right but it could be. The male caller could be a victims relative tormenting her. Good entry.
Well done.


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Claudio
Posted: April 18th, 2021, 12:34am Report to Moderator
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I liked the "purgatory" aspect of this one.

When Laura kept saying her dispatch number, it kinda took me out of the story. It felt like she was a short-circuiting robot, but I think she is supposed to be a soul stuck in a tortuous limbo.

Neat stuff~


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Gary in Houston
Posted: April 18th, 2021, 10:52am Report to Moderator
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So probably like everyone else, I thought Dispatcher 356189 was AI but the last couple of pages reveal she is not.  While this story is pretty interesting in the back and forth, it doesn't make sense to me.  How does a dispatcher have any control over what is happening with an airplane?  Maybe an air traffic controller, but not a dispatcher.  Kind of threw me for a loop there.  Otherwise well written and meets the parameters.  Best of luck with it.

Gary


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MarkItZero
Posted: April 18th, 2021, 2:08pm Report to Moderator
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I have to say I was enjoying the hell out of it when I thought she was a robot. When it started it had that vibe of a vengeful man trying to get satisfaction but we aren't sure she's really capable of feeling remorse. There's tremendous possibly there.

Still not sure she isn't a robot. There is a line where he says she doesn't have arms or legs. Maybe she's in purgatory as a robot because that's how she acted in that fateful situation, robotic?


That rug really tied the room together.
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PKCardinal
Posted: April 18th, 2021, 3:17pm Report to Moderator
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I'm confused. Too bad, too, because I was really digging this.

AI? No. Person? Yes. I think. But, robotic. Stuck in the machine. The caller is trying to get the person to see that they are stuck. Which, if that's the case, this might be stronger without the confusing (and not explained) airplane angle.

Well written and worth the read, but could be even better.


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Warren
Posted: April 18th, 2021, 5:53pm Report to Moderator
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Hi writer,

Is she stuck in some sort of limbo?

I'd be lying if I said I really got this one, sorry.

The writing and dialogue is pretty good but I just don't get it. I'll be interested to hear from the writer after the challenge as to what they were going for.

Congrats on getting an entry in.

All the best


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SAC
Posted: April 18th, 2021, 8:45pm Report to Moderator
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Writer,

Not too sure I understood what was happening here. Was Laura dead? And who exactly was the caller who knew so much? These questions need answers, at least to me. Some good bits of dialogue, but overall did not work for me.

Steve


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MarkRenshaw
Posted: April 19th, 2021, 5:20am Report to Moderator
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This is good, just needs some work to make it clearer. I think Laura was getting calls from every one of the passengers she failed to save. However, making her sounding robotic throws the reader off and it's not clear what her role was in the crash and what she did or didn't do and why, apart from just saying Protocol.

Solid effort, just needs more.


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Matthew Taylor
Posted: April 19th, 2021, 9:48am Report to Moderator
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Hi Writer

You should have stuck with the A.I element rather than making her human who died(?) of a stroke. An A.I that fucked up because they couldn't reason or think as a human but then this caller, a ghost(?) forces feelings out of them, an evolving A.I who succumbs to mans biggest strength and flaw... emotions!

A valiant effort which with some work could end up being really good!

Best of luck

Matt


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ReneC
Posted: April 19th, 2021, 7:10pm Report to Moderator
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Hmm...this is murky for sure. I also thought she was a robot at first, but then it's clear she isn't. It might be that she's so traumatized by her failure to speak up about a problem with the plane that she's disassociated with reality, and her guilt is manifesting in this weird loop to punish herself. Which is cool, but I'm stretching really hard to come up with that because it isn't really on the page.

The dialogue is really good. I actually liked her using her dispatch number as an identity. It's just a shame the ending is clouded in confusion. Otherwise a solid entry.


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ghost and_ghostie gal
Posted: April 19th, 2021, 9:35pm Report to Moderator
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Ok, fudged my way through a second pass, Initially, I was a bit lost at sea.  I bit more clarity upfront would help. No qualms with the writing. Good bits of dialogue. Anywaz, best of Irish luck! -A


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Craig Macken
Posted: April 20th, 2021, 3:58pm Report to Moderator
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There is a lot in this. And I'm reading very chilling horror here, not drama. The Male Voice getting inside her head and reducing her to a robot.

Unless I'm reading it wrong... in which case, I'm as lost as Laura.

It's very well written though, and could be a great idea for a longer story.

Cheers
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Gum
Posted: April 20th, 2021, 4:19pm Report to Moderator
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Hi writer,

To be perfectly honest, I’m not sure what transpired here. I get a consensus that we’re dealing with an AI model, or integrated transmission grid of some airline that has farmed their existence over to a AI data system (booking, flight log info, arrivals, departures, etc.), or a training protocol pipeline run by a nefarious Alphabet agency…

I’ll try to explain it with a reference:

Jake Gyllenhaal starred in a movie called ‘Source Code' (2011), here’s the synopsis.

Army Captain Colter Stevens (Jake Gyllenhaal) finds himself working on a special program where his consciousness can be inserted into another human being. The only catch is he can only be there for 8 minutes at any given time. That morning, a bomb exploded on a commuter train just outside Chicago. He occupies the body of teacher going to work on that train and is confused as to what he is doing or why he is there as his last memory is of flying his helicopter on a combat mission in Afghanistan.

That’s my best guess as to where you might be heading with this script. Hope that resonates with what you were going for, not exactly, but in the same vein. It’s urbane yet twisted, best of luck.  
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Zack
Posted: April 20th, 2021, 5:50pm Report to Moderator
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Strange tale. So Laura is in some sort of limbo? I like it, but I can't help but feel like I don't fully understand it. Good job on meeting the challenge.
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irish eyes
Posted: April 20th, 2021, 7:53pm Report to Moderator
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I had to reread this and I'm still confused.

Laura is a robot in limbo.  That repeats itself from some guy who trying to make her remember, that she is responsible for a plane crash,  even though she is only a dispatcher !!!

I'm really confused on this one

Good job on entering


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MarkD
Posted: April 21st, 2021, 2:34am Report to Moderator
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Another Twilight Zone-esque story. Nice bits of dialog. There's no title page for some reason but that's a minor point.
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Spqr
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Laura keeps having the same “experience” over and over because of her overwhelming guilt over having followed protocol. I doubt any company would institute any policy that would result in loss of life (especially with personal-injury attorneys a dime a dozen), so the protocol that Laura followed seems like a MacGuffin. In any event, what would a dispatcher have to do with okaying an airliner to fly? What if, instead, she’s a TSA agent who let a bomber slip through?
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Rob
Posted: April 23rd, 2021, 6:05pm Report to Moderator
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Seems like this dispatcher is in hell. This is a lesson to anyone who blindly follows protocol.

It would help to make the dispatcher's crime more clear. What role does this dispatcher play in the airport and what power does she have to inform flight crews about problems?

There were times when I thought the dispatcher was a robot.

The dispatcher says that she is sorry, but is doomed to repeat the call. Is there anything she can do to get out of this loop?

I like this generally, but there are some loose ends, which is the case for many scripts.
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khamanna
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I work as an interpreter and it kills me that I can't express my opinion during the interpretation even if I know better than the two conversing parties.
Expressing an opinion is against the protocol at work. But my opinion is often based on the talk. They talk and I take notes - it's so easy to be the king and know everything better than them.

Usually it's doctors with their patients. And the patient may tell the doctor her story, the doctor interrupts, I don't get to finish the translation, the patient starts retellng but misses the important bit, the bit she may have mentioned before but got cut off. Or started mentioning and I inferred the thing she was saying before. In the first case if she every said something important, I can interfere and with the use of different protocol let the doc know. If I inferred something - I can.
So, I wrote about a woman stuck in a limbo with her conscious. But I forgot you don't do the same job as me and can't know what I'm talking about. It's an easy fix, I got it right after I submitted. And the fact she's not a robot is an easy fix to.

Although Matt's suggestion - to make it all about a robot is a good one. It would be fun to read if someone wrote it. Maybe Matt should write it

Thanks for the reads, suggestions etc. And sorry to confuse each one of you. Each one, man
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PKCardinal
Posted: April 25th, 2021, 12:06pm Report to Moderator
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Quoted from khamanna
I work as an interpreter and it kills me that I can't express my opinion during the interpretation even if I know better than the two conversing parties.
Expressing an opinion is against the protocol at work. But my opinion is often based on the talk. They talk and I take notes - it's so easy to be the king and know everything better than them.

Usually it's doctors with their patients. And the patient may tell the doctor her story, the doctor interrupts, I don't get to finish the translation, the patient starts retellng but misses the important bit, the bit she may have mentioned before but got cut off. Or started mentioning and I inferred the thing she was saying before. In the first case if she every said something important, I can interfere and with the use of different protocol let the doc know. If I inferred something - I can.
So, I wrote about a woman stuck in a limbo with her conscious. But I forgot you don't do the same job as me and can't know what I'm talking about. It's an easy fix, I got it right after I submitted. And the fact she's not a robot is an easy fix to.

Although Matt's suggestion - to make it all about a robot is a good one. It would be fun to read if someone wrote it. Maybe Matt should write it

Thanks for the reads, suggestions etc. And sorry to confuse each one of you. Each one, man


Wow. I actually really like the story you just told about the dr, the patient and the interpreter. You should write that one up. It could be REALLY powerful, especially as a statement on the failures of communication and/or the treatment of women by male doctors.


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khamanna
Posted: April 25th, 2021, 12:45pm Report to Moderator
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Quoted from PKCardinal


Wow. I actually really like the story you just told about the dr, the patient and the interpreter. You should write that one up. It could be REALLY powerful, especially as a statement on the failures of communication and/or the treatment of women by male doctors.


That sounds a complicated redo. And also it would be a very sad story too close to real life and too believable.

But I had to translate a talk once that churned my guts. A woman was complaining about a pain in her abdomen. She was scared to eat and couldn’t sleep at nights. But the nurse was like - well, ok, I’ll tell the doc sometimes this week. The nurse’s reaction was so unbelievable that I want to think it was a mock call. They do these sometimes to test our usage of protocols

Thanks PK
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Craig Macken
Posted: April 25th, 2021, 7:46pm Report to Moderator
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Quoted from khamanna
I work as an interpreter and it kills me that I can't express my opinion during the interpretation even if I know better than the two conversing parties.


I hear you, Khamanna, and I feel for you. In my work, I've experienced international contract negotiations through an interpreter. I know it's a very difficult, stressful and thankless task.

The interpreter then was well qualified to contribute to the discussion, but she wasn't allowed to... which I found frustrating. Just like you. I felt for her then, and I feel for you now.

I could go on, but I won't.  Thank you for sharing. Take care.
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khamanna
Posted: April 25th, 2021, 10:28pm Report to Moderator
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Thank you Craig. It's very much true.

Also, I noticed that I form a very educated opinion which is almost like not an opinion since it's almost a fact. I form opinions because I take notes. So their conversation is more in my memory and is given more attention from me rather than from them.
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