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Visual effects can be done on a home computer these days, and they can look damn good if the director knows how to shoot for VFX. Making assets like flying futuristic cars or spaceships would be more expensive than things like fire or explosions or gigantic holograms.
I wouldn't DQ any script for budget based on VFX unless you know what it would take to make it happen. Even VFX that might be expensive on the page can be done for cheap as long as the filmmakers aren't worried about how it actually looks.
Visual effects can be done on a home computer these days, and they can look damn good if the director knows how to shoot for VFX. Making assets like flying futuristic cars or spaceships would be more expensive than things like fire or explosions or gigantic holograms.
I wouldn't DQ any script for budget based on VFX unless you know what it would take to make it happen. Even VFX that might be expensive on the page can be done for cheap as long as the filmmakers aren't worried about how it actually looks.
Concur - and in my case, I don't know enough to know (Donald Rumsfeld?) . For example, there was one script I liked with a toilet that disappears into a wall revealing a chasm beneath, If that was physically done I assume it would be expensive. I just assumed that there would be a cheap VFX way to make that happen,
Visual effects can be done on a home computer these days, and they can look damn good if the director knows how to shoot for VFX. Making assets like flying futuristic cars or spaceships would be more expensive than things like fire or explosions or gigantic holograms.
I wouldn't DQ any script for budget based on VFX unless you know what it would take to make it happen. Even VFX that might be expensive on the page can be done for cheap as long as the filmmakers aren't worried about how it actually looks.
I didn't DQ any although I thought several did not meet the horror and/or sci-fi element so I rated all - note - seems to be that DQ/did not read have the same impact on the scoring anyway - just not counted. So I think if you wanted to downgrade a script for not meeting the parameters you would actually have to downgrade your rating for that factor rather than DQ ing it.
Anyway - the budget one in Sci/Fi horror ones are a bit of a challenge for me to assess since I don't know what is easily done with cheap computer animation vs. costly special effects. i.e., I can kind of tell when a drama or a thriller is going to be expensive - but sci-fi - horror images are much harder for me to get my arms around given the state of technology.
No DQ’s here, but as the challenge had a specific budget theme, not an open budget, I have kept that in mind, but only on a couple, the rest I have let fly.
I seem to be more relaxed on the genre element- again, the right music, angle, colour of shot etc can change a script.
This made me think. On the dystopian angle, which occurred a few times, I would love an open budget, give it all, challenge - what bleak future we could all predict. Spooky.
The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
No DQ’s here, but as the challenge had a specific budget theme, not an open budget, I have kept that in mind, but only on a couple, the rest I have let fly.
I seem to be more relaxed on the genre element- again, the right music, angle, colour of shot etc can change a script.
This made me think. On the dystopian angle, which occurred a few times, I would love an open budget, give it all, challenge - what bleak future we could all predict. Spooky.
The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
Did you not see we turned The Dollmaker into a short film? I helped produce it and just a few days ago it went over 17 million views on YouTube. They are working on a feature version at the moment and keeping me in the loop, which is exciting.
This seemed not as easy a challenge as I hoped it might be.
Still, it's not called a challenge for nothing.
A few people nailed the criteria.
I notice where writers decided to just go with one genre they just omitted the horror or SciFi element under the logline, sometimes even added drama etc.
Regardless, I am super grateful for the turnout and the enthusiasm.
When I first read the parameters, I thought it was going to be easy. After a week of thought, I had nothing. I wrote mine in :30 minutes just before the bell with an idea from my daughters friend that happened to be visiting. Otherwise I'd be sitting this one out.
I've had the same thing happen with OWCs - something clicks, or opens up that I didn't think of before. I think it was an opening image - close up of an eye, or something - I think Dave pointed it out and then we created a thread in Screenwriting Class, I'd have to look it up again... Yep, here it is:
The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
Ratings done. My takeaway is that sci-fi and horror are not as close as they might first appear. Dystopian visions of the future are chilling but not in the same way as the gut-punch visceral shocks of horror. Tough challenge.
I kept a handful of his scripts from Movie Poet. Great stuff.
Having not read his stuff before, I looked him up on this site. Damn. Good stuff. (Though, I read his short "Numbers" and recognized it. Have no idea where I ran into that one before.)
PaulKWrites.com
60 Feet Under - Low budget, contained thriller/Feature The Hand of God - Low budget, semi-contained thriller/Feature Wait Till Next Year - Disney-style family sports comedy/Feature
Many shorts available for production: comedy, thriller, drama, light horror