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The Victor House by me - A distraught couple fight over an ill-fated decision and process loss within the walls of their worn Victorian home. Short, Drama
Nothing Compares To You by S. O'Connor - A man resorts to desperate measures to win back the affections of his one true love. Short, Drama
Slayers by J. F. Cooper - Two police officers argue what to do after an avoidable killing. Short, Drama
The Edison Doll by Not Edison - Will a childhood toy deepen rifts or heal the pain of the past? Short, Drama
Homecoming by Anon - A woman visits her childhood home to finally put the past behind her. Short, Drama
Missus by Dr. Vladmir von Vanple - A woman in her sixties seems very nervous to reconnect with a younger man from her past. Short, Drama
Dark Corners by blank - A daughter risks herself to get her father desperately needed help. Short, Drama
Fish to Fry by Ron Popeil - A fisherman loses his girlfriend and his record for the largest catch. Short, Drama
Devil and the Deep Blue Sea by Sir Lancelot - After a tragic accident, a nun faces a moral crisis when her son’s left in a coma... Short, Drama
Whatever's Left by Last Minute Guy - For how long it can go? Short, Drama
Read and commented, and again the standard here is pretty high in a challenge that I think threw a few people out of their comfort zones... thanks for running it Yuvraj!
Challenge: Depict a harsh, realistic, and emotionally stirring estranged relationship between the characters. NO GORE. NO EXTREME VIOLENCE.
Genre: Open. If comedy (of any sub-genre), it has to be sarcastic which highlights the tension.
Script length: Write 1-5 pages of properly formatted script.
Characters: Two main characters (between spouses [please go beyond this one], friends, siblings, colleagues, etc.)
Criteria: You HAVE to include a THIRD VARIABLE which can be a PERSON OR an OBJECT. The third variable can be the cause of the whole situation or the solver of it - it is entirely up to you. But it must be a VITAL part of the story.
Here's the BOMBSHELL --> The THIRD VARIABLE will be present for only ONE PAGE of the entire script.
One-page disclaimer: If you introduce the third variable on any page of your script, it has to be done and completed on that page only. NEVER to be SEEN again. So it's better if you introduce the third variable at the beginning of the page.
Of course, you can mention the third variable in your dialogs.
Locations: As many as you need. (Although, budget-wise you should aim for a single location)