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SimplyScripts Screenwriting Discussion Board    One Week Challenge    September, 2020 One Week Challenge  ›  Unlawful Duties - OWC Moderators: LC
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  Author    Unlawful Duties - OWC  (currently 942 views)
Don
Posted: September 18th, 2020, 11:56pm Report to Moderator
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So, what are you writing?

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Unlawful Duties by Bette Davis - Short, Thriller - Two dirty cops investigate a Hobo in an alley at what cost?

Prompt: It's a dead end. What now?  - pdf format

Writer interested in feedback on this work



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Fais85
Posted: September 19th, 2020, 7:53am Report to Moderator
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Well written. Kept me hooked until the end.

The reveal is shocking but a little underdeveloped. I understand the page limit. I am sure this can be turned into a brilliant short with a little additional information.

Good job.
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eldave1
Posted: September 19th, 2020, 1:26pm Report to Moderator
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Some descriptions could be more efficient. An example:
This


Quoted Text
The alley is illuminated by a dimly lit streetlight which flickers on and off.


Crisper as:


Quoted Text
The alley is illuminated by a dim, flickering streetlight.


And this:


Quoted Text
HEADLIGHTS appear they shine directly on the Hobo.


Approaching HEADLIGHTS shine directly on the Hobo.

Really something you can look at throughout.

You also have a lot of long sentences that should be broken up into smaller complete sentences.

The dialogue was just okay for me.  Typical cop stuff

I liked the distraction of the card game.


My Scripts can all be seen here:

http://dlambertson.wix.com/scripts
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JEStaats
Posted: September 19th, 2020, 3:53pm Report to Moderator
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No sh*t, there I was....

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Didn't see it coming, so good work there. Seems to have been written in haste as there are a lot of missing commas. A LOT of them.

Dialogue was decent enough but it lacked realism for me. It just didn't sound natural. Having both cops shoot the hobo in the end was a bit much but I think I see where you were coming from.

Good job, writer.
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greg
Posted: September 19th, 2020, 4:08pm Report to Moderator
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Oh Hi

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I like the concept of this one, but was distracted by the abnormal amount of grammatical and punctual errors throughout the script. I always think of those types of flub-ups as speed bumps; they're gonna happen, obviously, but when they repeatedly occur (particularly in a few short pages), they completely distract from the story at hand. That's what happened here.

As a side, I'd also drop "officer" when Beyer and Horton are speaking. I felt like it added a little extra clutter to the page. We know they're both officers, so I think they're names are sufficient enough.

The story itself I did like. In such a short amount of time you managed to make these cops come off like pricks, then give us a complete 180 where there's justification for what they were doing. Kudos on that.

The big issue here was really just the grammatical issues. Clean those up and you have something nice on your hands.

Greg



Be excellent to each other
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MarkD
Posted: September 19th, 2020, 6:49pm Report to Moderator
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This was great. I'm a sucker for corrupt cop stories, and this did not disappoint. The dialog in this was "killer" as well.
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AnthonyCawood
Posted: September 19th, 2020, 7:14pm Report to Moderator
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This needs a lot of tidying up, which I'm gonna assume is down to the constraints of the challenge.

Thought it started well and there's some good back and forth, though they are really talking to the Hobo rather than each other.

Didn't think the end really fit what had gone before though... might work if it was had less humour and more darkness.


Anthony Cawood - Award winning screenwriter
Available Short screenplays - http://www.anthonycawood.co.uk/short-scripts
Available Feature screenplays - http://www.anthonycawood.co.uk/feature-film-scripts/
Screenwriting articles - http://www.anthonycawood.co.uk/articles
IMDB Link - http://www.imdb.com/name/nm6495672/?ref_=fn_al_nm_1
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jwent6688
Posted: September 19th, 2020, 9:39pm Report to Moderator
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Wherever I go, there Jwent.

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Lots of errors in this but it didn't stop me from reading it. I liked the dialogue between the cops. It felt real and sinister as they toyed with the hobo. And if that hobo really did kill that girl I wouldn't even call them that dirty.

Still, I was left almost thinking they got the wrong man based on the mannerisms of the Hobo. Like he just found her dead body and took some of her things for himself.

If you rewrite this, and I think you should, I would give the hobo more lines and draw into his character more. You could definitely play this scene out for another page and give it more impact.

Good work.

James


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MarkRenshaw
Posted: September 20th, 2020, 8:33am Report to Moderator
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Met the requirements nicely.

Kept me gripped until the end and then it all went a bit haywire when they introduced the dead girl element which seemed to come out of no-where. Instead of a shocking twist, it detracted from the story.

Easily fixed with another draft and an excellent start. I do recommend working on this more outside the OWC.

-Mark


For more of my scripts, stories, produced movies and the ocassional blog, check out my new website. CLICK
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LC
Posted: September 21st, 2020, 4:27am Report to Moderator
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Thoroughly engrossing... But I want Hobo to be innocent! Someone else needs to be in the mix, some twist or have one of Hobo's lines be that he didn't do it, or he at least shakes his head, no.The underwear falling from his pocket was ick.

You followed the parameters and the story suited minimal dialogue from Hobo.
I think you were in a rush with this one but I'm glad you got it over the line.

Dialogue was a perfect fit for the characters.


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Spqr
Posted: September 21st, 2020, 1:58pm Report to Moderator
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Good script. Horton and Beyer exemplify people who have power, but not the moral fortitude to use it wisely. In their case, the law sometimes gets enforced, but not always in a lawful manner. The bad cop/worse cop routine was well executed, but those knife wounds in the Hobo’s hands are going to be hard to explain…
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irish eyes
Posted: September 21st, 2020, 5:23pm Report to Moderator
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There`s too much blood in my alcohol

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Limited to the parameters I guess which is why you killed the Hobo off although I personally think you should have found another angle.

The 2 dirty cops play out the dialogue nicely without overdoing it.
The ending was a little extreme and a little rushed it seems.

Good job on entering


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Dreamscale
Posted: September 23rd, 2020, 5:24pm Report to Moderator
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Logline is very poorly written, which is not a good start.

1st Slug is dreadful, and I have this hunch the script will be riddled with errors - let's see...

Sentence structure is terrible.  Almost like you have no clue how to write grammatically correct sentences.

Comma use is also terrible.

Sorry, the writing is way too bad for me to get through this.  Dialogue is far from good, and I'm confused as to the 3 characters - wasn't it supposed to be 2 only?

You need to learn how to write.  It's not that difficult.  Now way you can be taken seriously with this amount of mistakes.
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LC
Posted: September 23rd, 2020, 5:40pm Report to Moderator
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Jeff, two characters, but there can be a third character or third variable.

The Third Variable may be in the form of a time element, audio element, object, animal, impediment, etc.

NB: If you choose a third character as your Third Variable this character will be allowed to speak only three lines of dialogue.

https://www.simplyscripts.net/cgi-bin/Blah/Blah.pl?b-0920/m-1599881150/s-0/


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Dreamscale
Posted: September 23rd, 2020, 6:06pm Report to Moderator
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Quoted from LC
Jeff, two characters, but there can be a third character or third variable.

The Third Variable may be in the form of a time element, audio element, object, animal, impediment, etc.

NB: If you choose a third character as your Third Variable this character will be allowed to speak only three lines of dialogue.

https://www.simplyscripts.net/cgi-bin/Blah/Blah.pl?b-0920/m-1599881150/s-0/


Gotcha.  Thanks.  I guess I thought that if there was a 3rd character, that character would not be a main character, as used here, but I didn't read the entire script, so who knows, but the Hobo sure seems to be the central element of the story.
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