All screenplays on the simplyscripts.com and simplyscripts.net domain are copyrighted to their respective authors. All rights reserved. This screenplaymay not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.
I'm in agreement with Rick on the date, if you're going to make a cut-off. 1960 seems to be a smart choice and fully encompasses what I think the intention of this OWC was meant to.
Some would say Michael Myers, at 30+ years, is a "classic" movie monster. It is not a dumb question. .
It is not, and I would have to agree that I would include Michael Myers, Jason Voorhees, Freddy Krueger, and even your main man, The Tall Man, into the "classic movie monsters" list.
My comment was actually made in loving memory of Movie Poet. No matter how simple Chris made the assignment, there would still be a hundred questions about what he really really meant and if this and this and this would be allowed. If he said comedy/cheese, people would demand he defined comedy since everyone's sense of humor is different and what kind of cheese did he mean? At what stage in the cheese making process does it start to turn into cheese. Lol! I think you knew that.
The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
I agree that you can argue that Michael, Freddy, Jason etc are iconic, but the 'classic monsters' are usually defined as the Universal ones that have already been called out earlier on in the post.
Is Chucky a "classic"? Or (God forbid) the Leprechaun?
Or maybe just clarify that "classic" is defined by each individual author -- then let folks argue about what actually qualifies once the scripts are up?
Since one of the points of the exercise is to come out of this with a viable script for production, using Krueger, Jason or Chucky, while arguably 'classic' horror monsters (perhaps 'silver' age classic), would limit the marketability of the script.
The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr