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SimplyScripts Screenwriting Discussion Board    The Business of Scripts    Copyright  ›  Ownership of script premise?   Moderators: eldave1, AnthonyCawood
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  Author    Ownership of script premise?    (currently 2410 views)
BarryJohn
Posted: September 13th, 2020, 1:28am Report to Moderator
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A production company approached me, wishing to option (free) one of my short scripts. BUT, they want me to remove a clause in my agreement; I retain all rights to the story and premise, that I may use for any further scripts and or sell.

If I remove this clause? Will they own the rights to the script... In that they can sell it and or co-produce it to a profitable feature movie?

I SMELL A RAT!  - I fell I should walk away?  Any advise please?

The script in question is, They just peasants, which is a 23 pager... and has potential for a T.V / CABLE movie.    


Who am I? A man with a hundred stories... you want to read one?
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AnthonyCawood
Posted: September 13th, 2020, 3:51am Report to Moderator
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Yes, you'd essentially be losing rights to the script, which given this is a free option wouldn't be something I'd do.

With free options of shorts I usually include something that explicitly allows them to make ONE short film from the short script, nothing else... and that I can re-sell, re-write etc.

Occasionally they'll ask for some sort of exclusivity so they don't end up with multiple versions of the same film hitting festivals/online at the same time, which I'll happily consider.


Anthony Cawood - Award winning screenwriter
Available Short screenplays - http://www.anthonycawood.co.uk/short-scripts
Available Feature screenplays - http://www.anthonycawood.co.uk/feature-film-scripts/
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eldave1
Posted: September 13th, 2020, 10:38am Report to Moderator
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This is a no-brainer NO.  What possible reason would you have to do this?

Think of it this way. Someone asks to borrow your car for free. As part of this favor you are doing for them, they would like you to waive your ownerships right to the car. Would you ever, ever do that?

Just FYI - here is the agreement for free use that I developed.


Quoted Text
PREAMBLE

There is an agreement below. What is means in plain language is that you get to make a film from my script for free. However, I retain ownership of the script unless at some time in the future you decide to pay me for the script and I decide to accept your offer. It is crafted in a way to allow students and new filmmakers a chance to film something at no cost for the written material.  Here are the terms:

AGREEMENT
I, David Lambertson,  grant  (name of student or producer) permission to use my screenplay (title of script)  for purposes of creating a film version of the story.  No payment is required for this permission.

This permission is not intended to transfer rights to the script or otherwise create an “option” to own the script. It is simply intended is permission to film the story. This means:
•     The script remains the property of David Lambertson.
•     David Lambertson at his sole discretion may allow others to use the script.
•     David Lambertson may sell the script at any point in the future.
•     At any time, David Lambertson may submit this script to contests at his discretion and any and all proceeds from contest awards are 100% his.

Nothing in the above is intended to impede or restrict the filmmaker’s (insert name) ownership of their completed film or infringe on their rights to that product. In other words, if they (insert name) complete a film based on the free permission granted to use the script,  any subsequent use,  sale or option of the script by David Lambertson to any party does not infringe on (insert filmmaker’s name)  use of the script for their film.

Unless otherwise indicated below, (insert name of filmmaker) is entitled to all proceeds and awards from festivals that the completed project is submitted to other than any and all awards that directly relate to writing. Those belong the David Lambertson.

David Lambertson will receive sole and full writing credit for the script and will be recognized in the credits as the sole writer on the filmed version as well as in any future marketing efforts, submittals to film festivals, IMDB profiles and all other public displays of the script or the film.
No changes or modifications to the script will in any way create a co-writer credit. David Lambertson is the sole writer.

The filmmaker (insert name here) agrees to complete the film within (indicate time frame) of receiving this permission and will provide David Lambertson access to the completed project through either a hard copy (DVD) version or a link to a web-site hosting the film.  

The filmmaker (insert name) may at any time within (insert timeframe) tender an offer to David Lambertson to option or purchase the rights to this script. Whether to accept such an offer will be at the sole discretion of David Lambertson. Should the film not be completed within (insert timeframe) the permission to use the script is revoked.


I would NEVER NEVER EVER EVER give away my rights to my work for someone who did not pay for it.  


My Scripts can all be seen here:

http://dlambertson.wix.com/scripts
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BarryJohn
Posted: September 13th, 2020, 11:42am Report to Moderator
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Thanks guys. you concurring to my thought of... walk away.  


Who am I? A man with a hundred stories... you want to read one?
Analyst, mentor, competition reader/judge, film critic, magazine article/blogger.  
https://simpsonliteraryagency.com/script-analyst
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Yuvraj
Posted: September 13th, 2020, 11:47am Report to Moderator
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Quoted from BarryJohn
Thanks guys. you concurring to my thought of... walk away.  


Yep. Walk away.

Hope someone else with appropriate and suitable clauses approaches you for your script.  


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FrankM
Posted: September 13th, 2020, 5:43pm Report to Moderator
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Quoted from eldave1
This is a no-brainer NO.  What possible reason would you have to do this?

Think of it this way. Someone asks to borrow your car for free. As part of this favor you are doing for them, they would like you to waive your ownerships right to the car. Would you ever, ever do that?

Just FYI - here is the agreement for free use that I developed.



I would NEVER NEVER EVER EVER give away my rights to my work for someone who did not pay for it.  


That looks like an excellent agreement for a free option, though I'd be leary of using language that transfers the rights for my script to some David Lambertson character


Feature-length scripts:
Who Wants to Be a Princess? (Family)
Glass House (Horror anthology)

TV pilots:
"Kord" (Fantasy)
"Mal Suerte" (Superhero)

Additional scripts are listed here.
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eldave1
Posted: September 13th, 2020, 6:03pm Report to Moderator
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Quoted from FrankM


That looks like an excellent agreement for a free option, though I'd be leary of using language that transfers the rights for my script to some David Lambertson character


Yes.  Exclude him


My Scripts can all be seen here:

http://dlambertson.wix.com/scripts
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Grandma Bear
Posted: September 13th, 2020, 6:26pm Report to Moderator
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My rules are simple and there's a reason for that.

Do you want exclusivity? If so, you have to purchase the script.

Don't need exclusivity? The script is free to use, but I will have sole writing credit no matter how many changes you make.

I make sure there is an email chain I can refer to if anyone gets cranky later on. Where in our email conversation does it say this or that? This usually shuts them up right away when they realize that THEY should've made sure they want exclusivity or such. Keep it simple.


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Robert Timsah
Posted: September 13th, 2020, 9:43pm Report to Moderator
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Interesting. I guess I would have them elaborate on their concerns first to understand where they're coming from. Then decide. But of course, feel fully free to run away


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ReneC
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Wait a minute...it's an option, isn't it? They aren't asking for the script for free, are they?

If they are optioning the script, they don't want you to go and write something similar to it and get it out to someone else before they have a chance to develop the one they're optioning from you. They want the exclusive rights to that story, that's why they're optioning it.

If you're worried about the franchise potential, then when it comes to the actual sale, you can try to get a clause that gives you first crack at writing any subsequent projects based on that material, but the reality is once you sell something it's no longer yours, not any part of it.


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BarryJohn
Posted: September 14th, 2020, 12:42am Report to Moderator
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Thanks all for your input.

RENEC  
[QUOTE] If they are optioning the script, they don't want you to go and write something similar to it and get it out to someone else before they have a chance to develop the one they're optioning from you.

My agreement states, they have a six month window in which to produce it. (In which time I'll not "self compete")

I'm thinking of informing them: The option is off the table, and the script (full rights) is for sale at $1,000.

  


Who am I? A man with a hundred stories... you want to read one?
Analyst, mentor, competition reader/judge, film critic, magazine article/blogger.  
https://simpsonliteraryagency.com/script-analyst
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ReneC
Posted: September 14th, 2020, 8:42am Report to Moderator
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If they're optioning the short, they don't have the money. They're begging for time to raise the money. It's up to you if you want to give them that time in the hopes of making the eventual sale.

I'd have a tough time letting someone option a short of mine. It's not a big price tag. If they can't afford to buy it outright, how are they going to afford to produce it? But a 20+ page short is a substantial amount of money. I could sympathize with first time producers who want to make their first big project.

But I wouldn't option it for free. Options are usually around 10% of the purchase price, if they're serious about it I'd ask for the $100 option fee.


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eldave1
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Quoted from ReneC
If they're optioning the short, they don't have the money. They're begging for time to raise the money. It's up to you if you want to give them that time in the hopes of making the eventual sale.

I'd have a tough time letting someone option a short of mine. It's not a big price tag. If they can't afford to buy it outright, how are they going to afford to produce it? But a 20+ page short is a substantial amount of money. I could sympathize with first time producers who want to make their first big project.

But I wouldn't option it for free. Options are usually around 10% of the purchase price, if they're serious about it I'd ask for the $100 option fee.


I did the $100 option for two months and of course,  they could raise the money. The dude was a student and a vet. I felt so bad for him I returned his $100.

You're right. If they can't afford to pay the meager price for an option, they are never going to get the money needed to produce.  I'd say 80% of the time I grant free use - they don't get the money to film.


My Scripts can all be seen here:

http://dlambertson.wix.com/scripts
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BarryJohn
Posted: September 15th, 2020, 2:10am Report to Moderator
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Quoted Text
But I wouldn't option it for free. Options are usually around 10% of the purchase price, if they're serious about it I'd ask for the $100 option fee.

Renec. Excuse my ignorance, 10% of purchase price ~ what how is purchase price determined?

I have a data base on "short film producers / film makers" that I intend making contact with, re- option all my 11 shorts. Thing is, times are hard and I worked hard on those scripts that I just don't see reason to just give them away - what amount $ could I ask / expect for them?  

All welcome to comment, advice - please.  


Who am I? A man with a hundred stories... you want to read one?
Analyst, mentor, competition reader/judge, film critic, magazine article/blogger.  
https://simpsonliteraryagency.com/script-analyst
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ReneC
Posted: September 15th, 2020, 8:31am Report to Moderator
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Quoted from BarryJohn

Renec. Excuse my ignorance, 10% of purchase price ~ what how is purchase price determined?



I was using your quote of $1000 for the short to base that on.


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BarryJohn
Posted: September 16th, 2020, 12:03am Report to Moderator
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Ok. Cool.


Who am I? A man with a hundred stories... you want to read one?
Analyst, mentor, competition reader/judge, film critic, magazine article/blogger.  
https://simpsonliteraryagency.com/script-analyst
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Pale Yellow
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Quoted from BarryJohn
Thanks all for your input.

RENEC  
[QUOTE] [i]

I'm thinking of informing them: The option is off the table, and the script (full rights) is for sale at $1,000.

  


WAY too low. If you have something they could turn into TV ... way way too low. Don't give it away.
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BarryJohn
Posted: September 19th, 2020, 7:24am Report to Moderator
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Quoted Text
WAY too low. If you have something they could turn into TV ... way way too low. Don't give it away
.

I walked away... I still own my script. One day, one year, the right people with the right money will come along.


Who am I? A man with a hundred stories... you want to read one?
Analyst, mentor, competition reader/judge, film critic, magazine article/blogger.  
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spesh2k
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Doesn't sound like much of a "production company". Tell them to eat shit! Seriously, never heard of a production company (established or not) that would even suggest controlling the rights without paying for it. Have you seen any of their previous work?


THE SUICIDE THEORY (Amazon Prime, 79% Rotten Tomatoes) https://www.imdb.com/title/tt2517300/?ref_=nm_knf_i1
RAGE (Coming Feb. 2021) https://www.imdb.com/title/tt8874764/?ref_=nm_knf_i2

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ReneC
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An option means controlling the rights, for a temporary period of time. It doesn't give the producers the right to create anything new with them or do anything other than develop the script, but if they don't have the rights to the script for the option period there's nothing stopping a writer from selling it out from under them or giving it away or making it on their own. What would be the point of optioning if the producers don't have the rights to the property?


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BarryJohn
Posted: September 20th, 2020, 1:56am Report to Moderator
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Spesh2k. They had an okay website and only one produced short. They emphasized they were new, and hay... we all started somewhere. But the red light was, they wanting the full rights to the script without paying for it. Thus, I walked away.

Renec. I get what you say, In that the production company is going to invest his/her time and money in making the short film. They need to know (in writing) that they have X amount of time to complete the film, and in that time the script / story / premise will not be optioned (used in any manner) by any other. And that is clearly stated in my agreement in that they have six months to complete filming. In which period they have the FILMING rights. I would go as far as giving them a time extension if they came across production hick-ups. It all be in my interest to look after theirs. But what they wanted, and what I would give them, is ownership of property (script) Not for free that is.

Thanks for your valid comments guys.            


Who am I? A man with a hundred stories... you want to read one?
Analyst, mentor, competition reader/judge, film critic, magazine article/blogger.  
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Robert Timsah
Posted: September 20th, 2020, 2:25am Report to Moderator
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Always a good thing to have interest in your work.


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woaccelerator
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The topic of scripts options are very intriguing as that is all we do.  Our producers are generally newer to the industry or have some credentials - but all have access to film financing - whether investors themselves, or through a pooled network (ie. REIT or angel groups).

Now the caveat here is that it's a intentionally small (but growing) group.  And primarily they are searching for script material that has commercial viability and a clear path to revenue/return generation (smaller group - but growing with the economic streaming model).

Ultimately the purchase price for a script option or treatment in our platform generally spins up to 2K per product (some more/some less), but the scripts are production ready and only served via our internal writers network (ie. already been through that "development hell"). This saves a real producer considerable time and money when either searching for a director or taking the material and tweaking it for their own purposes.
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AnthonyCawood
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You mention a 'platform' do you have a website?

Googling 'woaccelerator' doesn't seem to find anything.


Anthony Cawood - Award winning screenwriter
Available Short screenplays - http://www.anthonycawood.co.uk/short-scripts
Available Feature screenplays - http://www.anthonycawood.co.uk/feature-film-scripts/
Screenwriting articles - http://www.anthonycawood.co.uk/articles
IMDB Link - http://www.imdb.com/name/nm6495672/?ref_=fn_al_nm_1
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eldave1
Posted: March 24th, 2021, 6:01pm Report to Moderator
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Quoted from AnthonyCawood
You mention a 'platform' do you have a website?

Googling 'woaccelerator' doesn't seem to find anything.


Anthony - I found it here:

https://woaccelerator.com/#/

I actually can't tell what it is they specifically do.


My Scripts can all be seen here:

http://dlambertson.wix.com/scripts
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Warren
Posted: March 24th, 2021, 6:23pm Report to Moderator
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Quoted from eldave1


Anthony - I found it here:

https://woaccelerator.com/#/

I actually can't tell what it is they specifically do.


Just had a look, it's really vague. If I was explaining this company to someone who had no idea what they did, I wouldn't know where to start.


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eldave1
Posted: March 24th, 2021, 6:28pm Report to Moderator
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Quoted from Warren


Just had a look, it's really vague. If I was explaining this company to someone who had no idea what they did, I wouldn't know where to start.


That was my thought


My Scripts can all be seen here:

http://dlambertson.wix.com/scripts
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Robert Timsah
Posted: March 24th, 2021, 7:07pm Report to Moderator
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just fyi, but years back I had people express interest in a script of mine only for it to be a ploy to get me to pay for some sorta feedback service. As a result now, anybody that expresses interest must pay me to respond to an email.


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eldave1
Posted: March 24th, 2021, 7:22pm Report to Moderator
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Quoted from Robert Timsah
just fyi, but years back I had people express interest in a script of mine only for it to be a ploy to get me to pay for some sorta feedback service. As a result now, anybody that expresses interest must pay me to respond to an email.


ugh!


My Scripts can all be seen here:

http://dlambertson.wix.com/scripts
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woaccelerator
Posted: April 4th, 2021, 11:06am Report to Moderator
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Quoted from AnthonyCawood
You mention a 'platform' do you have a website?

Googling 'woaccelerator' doesn't seem to find anything.


Hi Anthony woaccelerator.com is the main website.  

The core of our free program has three components:
1. Writers work with a team to get their portfolio of scripts production-ready
2. Scripts goes into our patented option marketplace with vetted producers (new and old - but access to capital is the main criteria on that side).
3. Writers have their scripts optioned.

Writers in the program work on a portfolio of material (10-15 scripts) vs a single script.  The program goal is to produce consistent working writers.

There is an FAQ section (footer of the website) that may answer some of the more nuanced questions.

Hope that helps.

Cheers,

Jeremy
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woaccelerator
Posted: April 4th, 2021, 11:08am Report to Moderator
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Quoted from Warren


Just had a look, it's really vague. If I was explaining this company to someone who had no idea what they did, I wouldn't know where to start.


Hi Warren,

We responded to Anthony's initial inquiry above .

Cheers,

Jeremy
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LC
Posted: April 4th, 2021, 6:50pm Report to Moderator
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Jeremy, perhaps get in touch with Don, site Admin, to promote your site under a separate thread to this one?


PM, or email below:
webmaster (at)simplyscripts.com

P.S. I see Rene did it here:

https://www.simplyscripts.net/cgi-bin/Blah/Blah.pl?m-1614714295/s-2/highlight-/#num2



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LC  -  April 4th, 2021, 7:14pm
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Don
Posted: April 5th, 2021, 12:02am Report to Moderator
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So, what are you writing?

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Thanks, LC.

Don


Visit SimplyScripts.com for what is new on the site.

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You will miss 100% of the shots you don't take.
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