Everything seems ornate. Ornate chandelier. Ornate hall. It’s kind of like describing something as nondescript. It’s just so generic. I think it’s okay to use it but twice? Two paragraphs in a row?

A ghost wavers between this world and the next? What does that look like on screen? Are you trying to say it’s translucent?

By the time you describe the insincerity of Roderick’s words, it’s too far past when he said them. You’re even speaking past tense by then. That paragraph needs to be rewritten.

Non-committal sound? There are quite a few awkward descriptions like that.

Wouldn’t the doctor know whether or not the visions could be caused by the medicine?

Roderick’s plan really doesn’t make any sense. If she’s dying, he would have inherited the money anyway. If she isn’t, he could have poisoned her. If he bargained with the ghost because he was worried about getting caught, then he must have expected a ghost wasn’t simply going to take being double-crossed. How the heck did he plan to defend himself against a ghost after betraying her? Either way you go, his plan isn’t fully thought out.

Aside from that, it has a nice tone to it. If you just accept it for what it is and go with it, it’s a nice little ghost story. Needs work but it’s on its way.

Good luck.


Breanne

First thing I notice is that your margins are way tiny.  

Next thing I notice is that while your descriptions I find very poetic, they're unnecessary and I'd imagine if this was a feature they would get pretty annoying.  "A ghost wavers between this world and the next" can be interpreted a lot of different ways.  It's just kind of filler IMO.

Onto the story...I didn't really get it.  He's trying to scare his wife to death so he can inherit the money?  Wouldn't he inherit it anyway?

Kinda confused on that part but this overall was alright.  Nice job.

Greg

Okay read it.

Nice writing style, no spelling mistakes that I seen.

The story was enjoyable and captured a good gothic feel to me. Night Galeryish is what I like and I think this has a bit of that in it.

Good job on getting it done!

This is probably my favorite one so far.  It certainly had the gothic theme going for it.  The characters were well-developed and the story had a nice twist at the end.

If I were to nitpick at this, I would suggest giving the doctor a name.  And, maybe, get rid of the bold font.  It's not needed.


Phil

This is a genuinely creepy story, and I think most of that is because Roderick is such a cold, petty, selfish character -- a very impressive creation!

I liked this one. I feel it was written very well and tight. Just some of the wordings left me a little confused.

I was pleased to see Roderick getting what he deserved. Didn't see that twist coming.

Don't have much to add since I think it works the way it is. Maybe simplify the writing a little so dummies like me can follow a little easier.

Great work. My #2 favorite so far.  

One nitpick, I didn't like the title. I would have preferred yours over thine.

I can tell the writer has a firm grasp of screenwriting, but this one didn't do it for me.  It played out like like a scene from a soap opera, IMO.  Complete with sardonic rich guy sipping a snifter of brandy as he stares out a window.  Although, the setting, characters and storyline were certainly Gothic.

I've mentioned this before in another review, but talkative ghosts get boring and non-frightening very quickly.  When a human has a casual convo with a floating, etheral spectre, the "horror" part of Gothic horror goes out the window.  

This was one gullible ghost.  Roderick is able to trick her into scaring Cecilia to death by promising her spiritual freedom from his book of "unbinding."  Sucker.  Turns out to be a diary.   Maybe the ghost should have asked for a quick look at that book first before she struck a deal with a snake like Roderick.

"Ghost's in the doorway. Scary. She raises an arm."  I don't know, just writing the word "scary" seems kind of lacking there.  Especially in this genre.  

"Ghost blazes a moment."  Again, not a great word selection, IMO.

There were some nice turns of phrases in this and it was a quick read that certainly flowed well.  But there were too many elements of the premise that I just couldn't buy into.

A lot of potential, the bold thing has to go - stop it, stop it now!
A cool story and some nice touches and then some odd flourishes that weren't needed. There are some serious plot holes discussed above which I also picked up on. Having said that, the premise is storng enough that a few tweeks here and there would make it quite solid.

Quoted from jwent6688 Roderick may be the only one who drinks more then me. Then again, thats a mythical character. He seriously downs like 6 shots of Brandy in 6 pages. James

Tee-hee. I noticed it, but I loved it. I could see it happening. I think he's stressed, obviously. Problem with his conscience...

Anyways, this story mostly worked quite very well for me. One thing, I would lose all of the bolding. Some doesn't bother me as long as we don't go hog wild on it.

I think this ghost should have a name.   She does, right? Lenora? Make that clear and known up front. When he talks with her, make it more intimate.

Sandra

OK, I did read this twice to try and get a handle on what happened and I think that Roderick wanted to kill off Cecilia to gain her money and the ghost was used to make her go off the scale ( scare her to insanity and then suicide/death) but the ghost turned the tables, brainwashed Cecilia and she poisoned Roderick so they would be together forever...

I think this is alright. I didn't like the lack of description of the ghost and the wavering between worlds line. No idea how to visualize that one. A few SOUNDS were heard but I have no idea what they sound like.
Writing was very good for the most part, some of it seemed added after fact, but the dialogue was fine as was the atmosphere.

It's decent, I just struggled a bit with it.

This one had very novel-like writing throughout.  It was pretty good on the pretenses of it being a short story, but as a screenplay, although highly doable, it just falls a bit short.  

I questioned more than I didn't is what I'm trying to get at.  I didn't care for the bold scene headings and certain words and or phrases...  I love the ellipse,  I do.  I use it all the time because I feel it makes saying things more true to life.  I'm not going to fault you on your use of it here, but given my experience the last 6 months I've been told more than once it's never good to over use it in a script for anything other than dialogue and only to replace the offensive looking (BEAT).  

The hook of the story isn't bad really.  It's like when they tricked Beatlejuice into helping them get what they wanted... only here it doesn't work as well or in the same way.

I feel the setting was right and most of the events were done to the best of the writers ability given the time frame, but it just had one too many hang ups to fully fall into its favor.  I still believe I suggested this one, though, because I read it like 3 days ago and still cared enough to do a review of it for you.

It's got a good vibe and the story has potential, but I'm at a loss as to why he needed the ghost to kill her. Couldn't he have just given her too much of the powder and be done with it, less having to deal with the ghost?

I think this has potential, but you'll want to work on the motivations and give your ghost some other reasons to need to be the one to kill her. Not sure how you could work that, but I'm sure you could

Good job.

Oh, who's screenplay did I read six or seven months ago that had everything bolded?  I think I remember, but I won't mention any names right now.

I can't say I was too much of a fan of this one.  I think the story lost its legs somewhere.  The logistics of it wasn't adding up for me along the way and I just got kind of lulled.

As a fellow Bold Slugger, I applaud your boldness on the bolding of the slugs.  Bolding the sound effects and most nouns, however, was way way too much.  Although, I must admit, I believe the last time I read something of yours, you had even bolded all the characters' names in their dialogue.  So, you're making progress, you just have to scale the bolding back a little more.  However, if you do write for yourself to direct, (if I think it's who I think it is, they do direct themselves, I believe), than I won't fault you there.  Do it whatever way you like best.

Solid script, a complete story in six pages. Excellent job!

I'm fine with the whole dark-and-stormy-night opening if the story delivers, and this one does. The tone is perfect, the pace is spot-on, and if I didn't know the theme I would have been surprised by the ending. The characters are surprisingly complex for so short a piece.

This one makes it into my top three.