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I also thought Shelton had the monster schlong entry...hmmm, I wonder who's it actually was...
Whomever it was I'm sure they've seen Groove Tube or some other movie like that - I'm pretty sure I've seen that bit with the tunnel before. However, while I was searching for that movie, I did find this (adults only please)
Tell you what, I'll keep a tally of what we think so far. Add to it if you have any guesses.
Mem - Sandra Piano Tears - Lew Sherwood Monster Lullaby - elis Your Song - Michel I've Got To Go - Tommyp
When I read 'I've Got To Go' I didn't think it was Tommy's. For one, he always tells people not to put any character names in the logline, which was done in this entry. Secondly, there were a few American spellings in the script. So unless they were typos or were done intentionally to throw us off, I don't think it's his. I could be way off the mark though.
The one I was most sure about was Michel's, seems everybody agrees on that.
I also thought 'Terms of Endowment' was Shelton's. Need to have another think about that one!
I wrote down who I thought wrote what in my replies... I read two more that I didn't write anything about, but I still have more to read.
One guess that I didn't reply to yet because of work schedule is SCREWED. Jeff wrote that.
I'll get back to these tomorrow. Work IS a four letter word.
Award winning screenwriter Available screenplays TINA DARLING - 114 page Comedy ONLY OSCAR KNOWS - 99 page Horror A SONG IN MY HEART - 94 page Drama HALLOWEEN GAMES - 105 page Drama
Mem - Sandra Piano Tears - Lew Sherwood Monster Lullaby - elis Your Song - Michel I've Got To Go - Tommyp, Not Tommyp Screwed - Dreamscale Terms of Endowment - Shelton
J. Bush - SCREWED. (I thought it might have been DIVORCE COLORADO STYLE by the premise of skiing but after comparing the two. No contest.) M. Cornetto - JOHN C. Mitchell - TERMS OF ENDOWMENT (Cam17 was selectee of April OWC) R. McManus - THE LOVE THAT DARE NOT SPEAK ITS NAME (similar to The Key and To Be) C. Keller - OUR TIME DESERVES A LOVE SONG (similar feel to A Song for the Heart) G. Rademan - TOM AND JAKE and LISTEN WITH YOUR HEART * T Pascal - Not "I'VE GOT TO GO (No Aussie sass vibe from the script. I thought he might have done Screwed channeling Baltis and Dreamscale.) L. Chambers - BROADWAY BETTY J. McClung - SAVED
I wonder what Stevie wrote though? I don't want to be too blatant and go for the only script with a Beatle's reference yet LAZARUS PHENOM fits his style.
Well, so far highest reviews for an OWC are at 29, and lowest are at 8. Average seems to be around 14-18.
Is that really enough to vote on already? Are people still attempting to read these?
I ended up at 36 full reads and reviews, one 2 page read and mini scathing review, and 1 no read/no review (I just realized I missed 1 script, and after reading some feedback, I see it's not my cup of tea).
I know seveal people have really done a great job and read all or at least many. BUT...some of you have read very few, and SOME of you have been spending alot of time on other threads, but for some reason not reviewing these OWC's.