All screenplays on the simplyscripts.com and simplyscripts.net domain are copyrighted to their respective authors. All rights reserved. This screenplaymay not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.
I'll tell you flatout which one is mine. Mine's the one with the incredibly boring prose and two people talking back and forth with each other... just like every other story I've ever done. =)
That's so true. It's a good thing that you have your own voice, but it sucks for anonimity reasons. For some reason, I always know yours. Mine are usually easy enough to spot as well, although this contest doesn't allow me to have my characters in a diner, restaurant, bistro, etc, so it may be a bit tougher. Hooray for OWCs. =)
I'll pour over each and every entry leveling an production estimation and criteria adherence as if I had a stack of these screenplays in my inbox to pick and choose from for development.
LOCATION ACTORS COSTUMES PROPS PRACTICAL EFFECTS CGI SFX OTHER
MARKETABILITY ASSESSMENT GENRE (MPAA-like) RATING DID I LIKE IT FORMAT
These things get parsed out into an evaluation matrix where some aspects get a heavier weighting (Marketability Assessment, since this is an open genre) while others get a lighter weighting (Format, because the audience doesn't give a sh!t about your perfect sluglines and absence of -ly adverbs).
The more actors your story has the more people I gotta audition, organize, rehearse with, and pay. More characters count against the appraisal. Same for period or special costumes and props.
A high Marketability Assessment can be negated by an equally high Cost To Produce Assessment. An optimal screenplay has a high Marketability Assessment paired with a low Cost To Produce Assessment.
FWIW, I really don't give a sh!t how pretty your screenplay format is. That's the last thing I care about when I gotta go find financing for this, consider where the venues will be to show it, and organizing an ad hoc cast and crew to produce it. Who the f#ck cares about your precious FADE IN/OUT placement or whether you used minislugs according to Hoyle's?! Efffffff meeeeeee!!!!!! Grow up. Get a life.
I'll pour over each and every entry leveling an production estimation and criteria adherence as if I had a stack of these screenplays in my inbox to pick and choose from for development.
LOCATION ACTORS COSTUMES PROPS PRACTICAL EFFECTS CGI SFX OTHER
MARKETABILITY ASSESSMENT GENRE (MPAA-like) RATING DID I LIKE IT FORMAT
These things get parsed out into an evaluation matrix where some aspects get a heavier weighting (Marketability Assessment, since this is an open genre) while others get a lighter weighting (Format, because the audience doesn't give a sh!t about your perfect sluglines and absence of -ly adverbs).
The more actors your story has the more people I gotta audition, organize, rehearse with, and pay. More characters count against the appraisal. Same for period or special costumes and props.
A high Marketability Assessment can be negated by an equally high Cost To Produce Assessment. An optimal screenplay has a high Marketability Assessment paired with a low Cost To Produce Assessment.
FWIW, I really don't give a sh!t how pretty your screenplay format is. That's the last thing I care about when I gotta go find financing for this, consider where the venues will be to show it, and organizing an ad hoc cast and crew to produce it. Who the f#ck cares about your precious FADE IN/OUT placement or whether you used minislugs according to Hoyle's. Efffffff meeeeeee!!!!!! Grow up. Get a life.
LOLOLOLOLOL!!!!
Remember Ray, since it is a single, general location "an abandoned motel" would be on the cheap and if someone wrote in that there was graffitti or mildew on a wall, you can't count it against the budget - because if they actually film on location...they get that production value for nothing. (So long as they get permission to film and don't cause additional damage or take stuff). Keep that in mind.
It's a good thing that you have your own voice, but it sucks for anonimity reasons. For some reason, I always know yours. Mine are usually easy enough to spot as well, although this contest doesn't allow me to have my characters in a diner, restaurant, bistro, etc, so it may be a bit tougher. Hooray for OWCs. =)
Who says? Maybe the abandoned motel might have had a small snack bar or picnic table out in the back :p True, the food at the snack bar might be sparse and the coffee machine is busted, but it's the thought that counts.
As for my own writing voice, it's tough to disguise. Sometimes I do try different writing styles simply for the challenge of doing so. Sometimes I pay the price for doing it. Sometimes not.
I will say this. What I wrote I'm not really crazy about. But when I looked at it again earlier today, I thought in visual terms, and that what I had should have been filmed yesterday. The more I think about it, the more I know it works. It can work.
And if it can work...then so could everyone else's entries. Looking forward to reading them!
And JEFF I hope by sheer fate I read yours first! Of course knowing fate, it'll be dead last