All screenplays on the simplyscripts.com and simplyscripts.net domain are copyrighted to their respective authors. All rights reserved. This screenplaymay not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.
I really like Indy, and glanced over 10 pages or so, but you do have some problems here.
The first -- as Ren alluded to in his own indomitable and marginally comprehensible fashion -- are the huge blocks of text. Scripts are just as much about the white space on the page as they are the black space. While the first page is particularly egregious in this respect, scrolling through the script, I found many similar pages.
1. Work on condensing and spacing out your text.
Another problem is by page 3, you have tossed in perhaps a dozen or so characters all at once. It is not done this way. It is nearly impossible for your reader to keep up, and makes for a very onerous reading experience.
2. Trim your characters. Consider keeping only a handful up front, and introducing some of the others later. Use only who you need, and only at that point in the story when they become indispensible.
But my biggest problem is the opening sequence. Indy works in a very specific way, and that first 10 pages need to blow my doors off, you know?
What you have is a fairly unproblematic rescue, followed by a fairly conventional car chase through the jungle. Sure, there are some gunshots, a bazooka blast here and there, but no obstacles that require Indy's patented brand of daring-do.
3. If you are gonna write an Indy script, you must give him insurmountable obstacles -- one right after another -- so Indy can just knock 'em down like dominoes.
Now, if you have that rope bridge collapse while Indy's truck is on the bridge -- with a nice action set-piece where he gets out of that pickle -- then you will be on the right track.
... 3. If you are gonna write an Indy script, you must give him insurmountable obstacles -- one right after another -- so Indy can just knock 'em down like dominoes.
Now, if you have that rope bridge collapse while Indy's truck is on the bridge -- with a nice action set-piece where he gets out of that pickle -- then you will be on the right track.
I'd say that is about spot on.
I remember a big ball rolling. Some fella trying to kill him on a rope bridge over a valley. Indy walking the walk by climbing over, along and under a moving truck. He also got the lass.
And he spent time in the classroom in a suit.
Indy's a great icon. And the Spielberg Lucas films are pretty damn exciting. When they came out every fella I know got off his ass and went down to see em. And they walked out happy.
Technically - and I could be wrong - I think you wasted your time and money on registering this script with the WGA. If you own the rights to Indy this is a moo(t) point, but I'm not sure you do, so you can't really do anything with something you don't own. A lot of work went into this but you're not going to get a lot out of it, sadly.
Technically - and I could be wrong - I think you wasted your time and money on registering this script with the WGA. If you own the rights to Indy this is a moo(t) point, but I'm not sure you do, so you can't really do anything with something you don't own. A lot of work went into this but you're not going to get a lot out of it, sadly.
Even though he obviously doesn't own the right to Indy, he still owns the rights to the script itself. It's his. He wrote it. He can copyright it, register it. No problem. As far as producing goes...not a chance.
Down in the hole / Jesus tries to crack a smile / Beneath another shovel load