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Depends completely on your script and the context it's being used. Try and stick with the show don't tell method would be my advice, but there is no rule that I know of. Just ask yourself will it enhance the script, if yes, go for it.
If you are going to use VO at the end, I would consider using one at the beginning too. It might be...might be...a little odd if the VO appears for the first time at the end.
But it depends. For example, instead of a VO you might have the character speaking, such as if it is one from the story, just be onscreen.
I good example is the Coen version of True Grit. There is a VO at the beginning of the girl protagonist when she is all grown up. It sets up the story. Then at the end, we see the girl grown up and visiting a cemetery while she continues her narration, where we hear her inner voice.
I would consider using a VO at the beginning to match.
The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
I don't think I've seen a movie with voiceover at the end but not at the beginning.
Phil
Weirdly, I was actually thinking about this exact topic the other day, and if I recall, the movie Sex Drive had a concluding VO at the end, but nowhere else in the film... Considering that movie was a train-wreck, I would consider emulating nothing from it, and not using VO solely in the final scene.
But on second though, if I recall, the brilliant French film La Haine (my avatar) also does it. And that is one of my favourite films of all time.
Personally, I would not use V.O. at all. How could you have made it through an entire script without it but suddenly need it on the final page? That to me suggests the information you're giving isn't all that important.
If you absolutely must use it at the end, I'd bookend it with something at the beginning as well. Otherwise, it's just be random and weird. That said, I think that approach has always been tacky. Films always end better with an image or a single line than they do regurgitated information for the audience's sake alone.