All screenplays on the simplyscripts.com and simplyscripts.net domain are copyrighted to their respective authors. All rights reserved. This screenplaymay not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.
Carson's been known to come back to a couple of the nominated scripts further down the line though, especially if more than one has received good feedback, so I'm hoping this is what will occur. Cross your fingers.
The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
Got the newsletter this morning and I scrolled down to Friday and wasn't too happy either. Really thought Shawn's script was getting some pretty good love. Comments by Scriptshadow 'regulars' and stuff. Damn. But he does often use a second favorite a week later...so not giving up on it yet.
Genuinely shocked that Shawn got overlooked this week. I couldn't get past page eight of Gravity Kills. *IF* GK turns out to be a stinker, don't be surprised if he gives Shawn a try. It's happened before. And Shawn deserves it. Sorry, pal. Honestly thought you had more votes than TDJ did.
I looked at this week's AOW and saw that thriller and said to myself... This is a script BREANNE would write! Great to see you and Janet keeping the Simply Script streak alive! Give 'em both barrels, ladies!
Regards, Brett
LATEST NEWS CineVita Films is producing a short based on my new feature!
I read Carsons review of TDJ - unless the draft submitted has changed dramatically from the time I read it, it was like he was reviewing a completely different script to the one I read . . .
Thanks. I completely 100% agree with you. While I know that Scriptshadow can be arbitrary at times, that's *just not* a fair review on the Devil's Jokebook. And no - the script hadn't changed from what you've read...Phil has the simplyscripts version linked to DropBox, so it updates all the time. And the tweaks were very nice polishings on the script...but nothing structurally different. Frustrating.
What does that even mean "pensive hard SF script"? Clueless over here LOL
Anyway BEST of LUCK to both Janet and Breanne! You girls rock the house!
Hey Dena,
Thanks! Which one's Breanne's? I'll root for it too. (Along with Stream...)
Hmmm... translation of pensive hard SF script. Well, classic Science Fiction (short stories, novels, etc) tend to focus on actual science, and a serious look at "what if?" (For instance, Asimov's I Robot Series, which discussed such things as what would be the rules of robotics, how would they play out, and at what point would a robot deserve rights?) In addition, classic SF usually uses that to touch on underlying human issues (racism, social issues, death and dying, etc.)
Stream is very strongly in that vein, and *WOULD NOT* appeal to people who like giant rampaging robots, star battles, etc (even though I've written stuff like that before.) It's a very introspective piece that looks at "what if the soul survives the death of the body" on the hard science side - and addresses themes of ageism, isolation and the grieving process on the human one. Very people/character oriented. So I imagine that alot of people might find that too... sedate for them. Which isn't to denigrate Stream at all; just to say that it's pitched for a very specific audience. As much a drama as it is SF...
Shawn really disappointed for you right now. You're gonna hate me for what I'm about to say, but I'm gonna say it anyway. Because I like you and want you to succeed!
Citizen M is a well respected commentator over on Scriptshadow. His initial comments about WHAT DOESN'T KILL YOU - until he scratched them out that is, were:
"If the standard of the first 25 pages is maintained, it will be a top 25 script for sure."
Coming from him, that's huge! As you're new to Scriptshadow, I don't think you realize just how huge! The guy has an excellent eye for spotting talent! Check out his review of WHERE ANGELS DIE from the 8th June 2013 Amateur Offerings Weekend to see what I mean. His comment: "Probably the best amateur script I've ever read on the site" helped get the script chosen for Amateur Friday.
Needless to say, Carson raved about it. The script got huge traction and landed the writer a top manager, Brooklyn Weaver from Energy Entertainment no less!
For Citizen M to say WHAT DOESN'T KILL YOU "will be a top 25 script for sure" means that the script has something special! So why did he change his mind? Bearing in mind that he did this without reading the rest of the script -
Because unfortunately what you yourself describe as the genre bender aspect of the script kills it imo.
I alluded to this when I gave you notes on the script back in August. I think I said something like: "From the midpoint it's like watching a different movie."
I didn't say it at the time, but it feels like watching Se7en until halfway through, then watching it morph into something like Poltergeist instead. Obviously, I'm exaggerating a little, but you get my point.
One commentator over on Scriptshadow defended the sudden genre shift and mentioned Save The Cat. Trust me, it has nothing to do with Save The Cat. It's all to do with reader/audience expectations - you subvert them at your peril.
As you know, many commentators over on Scriptshadow agreed with the jarring nature of the genre shift and WHAT DOESN'T KILL YOU lost quite a few votes as a result.
It's your script and it's entirely up to you how you proceed with it. However, If you can kill your darlings and lose the entire supernatural aspect or at the very least, set it up much earlier in the story, then greatness could be just around the corner!
Sorry if all this sounds harsh - Just trying to be really honest with you.