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The Booker Man (currently 6626 views)
Shelton
Posted: January 19th, 2007, 1:56am
Of The Ancients
Location Chicago
Posts 3292
Posts Per Day 0.49
As an earlier poster wrote, yours was an "Alfie" wannabee, which is not good. Worse still, the point about "Alife" you missed -- and the thing that makes your screenplay superficial -- is that in the long run, ALFIE WAS THE VICTIM! Alfie was a tragedy, not a comedy. In Alfie sex is used to show what a tragic hero Alfie is. In your sceenplay, sex is an end in itself. This makes the sex almost clinical, pornographic. Your story needed to be dressed in a dramatic overcoat. The protagonist needed to make us care about him, he needed to experience change. He needed to be pitted against obstacles. He needed to be put in a tree with no way to get down, and after he found a way to get down, a higher tree with no way to get down. He needed to stare into the aybes and find an inner strength he never knew was there. He needed redemption. He needed to be reborn. He needed to meet a woman who almost killed him. He needed drama. ricland ricland
I sincerely hope that this isn't another one of those guys that comes on here, has absolutely nothing good to say about the two scripts he reads, and then disappears like a mustard burp in the wind.
Those people really piss me off.
Shelton's IMDb Profile "I think I did pretty well, considering I started out with nothing but a bunch of blank paper." - Steve Martin
Reply: 15 - 16
blackwrite
Posted: January 19th, 2007, 4:13am
A sex scene should have a dramatic point or it's pornography not art. Drama is conflict that changes the protagonist. Drama is the protagonist being tested as he's never been tested before. Where does that happen in this screenplay?'' In Alife the sex is used to show us something about the protagonist. In Booker Man the protagonist is used to show us something about sex. Remove sex from Alfie and there's still a powerful story. Remove sex from Booker Man and there's nothing left at all. ricland
Reply: 16 - 16
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