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Yeah, I went with an outright sale as opposed to an option because it looks like they'll be moving on this pretty quickly, and will probably be their only project at the time, so I took the high likelihood of production over money.
Right now, getting your name out is more important than money. Having somthing on your resume beat the couple of hundred bucks you might have made.
How cool! Will they be entering into festivals? It could get picked up by someone big. You deserve this, Mike. Congrats.
Cindy
Award winning screenwriter Available screenplays TINA DARLING - 114 page Comedy ONLY OSCAR KNOWS - 99 page Horror A SONG IN MY HEART - 94 page Drama HALLOWEEN GAMES - 105 page Drama
another lucky guy!!! congratulations, but don't enjoy it too much, it will puts a jinxs on you... I thought once that I won everything and look at me now, have to work as a plumber in scotland (which is not bad considering money, but I miss my family... and its a beautifull country, too... and people are nice... and girls have big b**bs... and there is a great castle in the midlle of the city... and... and... I wanna be happy!!!)
Right now, getting your name out is more important than money. Having somthing on your resume beat the couple of hundred bucks you might have made.
Phil
Definitely. Right now, I'm just working on getting some stuff to put on a resume in the hopes of landing myself an agent, because I truly am no good at marketing my stuff.
Cindy,
The director/producer said she will be submitting to festivals. Not sure which ones though.
And it looks like there will be some editing of the script going on. Not so much to do with changing the story, but some cut scenes. Doesn't surprise me all that much since this script was a bit on the long side, but the writing credits will most like contain myself and an "and" or "&", whichever applies to when the writers do not work together.
...the writing credits will most like contain myself and an "and" or "&", whichever applies to when the writers do not work together.
Yeah, there’s always some asshole in Hollywood trying to get his name on the writing credits.
There’s a writer in Portland, Mike Rich (who wrote Finding Forrester, The Rookie, and Radio) who sold one of his scripts in Hollywood and didn’t get any credit at all because the original writer was contracted to get credit. The original writer (an established Hollywood writer) was hired to write the script and contracted for credit. Then producers threw his script out and bought a script by Mike Rich, which just happened to be about the same real life story. The producers had to credit the original writer only and Mike didn’t get any credit even though he wrote the script entirely and nothing was used from the original writer’s script.
That’s how Hollywood is. It’s full of unscrupulous writers and producers always trying to get their names on credits they don’t deserve. It’s something you’ll have to deal with until you reach a certain point.