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SimplyScripts Screenwriting Discussion Board    Reviews    Movie, Television and DVD Reviews  ›  Paul Moderators: Nixon
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  Author    Paul  (currently 1699 views)
leitskev
Posted: September 3rd, 2011, 9:34pm Report to Moderator
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I know often my reviews run a little different than others here. But please take my word if you're thinking about spending any money on this. Don't.

I just paid $5 on PPV. I was looking forward to this too. I laughed every time I saw the commercial back when it was in theaters. I can say, without hesitation, this was easily the worst movie I have ever seen in my life. Just awful. Almost every line of every scene.

And yes, I absolutely got the sci fi references they sprinkle throughout. And a few made me chuckle. But the rest is so horrible it was an act of will to sit through.

If this had been shot on a super low budget, maybe you could give it some credit for the occasional creative moment or subtle humor. But it cost 40 million! It actually would be a challenge to write a script this bad. I mean, someone would almost have to do it on purpose, like that Seinfeld episode when he bombs intentionally to kill the crowd for the guy that follows.

I'm not even going to bother getting into the specifics, unless someone really wants to get into them. I watched a 100k budget movie last night that, bad as it was, was better than Paul. Much better.
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leitskev
Posted: September 3rd, 2011, 10:35pm Report to Moderator
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Since I will probably again be on an island on this one, let me give some quick examples, and unfortunately I didn't take notes.

SPOILERS

-No less than 4 people faint at the sight of Paul. They faint, and they faint hard, not waking up for a long time. Very strange. And when the two red necks faint, they have to be taken away terrified in an ambulance. Come on, please.

-Ever present is the absolute ultimate in cinematic convenience. The girl's father, two goofy cops, and the Man in Black are chasing the guys with Paul. They ALL bump into each other literally at every turn. Even on crowded sidewalks.  And, the two red necks that are pissed at our intrepid nerds run into them in another bar across the state. Not only that, but the red necks happen to get in a fight with the girl the nerds have picked up along the way.

-the girl, Ruth, is the daughter of a bible belt kind of guy. The stereotype employed is so off the mark it's not remotely funny. Ruth's acting in these "religious" discussions is so badly acted that I expected her to break out and giggles at any moment. The bad acting might be due to the horrible dialogue that was scripted. And I think these parts of the movie were supposed to be some kind of serious commentary. It managed to be both nonsensical and not funny at the same time.

-Ruth's conversion: Paul does the Vulcan mind meld, shares his knowledge. With this knew knowledge, she still struggles to adjust her world view for a scene, and the whole scene is ridiculous. But it gets worse when, during a discussion on this, she suddenly changes her whole world view and decides she's going to instantly begin swearing, fornicating, and intoxicating. It's foolish, which would be fine if it was somehow funny, but it's not even remotely so. They have her swearing every second, but she mixes up the swears because she's so new to it. And again, none of it makes sense or is funny.

-The man in black has two cops helping him find the alien, though they don't know that's what they're looking for. These cops are presented as likable dimwits. When they find out they're looking for an alien, they're pissed at the man and black. One suspects they might now help the alien, but someone must have told the writers that's too cliche and predictable. So they took it the other way, and turned them into the real bad guys. They try to capture the alien themselves, and become trigger happy, shooting at Paul and the gang every chance they can. Huh? I mean they went from likable, geeky cops to raging, murderous cops. It made no sense, except that the script kind of needed it to happen, because of the big "twist", where the Man in Black(Jason Bateman) turns out to be a good guy out to help Paul. So in order to have antagonists, I guess we had to have the lovable cops take a turn for the worse. More script convenience.
-the ending. OK, the whole movie is a constant barrage of geek references to older sci fi movies. Fine. So it makes sense that Sigourney Weaver has a big cameo when she comes in as the "Big Guy". I'll even buy into that. But the Big Guy lands in a helicopter and takes on our gang by herself. No army, no backup. Just an absolutely silly little fight with her against the two nerds, Paul, Ruth, and the crazy lady. I was scratching my head.

And that's where I'll leave this. Scratching my head. It seems every review I've seen of this online is positive, glowing even. I don't get it. Maybe it's the "bromance" factor which seems to endear this to critics. Maybe it's the constant sci fi references that make some smart people snicker and go "I get it". Maybe bashing red necks is just automatically funny with a certain crowd, whether it's actually clever or not. I don't know. I'm scratching my head.

In case anyone is wondering, BTW, I am not a red neck nor am I religious. I'm fine with having fun with these type of characters and issues. But it's just not well done here. It's what I would have expected if this was written by some kids in a college film class, people who had grown up in suburbs and had little experience of the outside world. Certainly no experience of "red state" people; people that like Nascar and country music.

Final note: the basic premise of the story revolves around two foreign guys(English) touring the west in an RV who end up with an alien along for the ride. There is a script here at SS which is strangely similar, but what was written long before this, and which absolutely blows Paul away. I can't think of the name of it, but it's the zombie script written by Stevie which has two Aussies in a similar situation, except they get a zombie. Stevie's script is light years funnier than Paul. I actually laughed out loud frequently reading Stevie's script.
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kev
Posted: September 4th, 2011, 2:50am Report to Moderator
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I agree with most of what you said but I can't say that I didn't enjoy this movie. I came into watching this one though with absolutely no prior knowledge to what it was about or seeing any trailers (somehow). I found the movie good for what it was, however, I thought there was so much potential for it to be hilarious. It was just a mediocre film and wit the talent that they had could have been something great. I'm also disappointed with Kristen Wiig's performance because everything I've seen with her in SNL and Bridesmaids has proven she is comedic gold but everyone in this movie never really reached their potential. The more I do think about how funny it could have been makes me dislike it more but for what it was I was entertained and got a few laughs out of it and with most of the new releases these days, that's all you can really ask for isn't it?


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leitskev
Posted: September 4th, 2011, 7:24am Report to Moderator
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I agree with most of that, Kev. And it did add to my frustration. This really was a fantastic premise, and they spent a lot of money to make Paul look really cool. It should have been hilarious. If this had been an ultra low budget, alternative type film, I would have respected it more. But it was big budget with talented people involved.

Kristen Wiig was so bad in this that I didn't know if it was supposed to be tongue in cheek or something. It was like she got on set without having read her lines, and then when she read them couldn't believe how silly they were so couldn't get into them.

You may have seen my post on Dinner for Schmucks. No one liked that here and it got bad reviews, but I actually laughed quite a bit. Maybe it's me. I love the Three Stooges too.
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Electric Dreamer
Posted: September 4th, 2011, 9:49am Report to Moderator
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Making fun of zombie movies with "Shaun of the Dead". Priceless.
Making fun of beloved E.T. with stoner and dick jokes. Worthless.

I think I laughed like twice. And they were trailer moments.
Talent filled staggeringly flatline high concept comedy for me.

E.D.


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leitskev
Posted: September 4th, 2011, 11:14am Report to Moderator
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I'm glad you said that, Brett. You know me, I always say what I think, and I thought maybe I'd be by myself on this. Sometimes I feel like I see things so differently from others that I start to wonder if I'm like Paul, from another planet. Every single professional review I found online was raving positive about this film. I just don't get it.

I did think the beginning was decent. It was slow moving, but the subtle sci fi geek humor gave me some chuckles. The English geeks roaming the foreign landscape of Nevada was clever...outsiders who end up with the ultimate outsider as their guest.

Ironically, the movie really goes downhill when Paul arrives, even though Paul is well done and funny in his way. This SHOULD have been funny. Maybe part of the problem is writers who play their own characters. I realize they've had some success, but maybe in general this is a bad idea.
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Reef Dreamer
Posted: September 4th, 2011, 11:36am Report to Moderator
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Shame about that, I was looking forward to seeing this. Maybe lower expectations will help.

I checked the figures and it still managed to take $100m worldwide. Maybe this shows what a good concept can bring in even if poorly executed.

Maybe I should dust down my "two english explorers and a penguin cross the antarctic on a wind surfer epic!!"


My scripts  HERE

The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville
Inner Journey - Page Awards Finalist - Bluecat semi final
Grieving Spell - winner - London Film Awards.  Third - Honolulu
Ultimate Weapon - Fresh Voices - second place
IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
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leitskev
Posted: September 4th, 2011, 11:42am Report to Moderator
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I'm not surprised it made money. A movie is all about the trailers, and these trailers were awesome. Just the idea of a stoner alien in flip flops makes me laugh.

Stevie's zombie script blows Paul away. But I don't know if the zombie has the same appeal as the "cute" little Paul. Zombies are generally not warm and cuddly. But his script is hilarious.
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stevie
Posted: September 4th, 2011, 4:41pm Report to Moderator
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Thanks for the kind words about my script Headlong, Kev!

I haven't seen Paul or read the script, but i recall thinking it was similair in concept to mine at the tiime, as did my missus.

I had planned to get off my arse and enter Headlong in a comp. But maybe now, well, we all know that I wrote it before Paul came out, and it was not influenced by it at all, but now my script might be looked at as not 'original'.

i dunno, I might just be paranoid...



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Scar Tissue Films
Posted: September 4th, 2011, 6:19pm Report to Moderator
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I don't think that's a problem Stevie.

Sounds more like an updated version of weekend at Bernies than Paul.

Think it needs a better name than "Headlong" though.
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Heretic
Posted: September 4th, 2011, 6:38pm Report to Moderator
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Paul...

It wasn't funny.

There are other problems with the movie, but what else really matters when you've got a comedy that isn't funny?

Don't waste your time.
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leitskev
Posted: September 4th, 2011, 6:38pm Report to Moderator
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I think Headlong had multiple moments where you laugh out loud. It's a great concept, and the lead characters were kind of like the Aussie Bill and Ted on an American adventure. One thing, I think Headlong is marketable right now, but is not ready for contests, if that makes any sense. Contests are about writing. It needs a lot more polishing, a solid rewrite. But I think a producer could look at it and decide they want to option and then fix it up before filming. I definitely see it as marketable.
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stevie
Posted: September 4th, 2011, 7:02pm Report to Moderator
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Yeah, cheers Kev. I was gonna go through it and cut some.  The bar scene is way too long so I can do some editing there.

And yeah, Rick, I was thinking of changing the title. Headlong was the original title from when there was no zombie involved. I'm a big fan of one word titles.

I'll give the script another read and see what happens.

But if I don't enter it in a comp Kev, how can I get it out there? At least I can get some feedback for it in a comp



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leitskev
Posted: September 4th, 2011, 7:13pm Report to Moderator
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Problem is that unless you're a finalist in the contest, I don't see how it gets noticed. And even then, there are only a very small number of contests that seem to be watched by the industry. At least that's what I hear.

As far as getting it out there, there are others here that can answer that far better than me. It seems Inktip is the best way, though it costs a little. You better make sure the title, the log, and the pitch are real good so it has a chance to get noticed.

Scripts do get noticed here, too, especially by the smaller companies, if you're willing to go that route. Other than that, I guess you have to find ways to pitch it in person to the right people. Not easy if you're not in LA.

If you're going to pitch it here, I suggest, as Rick said, a new title, and get your logline down to one sentence. Maybe repost this so you can grab first reply in the thread, and get a poster up there like the ones Brett does for his zombie project.

Best I can think of, Stevie.
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stevie
Posted: September 4th, 2011, 8:15pm Report to Moderator
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Cheers mate, I'll give it some thought.


Its hard being over here in Oz sometimes. I haven't really got the cash to be getting around with it. I was gonna spend 50 bucks on a comp - Fresh Voces was the one I was looking at. At least I would get some feedback from it, from people over there in the price.



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