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Simple question. When writing flashbacks, dream sequences, etc. is it better to use BACK TO SCENE or END FLASHBACK? I tend to use both but I was taught to use BACK TO SCENE. It seems to work better in most cases but doesn't seem the best choice when slugls are involved. If a given flashback runs for a certain length of time, I feel like it'd be better to write END FLASHBACK and then the slug for the scene taking place in the present (which is why I use both). I feel with BACK TO SCENE, readers might forget what they're returning to. I suppose you could use BACK TO SCENE followed by a slug but it seems redundant somehow.
I use "END FLASHBACK." I also use SLUGS inside the Flashback.
As in...
BEGIN FLASHBACK:
INT. JOE'S BBQ - KITCHEN - NIGHT
Joe takes arms and legs off of the spit, throws them down on the table. He carefully chops them into small, tender morsels.
INT. JOE'S BBQ - SEATING AREA - CONTINUOUS
Mike and Mary happily fill their faces with the BBQ, as sauce runs down their chins.
END FLASHBACK.
Personally, I don't like seeing "FLASHBACK" in a SLUG, and it makes zero sense to me when I see something like "RETURN TO SCENE" or "END FLASHBACK" in their.
When it comes to the technical side of screenwriting I don't believe there is no one definitive way to write it. If you can convey clearly what's going on to the reader, you've succeeded, in my opinion.
But for the record; I write flashbacks as:
INT. LOCATION - TIME (FLASHBACK)
When it finishes and you move on to another scene or back to the one before the flashback, I write it as:
INT. LOCATION - TIME (PRESENT)
It's simple, easy to understand and economical.
Jeff's way is also perfectly fine and I wouldn't see a problem with including slugs within the flashback as long as when it begins and ends is clearly stated. Whether it be written as (FLASHBACK) and (PRESENT) or BEGIN FLASHBACK: and END FLASHBACK: clarity is what's important.
I only use BACK TO SCENE after an insert since this is where I've seen it most commonly used. For example:
It's whatever reads the clearest. Screenwriting is more about clarity than construction. Format is about making it consistent, but you should always ensure that it is easy to follow.
I think as long as it's clear to the reader. I did have a question for other writers about something similar myself, Does a flashback have to be a certain amount of pages or is there some kind of unspoken rule where flashbacks are usually a page or two at most, What if it's like a chapter? Would you still have to put a flashback in there? Or could you write something like:
Who am I? A man with a hundred stories... you want to read one? Analyst, mentor, competition reader/judge, film critic, magazine article/blogger. https://simpsonliteraryagency.com/script-analyst
I think as long as it's clear to the reader. I did have a question for other writers about something similar myself, Does a flashback have to be a certain amount of pages or is there some kind of unspoken rule where flashbacks are usually a page or two at most, What if it's like a chapter? Would you still have to put a flashback in there? Or could you write something like:
EXT. SCENE - SOME TIME AGO
As is typically the case - you can't go wrong with Trottier:
For me, clarity and readability are the key elements.
In terms of your specific question - I would not use FLASHBACK - I would either to what you did (SOME TIME AGO) or use a SUPER: e.g., THREE YEARS EARLIER.
In sounds to me like you are not really flashing back - instead you are telling a non-linear story.