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SimplyScripts Screenwriting Discussion Board    Screenwriting Discussion    Screenwriting Class  ›  Question regarding Active Voice Moderators: George Willson
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  Author    Question regarding Active Voice  (currently 3441 views)
BenL
Posted: July 6th, 2016, 5:13am Report to Moderator
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Hey,

I have a question for the native speakers regarding the active voice. Example:

A man sits behind his desk, working on a laptop.

A man sits behind his desk, works on a laptop.

What's the difference between these two? I know that the first one is simple present + present progressive and the second is just simple present but I've seen both versions in other scripts and I'm not sure what to use. Probably depends on the action!?

Is it necesarry to pick one style and stick with it throughout the whole script?

Thanks in advance!

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Grandma Bear
Posted: July 6th, 2016, 7:51am Report to Moderator
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When I first started writing there were some rules that everyone knew and most followed. Things have loosened up a LOT since then and many writers have their own style that would've been considered a no no years back. I was told early on to not use 'ing words. Then on another site someone said to avoid the words 'as' and 'and'. At that time, my English was pretty horrible, so this made me terrified of writing badly, so I stuck to that advice like glue. As a result, my writing style is not the best, it's often short clipped and terse. I so wish I could write beautifully in English, but I can't. However, due to those rules and me being scared of breaking them, I'm always told my scripts read fast! And, that has turned out to be a big +.

So, in your sample, by avoiding the 'ing word, your line got shorter or faster to read. As far as grammar goes, I have no clue why works is active and working is not. Someone schooled in English would have to explain that one.  


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BenL
Posted: July 6th, 2016, 8:56am Report to Moderator
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I try to follow the rules as much as possible but sometimes I can't see what's the big deal. Just like in this case.

Both sentences seem absolutely fine to me. Not sure about this "reads faster" thing tho. It's good if the script reads fast but the difference is marginal. Of course, if a whole script is written in present progressive it might have an effect.

Currently I'm using both of these versions. Don't know if that's a problem...!?
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BenL
Posted: July 6th, 2016, 9:42am Report to Moderator
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Thanks for the comment. This was just a random example.

I didn't mean to say that he sits down. He's already sitting there and types on the laptop. Thanks for clearing that up, it's not that easy when you're not a native speaker.
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rendevous
Posted: July 6th, 2016, 10:06am Report to Moderator
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Quoted from BenL
it's not that easy when you're not a native speaker.


WHat does that mean?

Rev


Out Of Character - updated


New Used Car

Green

Right Back

The Deuce - OWC - now on STS

Other scripts here
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eldave1
Posted: July 6th, 2016, 4:01pm Report to Moderator
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Neither are a sin. My personal preference of the two you offered is:

A man sits behind his desk, working on a laptop.



My Scripts can all be seen here:

http://dlambertson.wix.com/scripts
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BenL
Posted: July 7th, 2016, 2:17am Report to Moderator
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Thanks for the comments.

I really need to get rid of these thoughts of having to follow the rules all the time. As CJ said, it doesn't help. Quite the opposite...
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Dreamscale
Posted: July 7th, 2016, 11:56am Report to Moderator
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Quoted from CJ Walley
Just keep reminding yourself where the rules always seem to stem from; lackeys, troll reviewers, coverage providers, self proclaimed gurus - many of whom are failed writers either trying to make an easy buck off amateurs or trying to knock others down to build themselves up.




So far from reality, it's actually quite humorous.

It's always the ones who are poor "writers" who spout such nonsense.

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DustinBowcot
Posted: July 7th, 2016, 12:25pm Report to Moderator
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The reason we write screenplays in active voice (as much as is possible) is because it punches images into the reader's mind rather than easing them in like a novel. The better screenwriters are better at doing this and can get away with twisting the rules. The problems usually only arise when weaker screenwriters attempt the same thing but don't pull it off.

First learn to follow the rules before considering breaking them. Screenwriting is an art form and takes a while to perfect.
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DustinBowcot
Posted: July 7th, 2016, 1:42pm Report to Moderator
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Quoted from CJ Walley


You know what, Jeff. You've won.

I can't take this crap from you anymore and can't be part of a community where it's so routinely accepted.


In all fairness, Jeff just twisted around your own insult. You called people that recommend the rules trolls, egoists and con artists. Jeff twisted this around and called the opposite (people that recommend breaking the rules), poor writers.

It's tit for tat.
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Dreamscale
Posted: July 7th, 2016, 2:15pm Report to Moderator
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Quoted from DustinBowcot
In all fairness, Jeff just twisted around your own insult. You called people that recommend the rules trolls, egoists and con artists. Jeff twisted this around and called the opposite (people that recommend breaking the rules), poor writers.
It's tit for tat.


Very true.

CJ, I did not throw anything directly at you, either, nor was it intended that way.

What I said is very true - that those "writers" who struggle with grammar or the like, always are the ones who say it doesn't or shouldn't matter.

What I always say is that grammar, spelling, structure, and all things "writing" matter a Hell of alot.  When something is "wrong" it's downright wrong and really can't be argued.

Writing a "great story" is subjective and will always be so.

One should always strive to be a "good writer" first, because that's universal. Stories are hit and miss and will always be so.

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BenL  -  July 7th, 2016, 2:43pm
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eldave1
Posted: July 7th, 2016, 8:38pm Report to Moderator
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Quoted Text
Very true.


In this case, I concur.


Quoted Text
CJ, I did not throw anything directly at you, either, nor was it intended that way.


Oh C'mon for Christ sakes - just own it. You directly quote the dude and then say:

"It's always the ones who are poor "writers" who spout such nonsense" So of course you meant to throw something directly at him. It could not have been more specific of directed.


Quoted Text
What I said is very true - that those "writers" who struggle with grammar or the like, always are the ones who say it doesn't or shouldn't matter.


Not sure I have ever seen a post here arguing for poor grammar.


Quoted Text
What I always say is that grammar, spelling, structure, and all things "writing" matter a Hell of alot.  When something is "wrong" it's downright wrong and really can't be argued.


No arguments on grammar and spelling. Structure and all things writing are far too broad for a when something is wrong it is downright wrong conclusion. I like asides when properly used - some hare them and think they have no place. Same with unfilmables. I like more specific times of day (dawn, dusk) in slugs. I love bold slug lines, etc. etc. etc. These are the "all  things writing" issues that are generally the subject of debate and there simple is no downright wrong or right.  


Quoted Text
Writing a "great story" is subjective and will always be so.


Concur


Quoted Text
One should always strive to be a "good writer" first, because that's universal. Stories are hit and miss and will always be so.


Concur - but there will be wide varying interpretations of what constitutes a good writer.





My Scripts can all be seen here:

http://dlambertson.wix.com/scripts
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cloroxmartini
Posted: July 8th, 2016, 3:29am Report to Moderator
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Quoted from BenL
Hey,

I have a question for the native speakers regarding the active voice. Example:

A man sits behind his desk, working on a laptop.

A man sits behind his desk, works on a laptop.

What's the difference between these two? I know that the first one is simple present + present progressive and the second is just simple present but I've seen both versions in other scripts and I'm not sure what to use. Probably depends on the action!?

Is it necesarry to pick one style and stick with it throughout the whole script?

Thanks in advance!


Imagine a different route and that is to visualize the scene, I this case, I am in a room, and I see a man, sits, behind, his desk, working on a laptop.

Forget the ing stuff and go deeper, that is where your tone will come from that you need to carry on with.

Ask questions. Who is the man? What is his occupation? Is it his desk? Is he sitting or standing? You said sit, but go deeper. Is it his laptop? Is he typing or working on it?

Is it Clark Kent trying to meet a deadline?

So you could simplify with A MAN at a desk clacks away on a laptop. Leave "his" out of it because we don't know that. Clacking away at a laptop? Ing is just fine here. Nobody will notice. Because clacking or clacks invokes a noise that overshadows the rest. Typing or types invokes something more than working as well. But really, it's how you start using the little words that can really help it be visualized more.

A woman sitting on a park bench. Now if you wrote is sitting, then you should ditch the "is."

A dog runs (lopes, lol lights, trots, sprints) across the lawn.

Like Pia said, it just reads quicker.

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BenL
Posted: July 8th, 2016, 5:52am Report to Moderator
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These little words you mentioned are one of the problems I'm facing while writing my feature.

I just don't have the same vocabulary as a native speaker. Of course there are dictionaries but still, it's just not the same.

I always think that my script reads a little "awkward" because there are a lot of words that I use over and over again and the sentences seems simple and not that appealing.

But aside from all this stuff and all the rules, I'll just continue to write what comes to my mind and then do the editing/fine tuning later.

Thanks for all the comments and helpful advice!
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DustinBowcot
Posted: July 8th, 2016, 9:19am Report to Moderator
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Quoted from CJ Walley
I worded my comments about where the rules stem from badly. I did not mean to imply anybody recommending the rules was a troll, egoist, or con artist (thanks to Jeff Junior for the paraphrasing). What I was trying to say, and failed to make clear, is that I feel many of the rules that trouble people are created by unproven experts and spread verbatim by those who follow blindly, those who use them against others, and those who see a way to make easy money. These are the rules found in various screenwriting books and consultant blogs that are easily copied and pasted around communities until they become axioms. Examples would include the “7 Deadly Sins of Writing” in the book 101 Reasons Your Screenplay Sucks, or "50 Dead Giveaways That You’re an Amateur Writer” blog post by Danny Manus, or the rant about how we should all use a 5-act structure in the book Screenwriting 101 by Film Crit Hulk!. I feel this kind of advice is a cynical form of scaremongering that oversimplifies complex and often subjective issues in attempt to raise the author’s profile while driving amateurs to dwell on the superficial. I do not equate the same feelings toward a writer pointing out core presentational issues with writing - however, I do feel even that can be taken far too seriously at times by some. Needless to say, but I’ll say it anyway for clarity, issues with typos, grammar, lucidity, efficiency, impact, and presentation should always be addressed by any aspiring writer, to their full ability, and with a hunger to improve without detriment to their motivation or creativity. I agree that ignorance and dismissiveness hinders progress more than it helps.

For what it’s worth, I personally have a tremendous respect for you Jeff, a writer who I believe boasts a decade of experience, authored one of if not the most read and applauded scripts within this community, and one of the few out there who’s been offered hard cash for his work. I feel you are, without doubt, an excellent writer with admirable talent, who’s work I certainly enjoy reading and aspiring toward. That said, I cannot fathom where your eagerness to chide and humiliate others stems from because it's quite frankly beneath you. In the year I’ve actively been a part of this community, which is one blessed with some of the nicest and most talented creatives I’ve come to meet, you have insulted my work, my profile picture, my strapline, and now my writing ability at its core. All of which, you’ll be delighted to know, I have changed as a direct result of your comments and have gradually lost confidence in altogether - and this is the thing, you (along with Dustin to an extent) terrify me, and I’ve posted with a consistent fear of your sharp rebuttals and harsh feedback since day one. The fact is, I’m too weak to continue and too jaded to find any positives in doing so. You make this place a hard and negative arena to contribute toward, and you know what, maybe that’s for a greater long-term good. Perhaps you will bootcamp a stream of poor writers into something special. Perhaps you already have. All I know is that I cannot watch it and I cannot take it. So, in my best imaginary Jeff Bush voice “I’m out!”.

I’ll sign off with this. In my first year of writing, I was deluded/arrogant enough to submit my first few scripts to the BlackList and Amazon Studios. For all my technical writing flaws, terrible grammar, abundant typos, formatting issues, and complete ignorance of the rules, I did get spotlighted a few times by both - I guess because a few people in the system gave me a break. Some didn’t though, and I’ll never forget just how incredibly low their admonishment made me feel. It’s this experience that has always caused me to try and find the love in other people’s work in an attempt to keep them motivated enough to continue and hone their craft. The fact is, writing hurts enough without us writers having to hurt each other.


Where's my violin?

Well, thanks for the underhand insult. I merely pointed out the contradictory nature of your accusation. If I didn't have a thicker skin, I'd be really offended... perhaps enough to whine on like a little baby for several paragraphs.

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