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I was going to say: If the script is fantastic you're probably not even going to care about that opening slug but having looked at some fantastic and imaginative opening grabs, I've since changed my mind, or at least acknowledge there are better ways to grab a reader and suggest the opening visual to a director:
So, if you have some examples of alt Openings that would have been terrific for this challenge, e.g., the POV of an eye maybe? Or the dark yawing depths of of a mouth screaming - or just in general -
Here are some other examples of pro script opening slugs:
Scream: FADE IN ON A RINGING TELEPHONE. A hand reaches for it, bringing the receiver up to the face of CASEY BECKER, a young girl, no more than sixteen. A friendly face with innocent eyes.
Fight Club David Fincher’s Fight Club is another solid example of the usage of an opening scene as a teaser. We float through the synapses of a human brain, exit out of sweating pores on a forehead, continue to pull back down the barrel of a gun to reveal that the weapon is shoved in the mouth of Edward Norton’s character, who narrates: “People are always asking me if I know Tyler Durden.”
Mind you, that one above seems to be a director's choice and not how the actual script opening is written.
SCREEN BLACK JACK (V.O.) People were always asking me, did I know Tyler Durden.
FADE IN: INT. SOCIAL ROOM - TOP FLOOR OF HIGH-RISE - NIGHT
Saw FADE IN: INT. UNDERWATER The low roar of deep water.
I was going to say: If the script is fantastic you're probably not even going to care about that opening slug but having looked at some fantastic and imaginative opening grabs, I've since changed my mind, or at least acknowledge there are better ways to grab a reader and suggest the opening visual to a director:
So, if you have some examples of alt Openings that would have been terrific for this challenge, e.g., the POV of an eye maybe? Or the dark yawing depths of of a mouth screaming - or just in general -
Here are some other examples of pro script opening slugs:
Scream: FADE IN ON A RINGING TELEPHONE. A hand reaches for it, bringing the receiver up to the face of CASEY BECKER, a young girl, no more than sixteen. A friendly face with innocent eyes.
Fight Club David Fincher’s Fight Club is another solid example of the usage of an opening scene as a teaser. We float through the synapses of a human brain, exit out of sweating pores on a forehead, continue to pull back down the barrel of a gun to reveal that the weapon is shoved in the mouth of Edward Norton’s character, who narrates: “People are always asking me if I know Tyler Durden.”
Mind you, that one above seems to be a director's choice and not how the actual script opening is written.
SCREEN BLACK JACK (V.O.) People were always asking me, did I know Tyler Durden.
FADE IN: INT. SOCIAL ROOM - TOP FLOOR OF HIGH-RISE - NIGHT
Saw FADE IN: INT. UNDERWATER The low roar of deep water.
The one that immediately springs to mind is the opening of Lord of War - starting off with a businessman standing in the middle of a battlefield (the arms dealer) and then following a bullet from manufacturer to selling, to transport, to loading, to firing and eventual victim, a child fighter in Africa.
Immediately set's up the morality of arms dealing and profiting from war.
I also quite like the opening of In Brugge - Clips of the beautiful cobbled streets, canals and paints Brugge as a magical place - Then Ray comes on, repeatedly calling it a shithole.
Inglorious Basterds is also another great opening that comes to mind - Sets up the antagonist wonderfully, immediately hits us with theme and tone, and also comes full circle later in the movie (rather than a stand-alone opening just to get our attention)
The one that immediately springs to mind is the opening of Lord of War - starting off with a businessman standing in the middle of a battlefield (the arms dealer) and then following a bullet from manufacturer to selling, to transport, to loading, to firing and eventual victim, a child fighter in Africa.
Immediately set's up the morality of arms dealing and profiting from war.
I also quite like the opening of In Brugge - Clips of the beautiful cobbled streets, canals and paints Brugge as a magical place - Then Ray comes on, repeatedly calling it a shithole.
Inglorious Basterds is also another great opening that comes to mind - Sets up the antagonist wonderfully, immediately hits us with theme and tone, and also comes fall circle later in the movie (rather than a stand-alone opening just to get our attention)
Late-thirties, maybe the wrong side of forty, cigarette dangling from his fingers, wearing a conservative suit and tie.
Black smoke wafts in front of his face. He speaks matter-of-factly, directly into camera.
YURI There are over 550 million firearms in worldwide circulation. That's one firearm for every twelve people on the planet. The only question is... (taking a draft and stubbing out the cigarette) ...how do we arm the other eleven?
The camera zooms away from his face, revealing:
Yuri alone on a battlefield surrounded by the charred carcasses of armored military vehicles and other equipment, discarded weapons and ammunition, desert floor stained with what appears to be blood.
The faint sound of gunfire, some distance away, carries to us on the wind.
Late-thirties, maybe the wrong side of forty, cigarette dangling from his fingers, wearing a conservative suit and tie.
Black smoke wafts in front of his face. He speaks matter-of-factly, directly into camera.
YURI There are over 550 million firearms in worldwide circulation. That's one firearm for every twelve people on the planet. The only question is... (taking a draft and stubbing out the cigarette) ...how do we arm the other eleven?
The camera zooms away from his face, revealing:
Yuri alone on a battlefield surrounded by the charred carcasses of armored military vehicles and other equipment, discarded weapons and ammunition, desert floor stained with what appears to be blood.
The faint sound of gunfire, some distance away, carries to us on the wind.