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SimplyScripts Screenwriting Discussion Board    Unproduced Screenplay Discussion    Short Scripts  ›  Elm Way Moderators: bert
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Don
Posted: May 23rd, 2005, 8:40am Report to Moderator
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So, what are you writing?

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Elm Way, episode 1: First Lane Drive by Bryy Miller - Series - Neat freak and generally naive Susan McCarthy is the lease owner of a two-story victorian on the outskirts of Los Angeles, in a creepy little small town called Elm Way. Richard is the teen soap star old enough to be his own older brother; Starter is the severly-mentally handicapped wiseass; Hope is just a goody-two shoes; Jake is a tech nerd; Lily is the token young'un with a bit more maturity than everyone else; and Danny is.... odd.   Charlie is the new guy, so he doesn't stand a chance.  By the way, they live in the strangest town in the universe.  - html, format


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dogglebe
Posted: May 23rd, 2005, 7:25pm Report to Moderator
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This script just seemed to be a couple of roomates bickering.  You have a bunch of oddball characters, but they're not doing anything.


Phil
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Bryy
Posted: May 23rd, 2005, 8:57pm Report to Moderator
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It seems you haven't read the full way through. I'm not trying to be Red vs. Blue here (even though this is a machinima).
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dogglebe
Posted: May 23rd, 2005, 9:04pm Report to Moderator
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I read up to the confessional.


Phil
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Bryy
Posted: May 24th, 2005, 3:27am Report to Moderator
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It's two pages. There's a 'next' link at the bottom you need to click. This seems to even confuse my cast members.

Revision History (1 edits)
Bryy  -  May 24th, 2005, 3:28am
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dogglebe
Posted: May 25th, 2005, 6:31am Report to Moderator
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Having read 'part two,' my feelings for this story hasn't changed.  You're putting oddball characters together and just letting them do their own thing.  There's no cohesion or direction.

When all you have is screwball characters running around, and no straight man, the insanity just becomes the normal.  There's no impact to it.


Phil
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Bryy
Posted: June 6th, 2005, 3:37am Report to Moderator
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A big part of why this series is hard for me is that its story is a big too big for the thirty minute mark.
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dogglebe
Posted: June 6th, 2005, 8:45am Report to Moderator
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Don't worry about the thirty minute mark, or how many pages it is.  When I first wrote The Burnout (as a screenplay) it was over 150 pages long.  It's now about 120.  I concerned myself with the length after I wrote it.


Phil
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Bryy
Posted: June 9th, 2005, 3:14am Report to Moderator
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Well, I suppose that the same strategies make sense for "animation".
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