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A cute little turn with the 4 yo on the toy car, but really there is nothing in this to appeal to a producer I wouldn't think.
Pg 2, grammar issues, need a comma between these
EMILY Okay(,) daddy. JOHN I love you(,) baby girl. EMILY I love you too (,) daddy.
I think if you began your story like this then had the next scene where the father gets shot ... or where the family finds out about the cop shot then you would have the makings of a story.
This is indeed a short, and that's good. For me, it reads like the opening of a longer work, something that will involve this playful policeman. And you might consider making Emily a bit older. at 4, does she really understand tickets and such? In any case, this is a nice moment that needs something more, perhaps a lesson for Emily. No riding in the street, fasten your seat belt, a reason to go along with the action, a teachable moment.
Thanks for your input. I'll take another look at this and see what I can do.
And Clorox, as for how a cop gets a dispatch, do you know that for sure? Being a cop myself, I can tell you that I've heard many radio transmissions without 10 codes. Radio transmissions are about getting things out, and in panic situations, 10 codes can often get mixed up. Sometimes it's best to just use plain language rather than 10 codes. In the famous words of Billy Madison, "Ta Ta today junior".
I like the part with Emily's ticket a lot and to me, the descriptions / action lines are fine. Just expected some other ending, currently it feels like the two parts (Emily and the bank robbery) are separate, unconnected sequences.
I hear ya. What I was going for was the fact that he's a family man, yet has to face the harsh realities with the world of policing. I hummed and hawed about posting this, as I wasn't sure if there was enough in it for a good story. I'll need to re-examine it and figure out where to go with it as the criticism seems to generally be the same.
I defer to your expertise. I am not a cop but I know a big city police dispatcher and we had a conversation about ten codes. While it may be "right," it would play better on screen. The random public have expectations or pereceptions. Like when the military repeats something 3 times so people know what's going on. It "sounds" more police like, or military like. Like our lives might be drama to us, but it ain't drama to a movie audience.
Like, one Adam twelve, see the man...see, I'm old.
The twist with Emily is nice, but to me, it seems that this is when the story ends.
I get the juxtaposition you are going for, but somehow it doesn't pay this scene off in a way that feels complete.
I was kind of hoping that in his rush to the crime scene, John would CRUNCH over Emily and speed off. But I am kind of a dick that way. Please don't use that haha.
The writing is fine -- no complaints there -- but I am left feeling that this should be either a half-page shorter, or a half-page longer.
I was kind of hoping that in his rush to the crime scene, John would CRUNCH over Emily and speed off. But I am kind of a dick that way. Please don't use that haha.
That would introduce the paramedic.....wait for it.... Emily's Uncle
Haha, that's pretty dark! I'm not entirely opposed to dark, but yeah, I won't be using that .
And Clorox, thanks for your previous post. It's definitely a good point about the expectations and perceptions of the public. I never thought of it that way.