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The Other Woman by Jordan Wiebe (theboywhocouldfly) - Short, Drama - A young man who just returned from Iraq made a choice that will change not only his life, but those close to him forever. A July, 2006 One Week Writing Challenge Entry - pdf, format
*You've captured Dylan and Tyler's relationship very well and for some cruel, immature reason I laughed at George's "Don't make me take off my belt!" line. I don't know, it sounds funny. *There are some typos and stuff in here. Missed commas plus plural/singular stuff, such as "The two woman clear the table" should be "women." *William got separated from the unit. If the unit is on the other side of town, then what is Private Kurtz doing in that building?
You introduce 8 people right off the bat, but you could have gotten away with only Jenny and William if you wanted to. The twins kept the story going, George was the knowledgeble father, but with such a short space to write, you don't want to go overboard with characters. Aside from that this was a powerful story. William gets himself into a huge conflict and by the end you really have an emotional feel going on here.
Another of the good ones here. More like a war drama, but the author ties it well to the challenge's theme.
The protagonist faces a moral dilemma; choosing between two wrongs. One of the best plot devices for drama, and the strongest aspect of this script, IMO. The ending was sad but I believed it worked and fits the genre.
Just one thing to pick you on: you could loose a couple of pages to make this script tighter.
The first 18 lines of this script are static description; nothing happens. Could work in a novel, but scripts are about things happening. Try to trim down the descriptions, describe only the essential details and try mixing action with description. Keep things moving in the reader's mind.
As Greg said, we are introduced to many characters right of the bat. A smaller family and/or separate introductions will help the reader remember your characters more easily.
The George-Twins gag was funny, but I think you overdid it a bit.
During the first bit of the flashback, William describes in V.O. exactly what has been described in action lines by the author. Avoid repeating information. The first V.O. is redundant.
Despite this minor beefs, this one worked quite well. Good job.
Great story, you managed to take the reader to a war-zone without deviating from the theme.
Also, great dialogue, especially from the kids at tetherball-pole. It sounded real and convincing. And right from the start, great descriptions, very vivid.
Overall, this was an excellent effort, no real major complaints... okay maybe one. The interaction between William and Jenny, right before the fireworks, seemed really cheesy. But other that that really good.
-Zavier
Though earth and man are gone, I thought the cube would last forever. I WAS WRONG.
I enjoy tghis one too. I bought the first VO, Z, but maybe you are right about that. When we read a voice over is the same we are seen the action isn't it?...Anayway I though it was tense with a good description of the actions.
If was the author, just I f was... at the very endding after William gets out and Jenny gets crying we can hear a SHOT! He deserves it because he never will be in peace of with his conscience. He is already dead.
That was a sweet little tale with a sad ending. I was ok with how it played. I agree with Mr. Z in that the V.O. moving into the war zone told exactly what the description showed meaning the V.O. is redundant. I may work better onscreen than on paper, but typically, if you can show it, you don't tell it at all.
This was a sad story that fit together quite well in this challenge. Good job. The twins were comical. Maybe a little overdone with dialogue, but still comical. I liked the way they snaped to attention when their father yelled at them and said, "Yes sir". LOL With that being said, I think I know who wrote this. I liked the mixture of opposites in this one. The kids, and the dad. The Forth of July, and the wounded soldier. A happy woman, and her sullen fiance. It all played together very nicely. There were some type o's as mentioned, but I really enjoyed the story. Well done, Cindy
Award winning screenwriter Available screenplays TINA DARLING - 114 page Comedy ONLY OSCAR KNOWS - 99 page Horror A SONG IN MY HEART - 94 page Drama HALLOWEEN GAMES - 105 page Drama
This one is one of my favorites so far and I've read most of them.
I liked everything about it.
The writing was great. A few typos (already mentioned) and some descriptive stuff, like the very first sentence having the word orange in it twice. None of this bothered me though.
I like the story A LOT! Lot's of drama and conflict. I was getting nervous for a while that William was going to choose to save the girl instead of his buddy and this was somehow going to turn into some anti war piece. If you had, I would've strongly disliked this one.
George and Martha, is their last name Washington by any chance? Phil had two dogs named this in his Pugumentary...............
This was a great, dramatic piece where I was able to capture the feelings of every character (even Dylan and Tyler, haha). The scene with Jenny, the Private, and Will was intense which kept me reading more and more into it. THat was the best part, I think.
Good job.
Sean
P.S>
Quoted Text
GEORGE (CONT’D) What’s the matter boy? You look like a zombie.
Echoeing some of the other comments, I really did get a feel for the characters. The dialogue was top notch and I think it was paced very well.
The timing of this is great as well considering that a lot of people I'm sure are going through some of these very same situations and emotions.So good choice on subject matter.
I don't really have anything else to say, except for good job.
-Kotton
A spoon does not know the taste of soup, nor a learned fool the taste of wisdom.
Nice one, Jordan. This is one I wish I had read without knowing the author. You seemed pretty proud of your entry, and rightfully so.
But this one is another short that may have a few too many characters. We might have been able to get by without Arnold and Susan -- keeping this family story a bit more intimate. Not a big deal, though.
When we enter the flashback, it seems like you might have used the fireworks to segue into the artillery and explosions rocking the streets of Mahmudiyah. That is a missed opportunity for some nice visuals.
You might have Michael talking a bit much during the flashback -- “Oh my god! What am I gonna do?” -- telling us things that are already coming through quite clearly based upon the visuals alone. Something to think about in the future. A picture is worth a thousand words, you know?
I might also give a second thought to actually showing the girl having her brains blown out. A nice O.S. GUNSHOT, while focusing on Michael’s reaction -- knowing what he has done -- might be more effective.
These are just some general thoughts, though. In sum, this is a very powerful piece, well-rounded, and telling a complete story in just a few pages. Having Kurtz fail to survive this attack lends the story even more resonance. Nice work.
Thanks for the read Bert. I think I will re-write this with the suggestions I got, they all seem to work and make this a better script.
Oh yeah, Micheal is private kurtz, William is the lead...LOL, probably my fault cause sometimes I go by the last name, then first name, probably a little confusing, might have to change that as well.
Sorry about that, Jordan. I went back to look and that was my bad. Makes it look like I wasn't paying attention....
I guess you know what I meant anyway -- but, yeah -- it is pretty confusing if you don't keep character names consistent throughout. Don't swap them around like that anymore.