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SimplyScripts Screenwriting Discussion Board    Unproduced Screenplay Discussion    Short Scripts  ›  Hans and Greta - A Modernisation Moderators: bert
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  Author    Hans and Greta - A Modernisation  (currently 2716 views)
Don
Posted: July 30th, 2016, 7:14pm Report to Moderator
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So, what are you writing?

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Hans and Greta - A Modernisation by Dustin Bowcott - Short, Horror - A woodcutter has second thoughts regarding the cannibalisation of his children. 4 pages - pdf, format


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Warren
Posted: July 30th, 2016, 7:31pm Report to Moderator
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Brutal, just the way I like it.

Well written and a quick easy read.

You have one comma the wrong way round "and," should be ",and" I believe.

Other than that it works for me.

Well done.


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AnthonyCawood
Posted: July 30th, 2016, 8:02pm Report to Moderator
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Short and sweet, really liked it.

Well written as always and a nice, dark, twist on the tale... Grimm's would have liked it!

Anthony


Anthony Cawood - Award winning screenwriter
Available Short screenplays - http://www.anthonycawood.co.uk/short-scripts
Available Feature screenplays - http://www.anthonycawood.co.uk/feature-film-scripts/
Screenwriting articles - http://www.anthonycawood.co.uk/articles
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Grandma Bear
Posted: July 30th, 2016, 9:58pm Report to Moderator
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Nice little short. My only suggestion would be to have just a tiny bit more conflict between the parents. Maybe show the dad struggling a little more with the decision he has already made. Like him feeling bad about having betrayed his wife, without giving the twist away.

If this makes any sense...I've had a few brews this evening.


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DustinBowcot
Posted: July 31st, 2016, 4:38am Report to Moderator
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Quoted from Warren
Brutal, just the way I like it.

Well written and a quick easy read.

You have one comma the wrong way round "and," should be ",and" I believe.

Other than that it works for me.

Well done.


I believe you mean this line of action:

Code

He moves to their locks and, careful not to make 
any noise, removes them.



The commas are correct as they encase a separate idea from the main. There are a few members here that are better at putting this stuff into words than I am. I left school too young. I know why it's there and understand why it's there, but I don't know how to explain it.

The sentence actually reads... He moves to their locks and removes them. The information regarding the noise is extra, so the first comma must come after the 'and' to signify this. I'm finding it difficult to think of an occasion where a comma could ever come before an 'and' as both can signify the same thing.

Anyway, it's a common mistake made by a lot of writers even at the professional level.

I have spotted one irritation though, on page four I have used the word 'notices' twice in the same action block. That's pretty lazy. I'll have to sort that one out.

Thanks for the read and posting your thoughts, much appreciated.
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Warren
Posted: July 31st, 2016, 4:50am Report to Moderator
Of The Ancients


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Sorry that was my bad, that is the way I would have written it. I read it incorrectly.

Oxford comma always comes before an and.


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DustinBowcot
Posted: July 31st, 2016, 5:06am Report to Moderator
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Quoted from Warren


Oxford comma always comes before an and.


At the end of a list... and then should only be used when things would be confusing otherwise. If you were to put a comma before the and in the sentence in question here, it wouldn't be an Oxford comma it would be an incorrect comma.
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Warren
Posted: July 31st, 2016, 5:13am Report to Moderator
Of The Ancients


A man who has taught his mind to misbehave

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Agreed


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RegularJohn
Posted: July 31st, 2016, 11:04am Report to Moderator
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Brutal to say the least.  Great job with this one.

The only issue I have this this one and perhaps you can add some clarity is why the children returned to begin with.  I would have imagined they would have returned with a mob or perhaps the ax scene happened soon after they left that the children heard it but it was the next morning.  Other than that, nice read.

-Johnny


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MarkItZero
Posted: July 31st, 2016, 2:01pm Report to Moderator
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Liked this one a lot. Imaginative and dark(er) take on an old story. The writing is great and your style works amazing... like when the door cracks open and then Hans is right there about to kick her in. That pithy style reads fast and intense. But it caused a little hiccup for me towards the end because there's no description of the children or father's reaction to what's happening.

I was confused as to the motive of their return to the house. Was it out of loyalty/love for the mother? Or did they return with the intent of killing her and chickened out at the last moment?

Maybe just one line as the father dies describing a betrayed/horrified look on his face, or a disappointed look depending on the actual motive, would help. Not trying to mess with your style... but one extra line to avoid any possible confusion might be worth it.



That rug really tied the room together.
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stevemiles
Posted: July 31st, 2016, 2:59pm Report to Moderator
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Poor old dad gets eaten again…

Grim and to the point.  There’d be more poetic justice in Dortchen being the one butchered by them, but I’d hazard a guess you’re avoiding that ending for that reason.  No loyalties here, Wilhelm suffers for his compassion, end of.

The logic of why the kids came back when they’d run the risk of ending up next on the plate doesn’t work for me but it’s a horror; not one to dwell on too deeply.  It’s in your face bloody and doesn’t ask much in return.  

Lost me with the ‘modernisation’ in the title.  I think I’m missing the intent.  More like an alternate take on the folk tale.  A very different take.

Steve.


My short scripts can be found here on my new & improved budget website:


http://stevemiles80.wixsite.com/sjmilesscripts
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Wes
Posted: July 31st, 2016, 3:54pm Report to Moderator
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Solid stuff. Really well written.
I did question why Hans came back. And where's Gretta? Did I miss that?

Anyway, congratulations. Very nice.


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Reef Dreamer
Posted: July 31st, 2016, 4:28pm Report to Moderator
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Quoted from stevemiles
Poor old dad gets eaten again…

Grim and to the point.  There’d be more poetic justice in Dortchen being the one butchered by them, but I’d hazard a guess you’re avoiding that ending for that reason.  No loyalties here, Wilhelm suffers for his compassion, end of.

The logic of why the kids came back when they’d run the risk of ending up next on the plate doesn’t work for me but it’s a horror; not one to dwell on too deeply.  It’s in your face bloody and doesn’t ask much in return.  

Lost me with the ‘modernisation’ in the title.  I think I’m missing the intent.  More like an alternate take on the folk tale.  A very different take.

Steve.


Agreed.

You have some dark stories, Dustin! Nothing like a good munch on a parent  

Quite contained so may appeal to a film maker

All the best


My scripts  HERE

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Athenian
Posted: July 31st, 2016, 5:14pm Report to Moderator
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Hi Dustin,

Good job. To be honest, I had enjoyed "Christmas in Leningrad" a little more, but this one has a dark humor to it, which I liked.

Regarding the reason the kids returned to the house, well, the smell of cooking meat might have attracted them. Perhaps you could show them sniffing the air or something.

Manolis
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DustinBowcot
Posted: August 1st, 2016, 1:59am Report to Moderator
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Quoted from Warren
Agreed


I do it myself. It's one of those commas that I can get wrong and often spot on subsequent edits. My posts on the boards are the worst. I'm just so lazy sometimes. I can sit staring at something I know I should edit, but I leave it. However, I like my formal writing to be as close to perfect as it can get. A misplaced comma stings a little, but using the same word twice in one action block or, worse, one sentence, is really cringe worthy.
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