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SimplyScripts Screenwriting Discussion Board  /  Short Drama Scripts  /  Traceless
Posted by: Don, August 19th, 2017, 10:28am
Traceless by Brynmor Leyshon  - Short, Drama, Crime, Paranormal - There's a murderer on the loose. Can detective Croft stop him or her before he or she claims another victim? 6 pages - pdf, format

New writer interested in feedback on this work
Posted by: EscapeVelocity13, August 19th, 2017, 10:28pm; Reply: 1
Traceless Review

Observations
- I noticed with this is the lack of an author’s name under the title of the script. This should not be blank.
- The first person we’re introduced to is named “1ST VICTIM”, this doesn’t work. Of the person is to be a victim, let the reader find this out on their own. First rule of screenwriting is “Show, don’t tell”
- It’s spelled Ouija, not Weedje
- The story as a hole didn’t work for me. It kind of just ended, and didn’t make the most sense. SPOLIER: There’s no rhyme or reason why this guy kills his wife…nor why, in her spirit form, she would be after anyone but her husband?
I think you have the pieces to a story here, but it feels a lot is missing and has made the story somewhat hard to follow and make sense of. I say keep writing as this could be a good genre bending script.

Good luck to you.
Posted by: eldave1, August 20th, 2017, 11:00am; Reply: 2
There are many ways to format phone calls. One you have on the opening page is not one of them. Check out this link - should be helpful:

http://www.storysense.com/format/telephone.htm
Posted by: Sandra Elstree., August 20th, 2017, 10:15pm; Reply: 3
I think you have the seed of a good story here. You had me interested and reading, which is really good because I'm a tough suspension of belieffffer.

On page 4, Steven says,
>"What we're dealing with... is a ghost.

I thought this dialogue should have been introduced earlier somehow because it's
VERY OBVIOUS

We are. So yeah:

Make it a bit subtle, but where the characters are learning something "they don't know", not us.

As I'm reviewing this, I'm wondering about:

The appearance of THE MANSION.

Whose mansion? How can we connect? ... because we went from The Croft House

I note your slugs are inconsistent

We have

>EXT. MANSION - NIGHT

and then

>EXT. PSYCHIC RESIDENCE - NIGHT

The mental drift happens as the dialogue proves it out:

Croft is in the mansion and says,

>Cross over? You mean die?

After the Psychic nods "yes", (pg 3) -

We shift to a new unnecessary slug:

EXT. PSYCHIC RESIDENCE - NIGHT

which I think you intended to be all part and parcel of The Mansion Scene - So:

Label it Mansion or Psychic's Residence or Psychic's Mansion you know...

There are other little things I could tinker with and mention, but I liked this work.

Good on ya!

Sandra




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