Print Topic

SimplyScripts Screenwriting Discussion Board  /  Short Horror  /  Horror Birthday Present
Posted by: Don, September 22nd, 2019, 9:08am
Horror Birthday Present by Simon Parker - Short, Horror, No Dialogue - Missing his 4 years old birthday party, a hard working cop chases down a suspected murder. Losing him, this murderer has magical powers and has transformed himself into a small doll. Our hero cop unwittingly takes this doll home with him as a present for his daughter. 2 pages - pdf format

Writer interested in feedback on this work

Posted by: ChrisBodily, September 23rd, 2019, 2:56am; Reply: 1
The logline is way too long.


Quoted Text
A cop takes a doll home as a present for his daughter, unaware that the doll inhabits the spirit of a murder suspect.


Either way, the plot sounds like the Child's Play/Chucky franchise.
Posted by: Dreamscale (Guest), September 23rd, 2019, 9:57am; Reply: 2
Logline is terrible and the writing that follows is also very poor.
Posted by: eldave1, September 24th, 2019, 7:21pm; Reply: 3
I only read and comment on scripts where the writer (a) responds to the comments made and (b) has already or intends to read scripts by others and offer them feedback. Please respond if you agree with these conditions. If so, I'll be glad to read and comment on your script.
Posted by: MikeCashman, October 9th, 2019, 2:22pm; Reply: 4
I agree.  Your script reads too much like "Child's Play".  When the soul goes into the doll, that is the basis of "Child's Play".  "The eyes turn red".  I like that.  You didn't know Chucky was possessed by an evil spirit by looking at him.  Here, in your script, you show the soul as a demon entering the body of a doll, and the eyes turning red.  Pretty cool transformation.

Still, too much like the "Chucky story" which has been beaten into the ground by movie companies.  I really don't know how to guide you on this one.
Posted by: Busy Little Bee, October 11th, 2019, 2:04pm; Reply: 5
Hey, Simon

Others have already commented on the similarities to "Child's Play," so I'll focus on some mechanics that hopeful will help not matter what story you write next.

Too much tell.


Quoted Text

Robert now runs

A BAR WORKER, 19, now steps

and suddenly transforms into a cloud of smoke.

This smoke then pours


You already writing in the present tense, so everything is occurring as shown, saying “now,” “suddenly,” and “then” are markers that indicate you are trying to tell rather than show us what’s happening. Just let it happen.


Quoted Text

Robert runs

A BAR WORKER, 19, steps

and transforms into a cloud of smoke.

This smoke pours


One drawback from too much telling is that you get moment’s like this

"He’s intrigued by it, but doesn’t know why?"

How do we know on the screen? Yes, you told us here on the page, but you are writing for the screen and what people will see. I would suggest using interjections like this sparingly and even when used include something we can see that captures what you are trying to communicate

BLB

Print page generated: May 1st, 2024, 10:59pm