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KILLER'S POV: He takes the knife and plunges it into the big busted girl's ear.
"Picture Porky Pig raping Elmer Fudd" - George Carlin "I have to sign before you shoot me?" - Navin Johnson "It'll take time to restore chaos" - George W. Bush "Harry, I love you!" - Ben Affleck "What are you looking at, sugar t*ts?" - The man without a face "Whoever does any work on the Sabbath day must be put to death." - Exodus 31:15 "No one ever expects The Spanish Inquisition!" - The Spanish Inquisition "Matt Damon" - Matt Damon
Normally, it is, but the deal with spec scripts is that while you don't want to direct, sometimes there is a shot that you feel should be done a specific way. In those highly rare instances where you have to break the fourth wall to get the point across, you are allowed to use those coveted shooting terms, but it should be done with such extreme modertation that the reader understands that you know what you're doing and you just needed the shot visualized more completely than the standard spec format allowed.
POV would be the main one of these little jewels that you should use very sparingly, but the whole point is to tell the story as visually as possible and if there is no spec way to do it, then just get it done however you have to.
That's the problem with writing specs for horror or thriller movies. In those movies, the direction provides much more or the horror/suspense than the writing.