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SimplyScripts Screenwriting Discussion Board    Screenwriting Discussion    Screenwriting Class  ›  Question On Writing Split Scenes (ie, Phone Calls) Moderators: George Willson
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  Author    Question On Writing Split Scenes (ie, Phone Calls)  (currently 814 views)
Toby_E
Posted: October 8th, 2008, 12:58pm Report to Moderator
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Hi, I've got another query... And seeing as you guys helped clear up my questions about slo-mo/ songs in scripts, I was hoping someone could share some more knowledge

So yeah, basically, I want to have a scene where two main characters are talking on the phone, and I want the scene to be a split screen. But yeah, I don't exactly know how to write this? I've never seen them written in any scripts I've read, and I think it may be down to the director when its done, but I mean, I kind of need it to introduce the characters. I've got a pretty solid idea of how to write them, but I don't want to make a mistake and look like an amateur.

Cheers, Toby.


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Shelton
Posted: October 8th, 2008, 1:15pm Report to Moderator
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This is how it was done in the Jackie Brown script.

ORDELL (CONT'D) This fella Beaumont, they say what happened to him?

JACKIE They told me.

At this moment the film becomes a:

SPLIT SCREEN

On the RIGHT-HAND SIDE is Ordell with his hands barely touching Jackie's
throat. On the LEFT-HAND SIDE is Max driving home in his Seville.


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George Willson
Posted: October 8th, 2008, 1:50pm Report to Moderator
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Here's an example of mine that isn't posted here. This is how I've read to do it, how I've seen it in other scripts, and how I've done it in scripts both posted here and not. (Please ignore the scene numbers. Didn't feel like deleting them just for this.)

I know the example is a little long, but it'll give you a full idea of how this is supposed to flow and why a split screen was appropriate in such a case as well as giving you a start and stop to it. If you note the context, this would be a screenwriter decision as opposed to a director one since it gives a clear picture of the intent of the scene.

A phone call would work similarly; they'd just be on the phone. The split should not be confused with an Intercut, however, the typical method of doing a phone call, but written pretty much the same way as a split screen.

----------

27 EXT. HOUSE – BACK - NIGHT 27

Brenda stands well off the porch, her arms folded. Tom walks
out the door.

TOM
Didn’t go well, did it?

Brenda scoffs.

BRENDA
Prize to Captain Obvious.

TOM
What happened?

BRENDA
Eddie was Eddie.

28 INT. HOUSE – BRENDA & EDDIE’S ROOM – NIGHT 28

Eddie sits on the bed, staring at the floor. Susan enters.

SUSAN
What did you do?

Eddie scoffs.

EDDIE
It’s what I didn’t do that’s the
problem.

SUSAN
I see.

EDDIE
Why is this so important right now?

SUSAN
I think you know.

27 / 28 SPLIT SCREEN BRENDA / EDDIE 27 / 28

BRENDA
I want him to be happy.

EDDIE
I want to make her happy.

BRENDA
And maybe that’s not with me.

EDDIE
But I don’t know how to do it.

BRENDA
He could have his heart set on
someone else.

EDDIE
She’s the only constant I have in
my life.

BRENDA
Maybe I need to let him go.

EDDIE
I don’t want to lose her

BRENDA & EDDIE
I just don’t know what to do.

EDDIE
If I tell her now, it’ll seem
forced and stupid.

BRENDA
If he were to come out here right
now and finally just tell me, I’d
believe him.

EDDIE
How could she believe anything I
say?

BRENDA
He’s too afraid to say it unless
it’s true.

EDDIE
Am I wasting my life without her?

BRENDA
Jeff said I never stood up for
myself before.

EDDIE
Am I just being stupid because of
what Jeff said?

BRENDA
If he can’t come out and tell me
how he feels tonight...

EDDIE
I think if I don’t tell her what
she needs to hear...

EDDIE & BRENDA
It’s over.

END SPLIT SCREEN

28A INT. HOUSE – BRENDA & EDDIE’S ROOM – NIGHT 28A

Eddie stares at the floor. Susan still sits next to him.

27A EXT. HOUSE – NIGHT 27A

Brenda stares at the ground. Tom stands next to her.

28B INT. HOUSE – BRENDA & EDDIE’S ROOM – NIGHT 28B

Eddie looks up.

27B EXT. HOUSE – NIGHT 27B

Brenda turns around.

28C INT. HOUSE – BRENDA & EDDIE’S ROOM – NIGHT 28C

Eddie leaves the room.

27C EXT. HOUSE – NIGHT 27C

Brenda walks inside.

29 INT. HOUSE – LIVING ROOM – NIGHT 29

Eddie and Brenda meet in the center of the room. Tom and
Susan enter from their respective points. Eddie and Brenda
stare at each other.



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George Willson  -  October 8th, 2008, 2:02pm
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Kaycee
Posted: October 8th, 2008, 4:21pm Report to Moderator
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INT. MODERN APARTMENT - NIGHT.

James Hunt (24), sit's on the couch. He takes his mobile phone out of his back pocket and pushes a few buttons.

SPLIT SCREEN BETWEEN:

INT. MARY'S HOUSE - NIGHT

RING, RING, RING

Mary (25), runs into the living room. She picks up the reciever on the phone.

MARY
Hello?

JAMES
Hey it's me James.

______________________________________

Thats how i would assume it would go but i could be wrong, Hope it helps.

Kacy

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Kaycee  -  October 8th, 2008, 4:53pm
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TheUsualSuspect
Posted: November 22nd, 2008, 6:16pm Report to Moderator
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I have a similar deal here. Although mine is not on the telephone.

I want to show that a character has been stuck in a certain room for months. He does a daily routine everyday and I want to do this through split screen. They do different things on both sides, but at the end they both mark a date off on the calendar, one date is like the first week of the month, the other is the last day of the month. Something like that.

Any ideas on formatting this would be awesome.


A Picture Is Worth

If you want me to read your script, send me a link.
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dogglebe
Posted: November 22nd, 2008, 6:39pm Report to Moderator
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Quoted from TheUsualSuspect
I have a similar deal here. Although mine is not on the telephone.

I want to show that a character has been stuck in a certain room for months. He does a daily routine everyday and I want to do this through split screen. They do different things on both sides, but at the end they both mark a date off on the calendar, one date is like the first week of the month, the other is the last day of the month. Something like that.

Any ideas on formatting this would be awesome.


This would be done better with a montage, than with a split screen.


Phil
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TheUsualSuspect
Posted: November 22nd, 2008, 6:41pm Report to Moderator
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I have it as a montage (as you probably guessed in the other thread) but I wanted the montage to be on both sides of the screen (split screen).


A Picture Is Worth

If you want me to read your script, send me a link.
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dogglebe
Posted: November 22nd, 2008, 6:45pm Report to Moderator
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Do you need to have two montages going at once?  Why not one, showing all the visuals you want?

Phil
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ed
Posted: February 25th, 2009, 8:23pm Report to Moderator
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this is how to write intercut or crosscut on spec script

INTERCUT TELEPHONE CONVERSATION  - JACK AND JILL

the voice belongs to jack a love sick puppy stands in a phone box clutching a rose

JILL
i love you jack

JACK
i love you to jill see you later

jill smiles jack chortles then SLAMS the receiver

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ed  -  February 25th, 2009, 8:37pm
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