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Something is off about your spacing, check your settings out. Everything seems too spread out.
"into the hallway" Hallway should be a minislug.
I think Devlin might have something I call the "dumbass character syndrome". He's 12 years old and I know at least when I was 12, the idea of looking both ways on the street was engraved into my mind. Especially when his friend tells him not to go any further.
Not sure if I understand the ending, the sister will become the princess?
I had a few problems with this one. This might just be me but I don't think there was enough meat to this. The abrupt cut after Devlin's death was jarring and I'm not really sure what happened there either.
Usually, you get those "somebody has to die" story in any theme with time travel so that might be one reason why this felt bland. I know there are going to be a dozen more that deal with exactly the same concept but the problem here was that it's never explored. We see one repeat but it wasn't enough to convince me he could never save his father.
I didn't like the princess part, didn't match up with the story's tone. Just not a lot happens in the 12 pages which is my biggest problem.
The writing was okay, a few strange lines but it was readable. Not a terrible effort by all means but I just wish there was more here.
Liked it a lot and the writer crafted a good little premise. But I was confused. Did he dream about his father? If it was a alternate time line or whatever that's sorta cool. But there wasn't any time travel mission to save his dad, only the princess showing him the past.
This could be a pretty good one. It needs a rewrite to use the cool,concepts in it properly.
Connor goes back to stop the lady from crossing the red light. But then Devlin gets hit by the car. But I don't understand how Connor reversed it. Or did he just dream it up?
Not enough of a set up for me - I'd think there would be Connor missing his father. Then he sees the fairy maybe. Otherwise the fairy's appearance is sudden and groundless up until we understand what Connor wants to do. I think it would be much better if you forshadowed that bit.
A Fairy Princess is the Time Travel method, that is a new one but strange dialogue. Believe in me because in a few years you won't believe in me? Odd.
What are Madison and Church? Are they people? Ah no they are not. But how are the audience to know that? They are not going to read the script. They will need something visual, a street sign or some dialogue to explain it early on. As it is the explanation arrived too late for me.
I'm confused as to what actually happened. Is the Princess his sister, did he imagine it all? What was the original outcome.
I was touched by the emotion in this one a lot. I think there's a good story here, it just needs to be clearer.
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Not a bad effort here. I was a bit put off at first by the fairy princess being Connors source of time travel, but once the story got going it was absorbing. I'm thinking Connors trip to the past was nothing but a dream, and the sacrifice to regain his father ended up with his friend getting killed.
But at the end the father is still dead. So yes. I'm thinking dream here. However, the ending sort if veers into coming if age territory. It read very well for the most part, and like I said, once I got past the opening, it made me want to keep turning the pages.
“A long forgotten teddy bear sits alone in a far corner.” Poor teddy, I really hope this story has a happy ending for him.
Does Connor have any blankets? It’s snowing outside and must be freezing but he’s just lying in his PJ’s… tough kid. Edit: he does have covers – how did we know he was wearing pyjamas then, he could have been commando under there!
“beautiful PRINCESS.” Oh no, I fear another Disney ending – hopefully resulting in the teddy getting some buddies.
“Don't be frightened, young one.” Really? Did he not just see what you described – who would be scared of that? She has a wand, and her hair blows in a fake breeze – he should be getting out his hand cream.
Is this Tinkerbell? Her explanation for him not to be scared and how he won’t believe in her in a few years sounds so familiar.
“Time slows to a crawl as the old woman and the little boy stride safely onto the sidewalk.”
Not a great place to have slow motion – it’s quite funny actually, watching an old woman and little boy step onto the sidewalk in slow motion.
“I wanted candy, but...I didn't look. I didn't look both ways.” I don’t know… would he really say this? I actually think “I just wanted candy” would be so much stronger here than explaining that he didn’t follow the kid's road safety message.
Yeah, there was a happy ending but not as I expected.
Well, another one where I’m left confused as hell. I thought we went back to save his dad and was successful, but then his dad is still dead? Where did Marnie come from? Who’s her dad? Did Joe hit Devlin? The way you worded it sounded like he did, and then there’s the old woman and the little boy who… oh, look, I was just left with questions by the end of this.
I also have to admit that I hated the princess, yes it’s different, but what sort of story has a princess offer a kid the chance to save his father and have him replaced with another child. I take it that was what she offered really, or maybe Marnie in her princess gear has some meaning?
What made it worse was that the poor teddy didn’t get an ending, at least have Marnie cuddle him or something – that’s who I feel sorry for, the teddy, sitting there all alone in the corner… where’s the teddy princess? >
I do think this has potential but the ending needs to be clearer for the reader to understand and the princess part needs a rethink IMO.
This one seemed like the ending was very rushed as I understood everything up till about page 10 where things started to fall apart.
As stated by others, I too am very confused; saving his dad which seemed like a success, but then he's dead and the friend who I thought took the dads place is also dead, but now he has a sister.
I thought saving the dad and having the sister because of it was a good ending, but then you have the scenes with Marnie and Connor talking about the dads death and then nothing is stated as to how he died in the end anyway. It is slightly hinted that it happened in Iraq, but still left unknown.
And so I guess poor Connor lost two people instead of just his dad? This annoyed me too.
I did really like this up until page 10 where, as I said, things really fell apart and left more questions that answers.
Well... that was a weird experience. Opening, I really liked this, the writing was clear, creative, couple of minors, couple IMO's, and I could have even gone for the Fairy Princess as even she was described crisply and succinctly.
I'm also with Mark in that I wondered if you forgot to reference 'Madison'?
But we're still good, even though I felt the accident was a bit poorly drawn -- the descriptions of Devlin, twisted legs and all meant the writer wasn't backing off, and I was thinking 'strong end, like this one' up to the FADE OUT: except there's more... and I spot it's only p.9 so the writer's going for a bit of extra fill to get the page count in ... and then?
Sorry, you got me here. Connor's father's still dead, we have a sister (who might be the fairy or might not) and she falls over, and oh, Dad was an Iraq vet and did die on that day but another way, and Marnie gets her tights rolled up (or down) and she gets a sticking plaster. Which clears everything up. The end.
Tight writing for the most part. Very good for 10 days of work. The story flowed nicely up until Devlin died then things went a bit south for me. Not to say that I didn't like where you took the story but that the story itself became a tad confusing. So the father never came back? Devlin replaced the Old woman, right? Again, I thought the wriitng was good throughout but just lacked some clarity.
Read this yesterday and didn't have a chance to post my thoughts until now.
Maybe that's a good thing, as I won't be able to go into great detail, and maybe the fact that I've thought about this for almost 24 hours will also be a blessing...not sure, but we'll soon see.
The writing style on display is actually very, very strong, but it's also a style that's very dificult to pull off, so I always recommend not attempting it. But when it works, it definitely works.
The style I'm referring to is an almost novelistic approach, in which "things" that may not really matter are front and center and add a flavor or mood to the script that can't be gotten without such "detail". But, on the flip side, there are numeruos "extra" lines and the script has a padded feel at times, and will always be longer than it really needs to be. But, if it works, the script will read strong and easy and emotion from the reader can be garnered.
There's a sweetness to this tale and it makes it what it is, even though in reality, it's heavily flawed, as the logic within is incorrect and the writer made a tragic error (whether or not they realize it or care to admit it).
The fairy princess is offputting at first, but for me, could have worked, if the logic was correct, as the final scene with cute little Marnie dressed as a fairy princess takes on metaphorical possibilities.
So, what's the issue here? Well, it's like most have brought up, but it goes deeper, because of the convesation between Connor and Mary, late in the script, in which it's made perfectly clear that Joe died in an accident, attempting to, and succeeding, at avoiding the old woman and little kid at the corner of Madison & Church.
But, Connor appeared to avert this tradegy and in the process, his friend Devlin was killed. Most peeps then asumed something like Joe then died in a war and Marnie, kind of appeared out of nowhere, most likely the results of changing history.
But why should anyone beleive Marnie wasn't there all along? Just because she's intro'd late and is wearing the fairy princess costume? I don't think so.
Do we know how long ago the accident was? How far back in time? I don't think we do...and I think it's important.
So, until the end reveal that Joe is still dead, I was really liking this, as it just has a nice feel and flow to it. But, as written, it really doesn't make any sense, as nothing changed that we actually know of. Do we know for certain that Devlin is indeed dead in this new reality? Do we know that Marnie is a "new addition"? All we know is that Joe is definitely dead and he died at the corner of Madison & Church, bcause we get that in actual dialogue.
My bet is that the writer made a mistake, maybe due to time, and the ending wasn't what they were actually going for. That's my hope, at least.
So many positives here but they're all wrecked by the fact that the story doesn't work as told and in reality, it really doesn't fit the OWC challenge either.
But, this writer can definitely write effectively, and for me, that's saying alot.
Congrats on entering. Looking forward to hearing what went wrong and why, or if we're all just missing your intentions somehow.
To ski or not to ski...that's not even a question.
I like the dialogue and the interactions of the characters.
If I get it right you missed the criteria, because your story was just a dream of the boy. I think you have a lot of skills about stories, but it feels like you wrote that down quickly. Like a training. Easy stuff and concept, less risk etc. I still like the things I mentioned first…
There are a lot of unnecessary things in the story. The woman and the explanation of Conner they just wanted to go to the library; Candy. Yeah maybe it's cause it's surreal, I mean the dream.
It could be easily cut at 10. I would like to read some other plays of you.
Your first three slugs are all BEDROOM, even though it’s two different locations. Other than that the writing seems assured.
Page 2 “you’ll no longer believe in things like me” Aren’t princesses technically real? If this were playing in front of me, I’d think she was the Tooth Fairy at that line.
Page 7 “DEVLIN: Candy.” I think you should cut that, and his next line too.
I’m confused. In the original timeline the old lady dies. The Princess sends him back in time. Devlin dies instead. But when he talks to his mom about it she still says it was the old lady.
After reading some of the comments I suppose the dream scenario makes the most sense. My problem is 1) It isn't really clear that the dad is dead in the beginning. Maybe he was in prison after the accident. We never knew the original reality until the end. 2) I think it should’ve been more obvious that he was dreaming. Like have him walk around his house expecting to see his dad, but realizing nothing’s changed (maybe have Devlin call him up so we aren’t completely thrown).
Like I said the writing worked for me, and I was drawn into the story, but the ending was a bit anticlimactic and confusing. I don’t think this would need too much work to be really strong though.