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The premise is very interesting, i agree with eldave. The story itself fell a little short, and let me explain why.
First off, the whole thing felt like a joke, I don´t know if it was intentional, if it was, my apologies.
The first example presented itself right away.
Of course. She was such a good woman.
Much love xoxoxox
I feel like this wouldn´t be a text you would send to a friend who recently lost his mother. I´m specifically talking about the xoxoxox part, it´s just too informal, and if someone sent it to me I would think they were being sarcastic.
Which takes me to the dialogue, I agree with eldave1, it felt like the mom was making fun of him and it didn´t feel like something a mom would say. I would work on polishing up the dialogue. If it was your intention to make the mom sound like a stranger teasing him, I would work on making it more apparent.
Also, this is a nitpick but rememnber to put (O.S) next to the MOM in the dialogue, as she´s talking on the phone.
I like the ending, if you polish up everything before the ending, I think it can really sell the script. Best of Luck!
My goal with this was to write something very simple that I could shoot myself as a micro-budget short film (I don't want it to exceed 5 minutes/pages). As such it's very limited in scope.
This is exactly the kind of feedback I'm looking for. I've kind of gotten this idea in my head of just making something recently, even a small thing. I want to improve the dialogue and story progression with the next draft. I'm not too concerned about the prose and formatting, since I'm the only one who will use the thing.
ElDave: I understand that, but I'd also like to keep things very, very short here, and in a single location. If I could find a decent balance for a more specific implied backstory without lengthening the script too much, I'd go for it. And I will, if I can come up with a way to do it!
First off, the whole thing felt like a joke, I donďż˝t know if it was intentional, if it was, my apologies.
The first example presented itself right away.
Code Of course. She was such a good woman. Much love xoxoxox
LOL. Unfortunately, I've had somebody send me this exact text before in a similar situation.
There is certainly some black humor in there (I think horror is at its best when there is some humor to it). Like... "Actually,Â sheÂ wasÂ aÂ totallyÂ abusiveÂ bitchÂ andÂ I'mÂ glad she'sÂ dead.Â :3Â :3" right after, the reply Dan doesn't send. Definitely want to make people laugh uncomfortably, but I also want to creep them out.
Also, this is a nitpick but remember to put (O.S) next to the MOM in the dialogue, as sheďż˝s talking on the phone.
Not a nitpick at all. That was a total rookie mistake on my end and I can't believe I didn't notice it. I tend to do (V.O.) (filtered) but valid point nonetheless.
NOTE: Some minor typos in the first draft have been corrected. Submitted new draft, but no story content is changed yet. Amazon Storywriter's spell-checker is kind of strange.
Julio, I liked the story a lot. Interesting shades of irony, mystery and dark humor. Decide between "Danny" and "Daniel" (Oh, that is so hurtful, Daniel.)...I would think that his mom would call him "Danny" Great ending. A few adjustments as indicated by Eldave and Luis Anthony and you're ready for production. All my best, Fausto
The premise is good, son still can't get rid of abusive mom even when she's dead. I felt the story needed more depth, more insight to how horrid the mother was. We could envision this through the dialogue more and maybe something with the son, some kind of quirk from the abuse. I didn't feel for the son.
Her calling him and the phone being in the basement added a good creepy factor, basements work... I see this more as an eerie spine tingling psychological piece, where the son is already haunted by his mothers abuse, and now she is haunting him still but in a different even scarier way..... she's dead, she can be anywhere now and he has no control......
That was nice quick read. I agree with some of the others about some of the dialogue but the descriptive narrative flew by. Most importantly when she emerges from the darkness I thought that would be creep as shit. Then he wakes up great red herring because he's relieved but then sees the phone, knife... phone (suspense). I was like it's going to be so creepy if she's hovering over him behind the couch, haha. But door being open was nice more suspense. Might I suggest that a single "CREAK" of the step. This actually could of went longer but would great short to shoot as is. Good job.
Commodus: But the Emperor Claudius knew that they were up to something. He knew they were busy little bees. And one night he sat down with one of them and he looked at her and he said, "Tell me what you have been doing, busy little bee..."