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Okay, since I seem to be the hostess here. We'll kick this one off tomorrow and we'll give it a week before postings on the script will start. That way we'll give all interested parties a chance to read and digest the chosen script before discussion starts.
Thanks you all for your interest and participation!
I have never read this one, either, though I am quite familiar with the Willson library of works. Hope I can find the time to participate.
Quoted from Our Hostess
...we'll give it a week before postings on the script will start...
Please adhere to this, Pia, and do not start the thread for a while -- or start it, then have a Mod lock it until you are actually ready to begin.
With some of the past threads, people who read it right away were off and running -- and by the time people who took a bit longer to read were ready to join in -- the conversation was essentially over.
I'll start the new one right now, so feel free to lock it for a week.
Actually, I have to go for a bit, but will do it when I come back. What board should it be on anyway? I forgot if we did unproduced screenplay discussion or screenplay class or whatever.
It's been on the Screenwriting Class board before, and really, that's fine. I locked the thread for its week (which I presume will mean to unlock it next Monday -- I'll try to get up early). Thanks again for picking one of mine. Kind of an honor...
It's been on the Screenwriting Class board before, and really, that's fine. I locked the thread for its week (which I presume will mean to unlock it next Monday -- I'll try to get up early). Thanks again for picking one of mine. Kind of an honor...
I think it's an honor to review a script for someone who knows "how" to shoot a film-- no matter what camera you were using or any of the other details. You are working hard and I can see and I admire someone with aspirations that lead to further action.
I know that I will never be doing any camera work, but I'm interested in learning some of the strategies and "mind work" that goes on in this process. I know the tedium you are talking about, not in the same realm, but in editing and going over the same thing again and again.
When I used to study guitar, I did the same musical sequences again and again and although tedious, there was a satisfaction-- still, it didn't change the fact that I was frustrated in those times. I remember that frustration very clearly.
I can also understand how hard it is to look at one's own work-- and know that your vision, and what you see as your "semi- finished work" are completely different things.
...But that's the process. You need to be congratulated on your perseverance; your day in the sun will most certainly happen with your good attitude.
I'm looking forward to reading your script George. I hope I can assimilate some of your experience and brilliance and any other "iances" that exist in your world.
I've been in the music realm too, Sandra. Actually, I did music before writing, having played any number of instruments for different bands from school to church for the last 20 years. For the moment, my instrumentality extends to guitar, drums, piano, and bass (depending on the need of the moment). And for an added level of tedium, my day job has to do with maintaining a piece of a computer program involving some programming here and there when the code acts up. I actually enjoy digging through line after line of computer logs and then the code looking for the problem.