SimplyScripts Discussion Board
Blog Home - Produced Movie Script Library - TV Scripts - Unproduced Scripts - Contact - Site Map
ScriptSearch
Welcome, Guest.
It is May 2nd, 2024, 3:36am
Please login or register.
Was Portal Recent Posts Home Help Calendar Search Register Login
Please do read the guidelines that govern behavior on the discussion board. It will make for a much more pleasant experience for everyone. A word about SimplyScripts and Censorship


Produced Script Database (Updated!)

Short Script of the Day | Featured Script of the Month | Featured Short Scripts Available for Production
Submit Your Script

How do I get my film's link and banner here?
All screenplays on the simplyscripts.com and simplyscripts.net domain are copyrighted to their respective authors. All rights reserved. This screenplaymay not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.
Forum Login
Username: Create a new Account
Password:     Forgot Password

SimplyScripts Screenwriting Discussion Board    Screenwriting Discussion    Screenwriting Class  ›  Action. Moderators: George Willson
Users Browsing Forum
No Members and 9 Guests

 Pages: 1
Recommend Print
  Author    Action.  (currently 595 views)
Mr. Blonde
Posted: August 9th, 2010, 2:55pm Report to Moderator
Administrator


What good are choices if they're all bad?

Location
Nowhere special.
Posts
3064
Posts Per Day
0.57
This is an opinion plus "Why?"-type question. When you write action lines, do you try and detail every line thing or do you generalize.

That's probably not 100% clear, so I'll give an example.

Gunfights. Do you make a point to mention every shot fired and what the result of each bullet is? "Mike fires a shot from his gold-plated desert eagle which shatters a beer bottle into a million pieces." Or, do you write a more generalized version? "John and Chris return fire on each other."

I spent much of today reading action scenes in spec scripts and shooting scripts and I noticed that most are the general kind, produced or not, and I thought it was interesting that one of the best gunfights in film (my opinion) was one of the most general of them all.

Let me know what you guys think. Should be fun.


Logged
Private Message
James McClung
Posted: August 9th, 2010, 3:19pm Report to Moderator
Of The Ancients



Location
Washington, D.C.
Posts
3293
Posts Per Day
0.48
I don't know the answer to this myself but I will say that I've written several action scenes myself in which basically every action is choreographed. I try to avoid details like glass shattering or anything like that and just keep it focused on the characters but regardless, this seems to be very grating on people so I would suggest avoiding too much detail. I don't think you can sum up an extended fight sequence for an action movie in just 2-3 paragraphs though. Either that or you can and I just have no idea how to do it.


Logged
Private Message Reply: 1 - 7
Dreamscale
Posted: August 9th, 2010, 7:50pm Report to Moderator
Guest User



Whichever makes the most sense for the scene.

If it's an important (or cool) detail, throw it in there.  If it needs to be known, in terms of how many shots were fired, where the shot hits, etc, throw it in there.

But if it's simply a bunch of guys firing a bunch of shots, keep it simple.
Logged
e-mail Reply: 2 - 7
dogglebe
Posted: August 9th, 2010, 7:54pm Report to Moderator
Guest User



There are fight coordinators that will break it down frame-for frame.  You simply right a paced summary of the fight that gives a generally feel for what happens.

Think about how long a script would be if fight scenes were written in great detail.


Phil
Logged
e-mail Reply: 3 - 7
Blakkwolfe
Posted: August 13th, 2010, 1:54pm Report to Moderator
Been Around



Location
Florida, USA
Posts
706
Posts Per Day
0.12
Less is more principal always applies.

I was wondering the same thing about kung fu scenes...My heroine gets attacked an' puts a kung fu whoopin' on a couple of guys..

.At the moment, I just have it written as "Insert Fight Sequence Here" which is probably not the correct way to do it...

I don't think writing it out like a Sly Stallone blow by blow would be proper either...


Failure is only the opportunity to begin again more intelligently - Dove Chocolate Wrapper
Logged Offline
Site Private Message Reply: 4 - 7
Mr. Blonde
Posted: August 13th, 2010, 1:59pm Report to Moderator
Administrator


What good are choices if they're all bad?

Location
Nowhere special.
Posts
3064
Posts Per Day
0.57
Me neither. That's why I usually just stick to dialogue-based stories. I can't write an action line to save my life, yet that's exactly what I'm writing for the damn 7WC. As for why... I don't know.


Logged
Private Message Reply: 5 - 7
Dreamscale
Posted: August 13th, 2010, 3:19pm Report to Moderator
Guest User



Insert action here

Insert fight here

Insert dialogue here

Insert scenery here

Insert sex scene here

Insert chase scene here

THE END
Logged
e-mail Reply: 6 - 7
Coding Herman
Posted: August 13th, 2010, 8:11pm Report to Moderator
New



Location
Toronto, Canada
Posts
455
Posts Per Day
0.08
I have the same problem, and those fight/chase scenes tend to be huge blocks of text  one after another.


FEATURE:

Memwipe
- Sci-Fi, Action, Thriller (114 pages) - In a world where memories can be erased by request, a Memory Erasing Specialist desperately searches for the culprit when his wife becomes a target for erasure -- with his former colleagues hot on his trail.
Logged Offline
Private Message Reply: 7 - 7
 Pages: 1
Recommend Print

Locked Board Board Index    Screenwriting Class  [ previous | next ] Switch to:
Was Portal Recent Posts Home Help Calendar Search Register Login

Forum Rules
You may not post new threads
You may not post replies
You may not post polls
You may not post attachments
HTML is on
Blah Code is on
Smilies are on


Powered by E-Blah Platinum 9.71B © 2001-2006