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The primary purpose of the SimplyScripts Discussion Board is the discussion of unproduced screenplays. If you are a producer or director lookng for your next project, the works here are available for option, purchase or production only if you receive permission from the author.
NOTE: these screenplays are NOT in the public domain and MAY NOT be used or reproduced for any purpose (including eductional purposes) without the expressedwrittenpermission of the author.
The Godfather Part IV by Britt Holden - Drama - Third generation descendant, Vincent Corleone, is now head of the crime family syndicate. Vincent decides to take the family business in a new treacherous direction by being its first Don to get them involved in drugs. Not only does he explore the trials and tribulations of the drug business, he also is determined to protect, and avenge anyone who endangers the family. 149 pages - pdf, format
I'm an avid fan of the Godfather trilogy and I thought I would give this a read, But after about ten pages I gave up. What mainly made me stop was the subject matter for the Corleone family business. The Corleone's are now one of the most powerful families in the world after sealing the deal for immobiliare. This puts them up their with the Rockafella's, Lord Rothchilds, even the Vatican. Going back into the narcotics industry would be seen as petty for the Corleone's. They are a new super power, drugs would be a waste of time to them.
The battle for narcotics was already told in 1, and the Corleone family in 2 maintain control from east to west coast, in 3 they got rid of all illegitimate business making them the front runners for immobiliare. Perhaps if you changed the subject matter to something more on their level, technology or stocks, dealing with these particular industries are just as corrupt and can have that same gangster feel.
This being said, writing a fourth for the godfather trilogy will be like climbing a mountain and will take someone very brave to read the whole script, especially if it is just like the last three.
Thanks for your feedback. How I humble your opinion about my script, however, I do disagree with quite a bit of your statements.
First, i saw an interview where Francis Coppola stated that he was in the process of creating the GF4 script, and its subject matter was about Vincent getting involved with drugs with a foreign drug kingpin (modeled after Pablo Escobar), so I just capitalized off of that and created my script. When I find the video I will direct you to Youtube. Mario Puzo eventually died and I believe he lost motivation for the movie.
Second, there was no battle for narcotics in GFI because the Corleones did not get involved with drugs. Vito declined the offer and was attacked because he wouldn't share his political connects to protect the other families in their affairs. It became a battle for avenge after Vito's attack. There has not been a story of the Corleones actually being involved in drugs.
Third, Michael put on a front with intro ceremony on GF3 and trying to put himself in a position where he seemed legitimate, but the family's affairs were still illegitimate, but they don't clarify it much. If you study all of the real five families, none of them became legitimate. This was unrealistic, and was one reason why it failed in comparison to previous two films if viewers took that thought with them. All the families eventually got involved with drugs if you look at most recent incarcerations from made members. Immobiliare was just not interesting enough and if you read the entire script you will learn that Vincent's greed was a motive for most of his decisions regardless of how rich the family was and it was his greatest battle.
I really suggest you and everyone just give this a thorough read as it's really good. No script could ever have potential in defeating the GF I and II as they are masterpieces. Just, like most, an avid fan as well.
I really suggest you and everyone just give this a thorough read as it's really good. No script could ever have potential in defeating the GF I and II as they are masterpieces. Just, like most, an avid fan as well.
You'll get reads in return if you read some of the scripts on here. Well, you'll get reads from most.
I too doubt the Corleones would get into drugs. But then again, it's your story and it's fiction. The Corleones could get into running a circus if a writer wanted them to.
Vincent on a unicycle. Now there's a scene I'd like to see. Andy Garcia juggling. Might be fun.
I took a look... and I'm sorry to say your writing is not up to scratch yet. I'm sorry, because I know you're not going to want to hear that. Not only is it poorly written for a screenplay, your grammar isn't too good which really makes it hard to read.
Code
EXT. DAY: GRAVEYARD (SPRING 1980)
Camera view of a funeral session on a clear sky day is seen.
People are under and circled around a green tent. The sounds
of birds chirping and women sobbing are heard. Along with
the voice of the priest ANDREW HAGEN leading a prayer.
Let's take your very first sentence:
Code
Camera view of a funeral session on a clear sky day is seen.
Way too may words (relative to the information shared, obviously) and poorly structured. You don't need to mention camera view of nor is seen. Also, clear-sky day reads awkwardly.
Code
People are under and circled around a green tent.
Extremely awkward. I know what you mean, but I have to read it twice. On first read, it reads as though the people are actually circled. Why are people under the tent? Wouldn't they be inside it?
Code
The sounds
of birds chirping and women sobbing are heard.
Again, overly worded. No need for The sounds of nor are heard. You also only need to write:
Birds chirp, women sob.
Code
Along with
the voice of the priest ANDREW HAGEN leading a prayer.
You shouldn't start a sentence with along unless there are going to be two parts to the sentence, here you only give one.
Figure out your writing and you will get more reads.
Perhaps if you changed the subject matter to something more on their level, technology or stocks, dealing with these particular industries are just as corrupt and can have that same gangster feel.
And isn't that what the mob is in to these days? It would make it seem more relevant.
The whole drug thing feels like covered ground. Do something different that I haven't seen 80 times already.
I'm going to have to disagree with this comment. "Second, there was no battle for narcotics in GFI because the Corleones did not get involved with drugs. Vito declined the offer and was attacked because he wouldn't share his political connects to protect the other families in their affairs. It became a battle for avenge after Vito's attack"
After the death of Sonny and Bruno Tattalia, Vito Corleone called a meeting between the families for no more bloodshed, this I think was the agreement for the families to deal drugs as long as it was controlled.
I'll check out the Francis Youtube video, sounds intriguing.
We'll just have to agree to disagree on the subject of what GF4 should be and some of the other opinions, but don't want to go back and forth on those matters. When you take on an assignment related to a masterpiece, you should expect this type of critique. I figured my first script should be something based on a movie or tv show I'm highly intrigued by which is why I chose this feature and figured creating the fantasy of it would be fun.
However, my main point of creating this script was to get a feel of how much effort it takes to finish a script and get some feedback tips from you guys. I'm now in the process of working on my first original script. I will definitely take the grammar checks and opinions into consideration.
The Godfather Part IV by Britt Holden - Drama - Third generation descendant, Vincent Corleone, is now head of the crime family syndicate. Vincent decides to take the family business in a new treacherous direction by being its first Don to get them involved in drugs. Not only does he explore the trials and tribulations of the drug business, he also is determined to protect, and avenge anyone who endangers the family. 149 pages - pdf, format
I know this thread is well dated but I enjoyed this script a lot. There are a few things that could've been added that tied it in with Godfather III a little more. The descriptions needed more proofreading and 'some' of Vince's dialogue could have made him more ill tempered and erratic (which is what he was) but overall give it a thumbs up. Read it one afternoon.
I especially like what you did with Vincent character in keeping him loyal to the illegitimate side of the family, esp moving into the drug market. After all, that's who he is, a street thug thru and thru. It would have been foolhardy to try and establish him as leading the family into legit world and trying to continue the Immobiliare deal. He didn't have the brains nor the disposition for it. Would have been way out of character. I also like how you established the ultimate demise of the family. Nice job
I think the opening scene hits the button perfectly. Really like how you bring us immediately into the solemn mood which is the intention and a signature of all Godfather movies, usually a celebration. Funerals are emotive and dampen any idea of celebration.
Kay telling Michael she never thought this could happen is bit off, since it is the world Michael signed up to and is always fraught with murder and danger. She blames him, but she is always in the picture. Michael could do no more imo.
Groundbreaking scripts:
The Pearl Earring No Time For Love Two Moons Betrayal
Screenplays: The Cruciverbalist • Skydiver × The Bird Feeder × Das Sperrgebiet • Kildare
Shorts: The Gravy Train • Sky Goddess Revenge (Optioned) Take Me In Your Arms The Stowaway × Big Boys' Games, Big Boys' Rules Norjak When Harry Killed Sally A Nuisance Call • (Purchased) The Worm That Turned × Homeward Bound The Swap The Smuggler
It's just this one script. I now get a warning about a possible corrupted file. I've given up. As you point out, it's years old. I'll read other. Thanks though. J
Screenplays: The Cruciverbalist • Skydiver × The Bird Feeder × Das Sperrgebiet • Kildare
Shorts: The Gravy Train • Sky Goddess Revenge (Optioned) Take Me In Your Arms The Stowaway × Big Boys' Games, Big Boys' Rules Norjak When Harry Killed Sally A Nuisance Call • (Purchased) The Worm That Turned × Homeward Bound The Swap The Smuggler