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Great job in getting a story together in a short amount of time.
Just quickly, there's one place where Marie overhears Mike in his apartment where his dialogue should be (O.S.). And I suppose he's talking about the money his relative was offered to change the cause of death?
Trying to get a handle on these two characters. Marie is straight-forward, representing those who wish to do the right thing, i.e., wear a mask for others and do their shopping.
Mike is the old guard, doesn't believe he'll get sick, yet he seems to here. He's never written as wearing a mask and he coughs on or near Marie several times, and I think you could have played up the outrage there.
Marie has a headache too at some point... are we portending her getting sick?
Not sure I understand the character's motivations and what the piece is trying to say. Is it that no good deed goes unpunished? Is it that we are all doomed no matter what? Is it that foolish behavior like Mike's is what is going to lead us to doom.
Tough to glean from 6 pages. Interested to know the motivations once the challenge is over.
He reaches for the door to Marie’s apartment and closes it for her. She stands confused for a while, then shrugs and goes back inside, into the kitchen.
Lose the “into the kitchen” – otherwise, you need a new header.
Marie, wearing gloves, walks out the door with trash in hands. She sees the chocolate bar on her door mat with a sign attached to it. It says “I haven’t paid for it but thanks.
Doormat is one word. Sign??? Should be note I think. Says needs a : after it.
MIKE (CONT’D) A friend of my sisters... Actually her friend’s cousin but what that has to do with anything. Anyway, they lost a grandad to old age and were offered two thousand to rewrite the cause of death to Covid.
This just didn’t make sense to me since relatives are not the ones that write the cause of death.
MARIE I don’t want people die, that’s all. It’s as simple as that.
Typo - to die
There was a lot to like in the bones of the story until the ending. It just didn’t land for me. It’s kind of like a story without one and where plot points (e.g., the excessive alcohol) were never really resolved.
Page 1 – If she hasn’t read the article, how did she see the petition?
“Closes the door from the inside” Overstating. We know she’s inside from the tag.
Scene Tags need to be consistent. Some you use the time of day, some you don’t. Some you use CONTINUOUS, others, where it is obvious it is continuous in time, you don’t.
Page 3 – “She opens a drawer, grabs a wine open reaches down to the stack of booze.” That’s a bit of a muddled sentence. Not sure exactly what you were trying to say there. Maybe “grabs a wine opener and reaches down…”
Page 4 – Marie leaves down the stairs to get Mike Tylenol and then the next scene slug is labeled “CONTINUOUS” with Marie returning. Surely some time has passed. Would take that “continuous” out and replace with “Day” or “Afternoon”.
Did I miss something? What was the petition about? You title your story “Petition” and we don’t even know what’s in it, and the story doesn’t really even revolve around it. Appears this was written hastily and needs a good rewrite to it. Best of luck with it.
An utterly mediocre writer who somehow still falls bass ackwards into getting some of his scripts produced.
Haha. Covid Himself. OK, I like what's here, I'm just not sure of the point to this story. I feel like the idea is a lot bigger than these 5 pages let on. IMO. A nit-pick. Right now the title is not as clever as it could be. If that makes sense. If I had a neighbor like that...I'd have to pick up and move. Good effort.-A
INT. SECOND FLOOR HALLWAY, of what? You need to tell us where we are. Apartment? House? Office? Nursing home?
I think this is the third script I've read where the old person ignores the social distancing and their own symptoms.
I would've liked to see a little more drama/conflict when Mike coughs. Marie should have a stronger reaction. IMO.
I don't get why Marie walks out into the hallway again on page 3. Is she on her way to the store and changes her mind when she sees Mike? Oh, I see she locks her door from the outside, then heads out. Maybe make that a little more clear?
Perhaps have a SUPER: that tells us how much time has passed? On film, I think this would look a little odd since there would be two scenes in a row with Marie coming out of her apartment. There needs to be something in between or at least that SUPER.
Michael? I know who you are referring too, but better be consistent and stick with Mike.
Not sure what the petition was.
Good story, but it needs to be more clear. Especially where things take place, so we don't have to go back and double-check things which slows down the read.
There are lots of interactions like this one going on these days--neighbors trying to help each other out but not exactly being on the same page. Some of the small moments in this script were effective--the chocolate bar given and abandoned comes to mind. Mike's conspiracy theories seemed realistic. Both characters, in fact, registered as authentic.
I was distracted by some of the logistics of the apartment and hallways. There was too much going on with going in doors and out of them. There has to be a more efficient way to handle this. Here is an example: "Marie goes to her door, grabs her own grocery bags in front of it, turns the door handle." This feels a little clunky. I am also not sure how to feel about the end. Are we sorry for Mike or just indifferent.
Definitely meets the criteria. It's just a bit all over the place and feels like a few random scenes rather than a full story. There are several strands laid out that are forgotten about or not developed so it feels a little inconsistent at the moment.
Potential there for sure so keep playing around with it and see where you'd like to go with this one.
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I'm really making an effort this OWC not to take exact notes on issues, but I think here, I'm going to have to.
Starting out with a Slug of "SECOND FLOOR HALLWAY" is a major issue, as we have no clue where we are - an apartment complex? A hospital? A whorehouse? The Slug itself isn't wrong, it's just that you can't start this way. Then, on Page 2, you have a Mini Slug of simply "HALL", which means to me, it's a different place than the SECOND FLOOR HALLWAY.
Lots of awkward phrasings, additional words/phrases you don't want to include.
Dialogue and exchanges between Marie and Mike don't come off remotely realistically.
Slugs are terrible, sorry to say. You need to use complete Slugs, so we know the time of day, or at least the continuity to the last scene.
The end. OK, no story here that I can see. Completely unbelievable scenarios, actions, interactions, and dialogue. No characterization. Poorly written.
To ski or not to ski...that's not even a question.
Interesting little story. The characters irritated me and I kept reading to see where it was going but then it just kinda ended. Hmmm.
The action was overwritten and a little clunky. Good dialogue though but needs refinement. Short and sharp banter is good but needs tweaking.
I've done pretty well over the years to avoid the 'Mikes' out there. Petitions. Sheesh. I honestly thought this was going to turn into one of those old chain letters: Sign the petition or you and your entire gene pool will get CORVID.
The interplay between the 2 characters was very naturalistic. The dialogue was quirky but believable.
It’s a good snapshot of 2 characters being brought together by the pandemic – 2 characters who maybe wouldn’t have had any time for each other before. There is a real tragedy to Marie’s character – I get the impression she was a recluse prior to the lockdown, wasting away in a stupor of alcohol. Mike has a kind of paternalistic attitude to her behind the overbearing and sometimes scolding exterior. I get a vibe of Jack Nicholson’s character in ‘As Good As It Gets’ off him.
I presume the petition is about opening up the lockdown. I liked the way it wasn’t spelled out exactly what it was – it felt more naturalistic that way – but maybe some people would need that spelled out more.
I thought this worked quite well all round. If I was to nitpick maybe the ending needs something more climactic. While there was a lingering sense of rapprochement between the characters at the end perhaps there could have been a bigger sense of resolution. But that is mostly a taste thing and might have went against the grain of the characters so I understand why you went with the more subtle ending.
Good story. Two disparate people are forced to become allies in a war against an invisible enemy. They struggle along as best they can. One of them is obviously not going to make it in the short term, and the other one will eventually succumb to another disease.
One thing I would have liked are slugs indicating the days that have passed since the preceding scene.
The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
Ahh, this is interesting. I definitely have a smile on my face thinking about your performance. I wasn't convinced of the middle part, could be polished imo - then last act is where you show some true technique and also dedication, like everything you got :-) Is noticed here, Sis/Bro. Is noticed.