Gavin
Page by page notes
“Beads of condensation trickle down the cold,
stale walls.”
- Sh?t, that is hot!
“Beads of condensation trickle down the cold,
stale walls.”
- Great description.
“Her big BABY BLUE eyes, alive with curiosity, scan the diner
and it’s customers, a mix of elderly couples enjoying some
nostalgia and lone-wolfs passing through.”
Some might say it’s overwritten but I like it. The quality of writing entitles it to ramble a bit, enriches the read.
“She see’s”
- No apostrophe needed.
No harm to include the location for each sequence along with the SUPER: and FADE IN:
At the bottom of page three and I’m really digging what you’re doing here, the mood, tension and sense of location are so vivid and tangible. The writing may be a tad lavish at times though but its well written. Great ice cool dialogue between the two leads really fits the tone set up by the wordless first two pages.
There’s an almost dream-like, idealised quality to it, as if recalled through memory…as a result I’m expecting something tragic any minute
But either way, I’m intrigued by the broiling sexual tension between them and the nature of their journey.
I’m thinking Badlands is an influence? If not, then True Romance, which of course pays homage to Badlands in its theme tune.
BRETT
I dunno, but I do know, without you
I wouldn’t be free... I’d be a
caged animal.
- The “caged animal” part reads a bit hammy, in my opinion.
TAMMY
I wouldn’t mind driving from here
to there so much if we could
explore the possibility of actually
seeing some sights along the way.
- This doesn’t read naturally, too floral. Could be cut down to:
TAMMY
I wouldn’t mind driving from here
to there so much if we could actually
see some sights along the way.
I was anticipating it to be a Badlands type tale and the Delivery Man’s scene reinforces this. I wonder is there a more subtle way to drop hints? The Delivery Man’s flicker of recognition is a big giveaway.
I’m not sure about the effectiveness of the ending. While it didn’t go the Badlands way I assumed, the cannibalism reveal seems so left out of field it was greeted with more of a perplexed “What?” then a satisfied, surprised one, if you know what I mean? It jars as too random to land any impact.
Also, I’m unsure about what the inclusion of the journal really achieves. I mean, do you want us to sympathise with Brett? Was this an attempt to humanise him? If so, I don’t think it works, I didn’t feel much for him, primarily because of his gruesome, depraved crimes.
This made me lose faith in Tammy too who seems relatively unfazed by the news, outside of loss over Brett leaving her, as indicated by her readiness to read said journal.
Having said that and to your credit, you do squeeze a lot into their brief but passionate relationship, great use of environment and visuals to depict the eloping young lovers journey into the uncertain and I did care about them for two thirds of the story but by the closing CUT TO BLACK: you had lost me due to some, I feel, misjudged character revelations.
Best of luck
Col.