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The primary purpose of the SimplyScripts Discussion Board is the discussion of unproduced screenplays. If you are a producer or director lookng for your next project, the works here are available for option, purchase or production only if you receive permission from the author.
NOTE: these screenplays are NOT in the public domain and MAY NOT be used or reproduced for any purpose (including eductional purposes) without the expressedwrittenpermission of the author.
Shaking The Zipper Blues by Matthew Orobko - Comedy, Drama - After the tragic suicide of one of their own, 4 high school buddies reunite after not speaking to each other for 15 years. High school memories, old rivalries, personal realizations and old high school flames rekindled ensue. - doc, format
Okay, I felt bad about dissing Cold Feet so I thought I'd give you another chance with this one.
POSSIBLE SPOILERS
Overall, I was very impressed with this script. I think you did a great job with the characters, I felt like I knew all of them by the end. Each had their individual personalities and they remained consistent throughout. This is a very dialogue-driven piece and the dialogue is excellent. It all flows very naturally making this ia quick and enjoyable read.
I think the main reason I liked it is that there's so much I could relate to from personal experience. You seem to capture the memories of high school perfectly. Did everyone have a "View" when they were at school? That was exactly what me and my friends used to do in the summer.
I thought Jason was a funny character, I felt I could relate to Matt and Neil. Leroy offered some light relief and you did a great job with Chantal. One of my favourite scenes is where she and Neil are talking over breakfast. I really thought they were going to hit it off so I felt bad for Neil when she slept with Mike.
The script is very funny in place, particularly scenes with Jason. I also like the Leroy-Sarah subplot. I laughed out loud when we she told him what films she'd been in. Great stuff. This is more than a comedy though, it's actually a quite touching movie in places which gives it an extra layer of depth.
A few problems I had.
The opening monologue is almost two pages long. The dialogue is good but it's very off-putting seeing a block of dialogue that big. You could at least break it up with some action.
"Both Mike and the dead man are very young" - this is really vague. At this point I had no idea how to picture these two.
As I said, the dialogue is excellent so I think it's your description that needs the most work. There's a lot of "we see" and "we hear", "camera does this and that. If you could remove all of this camera direction it would make for much tighter script.
I liked the ending, and 1979 is a great song that seems to fit perfectly. But, as a general rule, you shouldn't use licensed music in a spec script. At the end it says written and directed by you. Is this going into production? If so, that brings me to another point. I love the funeral/reunion idea but you say there are around 2000 people there. That's a hell of a lot of extras and a major production headache.
There are a few typos and misplaced words that the spellchecker may have missed. I didn't take notes when I read but it'd be worth going through and fishing these out.
Overall, I thought this was great. The dialogue is excellent and all the characters are full realised and likeable. And not a desecrated corpse in sight. Good work!
Huh? I don't think I need to explain how positive Der Speiler's comments were. I would hope that everybody is intelligent enough to know exactly how I feel when I read them. There's nothing that I need explained more or anything. His comments were very positive and I thank you!