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Well the others have already spelled out the main problems here. It reads fairly well, but there are no twists or surprises. It was ponderous. I think you could have effectively used misdirection here. Throw in an ending that no one saw coming.
Some of the sentences were clunky: The strain on Dante's face depicts that he's thinking real hard.
A good concept for a short, but it's need of a reworking.
Interesting take on the challenge. Never read Dante's Inferno, I tried, just couldn't get anywhere with it.
I liked that Satan seemed to be a tortured soul himself, Cowered down in a corner. IT shows an essence to God that we might not all be familiar with. Maybe he is not so forgiving.
I don't believe, but I enjoy the philosophies. I think this was a solid entry.
The dialogue exchanges sounded more like an educational special on PBS and for that it didn't feel like there was anything at stake and when the ending came it wasn't a surprise at all.
Again, a good idea but IMO the dialogue kinda ruined it for me.
This was very nice concept, and I like the way it was paced. I also thought the interplay of dialog between Virgil and Dante was well done. The only thing missing was an option to choose something behind a curtain. There's ALWAYS an option to take what's behind a curtain!
Well done.
34 - 0: Let's see if Accountability sticks this time...
I thought this was a clever idea but I didn't think you took it as far as it could go. Also, this story is too large for 12 pages, it needs to be expanded. The major thing missing here is that Inferno satirized people that were well-known when it was written, placing them in hell. I didn't see anything like that in this story.
Good on ya for getting something together for this OWC.
Tremendous concept, to appropriate Dante's Inferno for this challenge. Of course it's going to be predictable to anyone who knows the story, but I was completely engrossed in your interpretation of such a well-known story. I couldn't wait to see how the next circle would be represented.
Unfortunately, that was the rub. This is too ambitions for 12 pages (actually 8!). It deserves to be double the length. The rooms themselves were well conceived and realized, it was Dante's personal journey that was missing. His story is what would have driven this over the top, his character arc as he witnesses the horrors of Hell. There are hints about this but nowhere near enough, we're just following him around.
Page 1 needs a re-write, it's the most poorly written which baffles me. The writing really picks up after that, until the last page. Dante's choice is too subtle...what exactly did he choose? What other option was available to him? To leave?
I loved this, but I'll love it more with a proper re-write and a healthy expansion. You put a lot of thought and effort into this, I recognize that. As it is, it's not my favourite but certainly near the top for me.
I liked the opening of this, nice little character observation, pen on teeth, made it more real that some of the generic owner/lobby opening I have read. VIRGIL's line of dialouge could be left out here. Must may feel it's necessary, but it's not. Action speaks louder than words, even in scripts.
Okay so we're dealing with the 10 Deadly Sins. I like the concept here, I'm just wondering how many rooms we'll see and if each one will need Virgil's exposition as a device to reveal what's happening.
Okay, so Page 6 and my fear has been realised. We're getting a room by room guided tour courtesy of Virgil.
No real hint at a supernatural past, or a definite choice between good and evil, as it was Virgil who had room 10 prepared for him.
Nothing terribly 'wrong' with the writing per se. This idea needs to be fleshed out more, Dante's character should be fleshed out and developed so that he's more 3D. The tour guide story plot doesn't work here. Concentrate on a real conflict, dilemma for Dante.
Have never read Dante's Inferno - heard of it but never followed it up.
So I went into tis fresh and I kinda liked it. The writing pretty well flowed from room to room. Dialogue was ok, didn't bore me, yeah, and I read it to the end ( a rarity in this OWC...)
The major thing missing here is that Inferno satirized people that were well-known when it was written, placing them in hell. I didn't see anything like that in this story.
That's a very good observation, Michael. Although, if I were you, I wouldn't have mentioned it. :-) Because now, if I was the writer of this, I'm going to go do a rewrite of it and place some members from SimplyScripts into those rooms.
I love Dante's trilogy, (as I'm sure some may have guessed already), and I thought this was at least a clever idea. Of course, it's going to be predictable, but not a bad take on the challenge.
When God Owns a Motel by - In the most unlikely of places, one man gets another shot of redemption. Which path will he choose? Brief - Man reviews seven deadly sins on the way to his room at the motel.
Locations & Sets - Interior, motel lobby @ night. Interior, motel hallway @ night (HOtels have HALLways, MOtels have outside WALKways.) Interior, motel room @ night. Actors - VIRGIL 35, DANTE 35, Wailing man, Slain couple, Gorging man, smartly dressed man, middle aged man & woman, lone man, hanging woman, knife man, screaming man, circle man, Satan man Costumes - sharp suit, thug outfit, smartly dressed outfit, t-shirt and sweatpants Props - pen, rap sheet, wooden crucifix key chain, throat slash prosthetic x2, liquid stage blood, wooden chair, banquet table, feast, ream of faux cash, recliner, man sized concrete block, hanging set, bloody knife, bomb vest, machine gun, Audio FX - howling wind, blood-curdling screams, Visual FX - Other - makeup artist, remove & replace all contents from room, hanging contraption, bright light beneath door effect Genre & Marketability - Biblical fantasy drama Comments - Having all the doors open is going to be a minor PITA. Nice humor. Obese man’s set will cost a bundle! By pg4 this budget is getting out of hand. By pg5 I already know this story cannot justify the budget; reading from here on is pure charity on my behalf for story’s sake rather than thoughtful analysis. This will take a week’s worth of nights to shoot. Good news is that it’s not an opening sequence and more of a quasi-story, kinda like a Saturday Night Live skit gone too heavy and serious. Script format: needs work. Lay off the ellipses and a character’s age goes between commas or parentheses. Final word: Too expensive to produce, story is fair.
$7,000 - $10,000 Lo/Hi Estimated Budget Range / 8.3 Screenplay Pages = $843 - $1,205 Estimated Cost Per Screen Minute
Adherence to Given Criteria: Odd but interesting character(s) - yep take refuge from a hurricane - nope, not really in a beat-up motel - nope. This takes place in a HOtel instead of a MOtel and are forced to make a choice - nope between good or evil - nope in order to survive the night. - nope Each character must - have some history involving a supernatural event in their lives - not defined, only passively implied that factors into their choice. - no choice made in the story that night Genre is open. - biblical fantasy drama This is a micro-budget short, - Bah! so no destruction of the motel, - yep, but this’ll be a major inconvenience for the manager = expensive no children or animals - yep and minimal special effects. - yep BONUS! Story also included: mime(s) - nope dinosaur(s) - nope
I have to admit that after a couple of pages of this one, it became pretty evident who the author was. I've only ever seen this many ellipses in one other script so that can’t be a coincidence.
So I was surprised really because I thought this so called author had written Into the Eye… time will tell I guess.
This one was okay, a straight up take on Dante’s Inferno right? I've never read it but I know the brief. Guess that makes it predictable but it didn't stop my enjoyment of this; only wish the ending hadn't been so flat. I think you needed some twist to make this better and maybe a bit more background to Dante.
There were a few mistakes around but nothing too bad which harmed the read. I would say for the love of God, please pull back the use of ellipses… they became old fast.
"Let me ask you something... what brought you here... to a dead beat motel during a hurricane"
Um, I think a hurricane is a very good reason to lead someone to shelter. I don't know maybe I'm missing something. If you were implying this specific motel in Virgil's dialogue to Dante it just comes across as awkward to me and needs a rewrite.
And this one: 'you know your philosophers'. Not necessarily, he might just be able to rattle off that quote. Having him quote a specific philosopher's name would have been better imo, makes me think your Virgil is a lil' gullible.
I'm not missing this though:
People, it's 'lie back' not 'lay back'- yep I'm a broken record on this one, and in itself is not a crime... so take it or leave it.
Overall this has some creepy and gory visuals but it's a story you've adapted/manipulated, like another one I read and liked, but this just comes across as others have mentioned (sorry to be a broken record again) like here endeth the lesson.
I think you could have used the word 'desire' in place of concupiscence - too, otherwise your Virgil is a little verbose ain't he? Obviously you think it fitting.
Hmmm, if it weren't for the poor and predictable dialogue, you had something here. The story was adapted pretty nicely and it was fun to read but the conversation between Virgil and Dante, I really could not buy it.
It's a simple story and for some reason, it's not bad. I think it would work a lot better if there was some tension here, something that helps keep the story interesting. Nothing really happened if you think about it.
Liked the idea and kind of got into it until midway where my mind started to wander. You had me wanting to know what happened to Dante though, which is a good thing, but I didn't get why his 'thug' appearance was important because he didn't talk like one and who Beatrice was - would have liked to have know a little backstory.