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SimplyScripts Screenwriting Discussion Board    Screenwriting Discussion    Screenwriting Class  ›  Mocumentary Moderators: George Willson
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YaBoyTopher
Posted: May 24th, 2009, 4:42pm Report to Moderator
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I am about to start work on a Mocumentary style short, think Reno 911 style.  So it calls for the occasional fake interview. My question is how would this be formatted? Would I just simply write that Bob looks in the camera and then write what he says?

If this has already been answered I apologize but I couldn't find anything... All help is greatly appreciated.


My posted Scripts:
"The First Date" - Short Comedy
http://www.simplyscripts.net/cgi-bin/Blah/Blah.pl?m-1405598063/s-0/#num1
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Zack
Posted: May 24th, 2009, 4:48pm Report to Moderator
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I would acknowledge that the character is indeed looking into the camera. Maybe introduce the character with a SUPER of his/her name.

~Zack~
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Old Time Wesley
Posted: May 24th, 2009, 5:04pm Report to Moderator
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Another thing those style shows do is incorporate the person asking the questions like Trailer Park Boys. The camera crew becomes a character.

In one episode one of the crew guys got shot and another Ricky kept getting tangled up in the wires.


Practice safe lunch: Use a condiment.
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rendevous
Posted: May 24th, 2009, 5:15pm Report to Moderator
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Leaving Tasmania - A Documentary has good examples of how to this effectively.
http://www.simplyscripts.net/cgi-bin/Blah/Blah.pl?m-1242875447/


Out Of Character - updated


New Used Car

Green

Right Back

The Deuce - OWC - now on STS

Other scripts here
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Grandma Bear
Posted: May 24th, 2009, 5:21pm Report to Moderator
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Phil's Pugumentary is an excellent sample of a mocumentary.

I wrote one two years ago for NYCMM contest called THE BIG CHEESE (it's here somewhere). It failed in the competition because I did have the "documentary" crew part of the script.

just my $0.02


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Tommyp
Posted: May 24th, 2009, 5:40pm Report to Moderator
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Pia, was the crew behind or in front of the camera?


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dogglebe
Posted: May 24th, 2009, 8:00pm Report to Moderator
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During interviews, the character talks to the character (or to the man behind the camera).  As the camera is a part of the cast, you would include camera angles and such in the script.

I hope to submit Pugumentary to SS this week, which shows how a mockumentary is written.  In the meantime, you can also look at Documentary Killers, a dramatic mockumentary.


Phil
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YaBoyTopher
Posted: May 24th, 2009, 8:23pm Report to Moderator
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Hey guys thanks for the quick response, You have helped alot and I will check out the scripts you mentioned.

I have had this short planned out for awhile but could never wrap my head around how to properly execute those scenes.


My posted Scripts:
"The First Date" - Short Comedy
http://www.simplyscripts.net/cgi-bin/Blah/Blah.pl?m-1405598063/s-0/#num1
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jecastellon
Posted: May 24th, 2009, 10:01pm Report to Moderator
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I wrote a mockumentary TV series last year and had the same problem, but I found these scripts from a sitcom called The Office that solved the problem for me in a very intuitively way.

I hope they can be useful for you as they were for me:

http://www.dailyscript.com/scripts/office,the-emailsurveillance%5B2%5D.pdf

http://www.dailyscript.com/scripts/office-carpet,the%5B2%5D.pdf

And good luck with your project!
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michel
Posted: May 25th, 2009, 2:14am Report to Moderator
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Quoted from Grandma Bear
Phil's Pugumentary is an excellent sample of a mocumentary.

I wrote one two years ago for NYCMM contest called THE BIG CHEESE (it's here somewhere). It failed in the competition because I did have the "documentary" crew part of the script.

just my $0.02


http://www.simplyscripts.net/cgi-bin/Blah/Blah.pl?b-short/m-1185508808/s-new/


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michel
Posted: May 25th, 2009, 4:33am Report to Moderator
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X-Files, Season 7 - "X-Cops"

http://www.users.globalnet.co.uk/~gjm5xx/transcrp/scrp712.htm

I only found the transcript, but it may help.

Michel


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George Willson
Posted: May 26th, 2009, 2:06pm Report to Moderator
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Since you do have characters breaking the fourth wall, it would be acceptable to write that the characters look directly into the camera. The key to this and everything else is to write what you see like someone transcribing the final movie while sitting in the theatre.


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