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Hello writer - This is my penultimate read, hope it's good!
The starting conversation seems, off - If they are best friends, and she has been seeing this guy for a while, would they have not have talked before about him being boring?
You really took the red theme and shoved it into our faces lol
I don't think you need to tell us they speak in French when the dialogue is written in French.
It took them an hour and a half to order and eat? is it just me, or is that a long time?
I'm not loving the dialogue - needs work.
That big block of action could be broken up
Eh? what the hell just happened lol OK so it's her favourite thing to eat, would that make her suddenly want to marry him? It's a Rom-Com so maybe I'm being too serious, but, reading it I was just like "WTF?" lol
This was a bit of a slow burner for me, then kinda fizzled out.
It's not much of a stretch to say this is a new writer with a lot to learn. Take the advice, get software to do the formatting for you, and read professional scripts.
The dialogue is on the nose, meaning people are saying exactly what they are thinking, which isn't screen dialogue. It needs subtext. It's also boring and predictable (just like you described Dennis). So is the story, with one exception...
Chocolate-covered roaches. Yikes. As you said, a delicacy in some places, but understand that's a huge turn-off for a lot of people. It's the one surprising thing in all of this, and you didn't set it up very well.
For this story to work, those roaches need to signify that this man isn't as predictable and boring as she thought. In her conversation with the roomate, she should express a desire to see anything adventurous from him, any hint that there's something exciting in him. When those roaches come, it shouldn't be that he hit on one of her true passions, she should be delighted that he showed a willingness to try new things, a willingness to spice things up for her. He should even eat one, the very last thing she ever expected of him.
Maybe her reaction is your attempt at humour, but it just makes her seem crazy, like she would marry anyone who dumped a plateful of chocolate-covered roaches in front of her. Tone it down, make it about them, not about the delicacy, and you have a better story.
Definitely take all of the formatting advice. The last thing you want is a reader to be distracted by the look of your script. You want them lost in the story.
Only one reviewer mentioned the numbered scenes, so I'll emphasize that: take them off. That's for shooting scripts.
After formatting, I'd suggest tackling the dialogue. Someone else mentioned subtext... study that. Your characters are saying exactly what they think, and on the nose dialogue makes a script feel elementary.
You have some good ideas, and some ability. Keep working your craft!
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Not here to pile on. Your script is a good example of very common mistakes. It's easier to pick them out when someone else does them, not so much when the mistakes are in your own writing.
You had my interest, but with reservations.
--Lots of trimming to be done. The restaurant scene. Get in and get out. Can't spend over six minutes of screen time on Mary arguing with Dennis over why she doesn’t want to make a commitment. That's insane. Pick your jokes, and punch the ticket.
Point being, before we even meet Dennis, I felt like me and him were old friends from the opening.
-- A word of caution -- You have two people in the room and Mary is telling us all the back story about her and Dennis' relationship. Total exposition. May I suggest you noodle out alternate ways of opening this tale.
-- The chocolate-covered roaches. It's a bridge too far. You are asking use to suspend disbelief. It's a bit of a stretch to think that's all it took to tip the scales in Dennis' favor. It borders on being hokey.
For something like that to pay-off... methinks you need to go back to the beginning, and set it up. The concept has comedic possibilities. There's a lot of potential. Kudos for finishing...
"When I dive... I go deep, only to surface the hub when necessary."
Okay, last one! Let's see if we've saved the best for last!
Ummm...okay, well, I guess not. But it was different, for sure! Going back now through the other comments, it looks like you've already been slogged about the formatting and whatnot. If you have screenwriting software, take a look at your settings and make sure it is set for the feature template. There's an industry standard and you're currently not using it.
The story is a bit deficient. Not much to it other than the dinner setting and the dialogue is a bit unnatural for a script. Put this aside for awhile and read the winning scripts from this challenge, and then come back and compare your script against those. See what those scripts were doing and learn from them.
Was kinda hoping they were a lesbian couple, just because it would be a refreshing angle.
Fat, funny friend. Let’s hit them tropes!
No need to fancy it up with a Dissolve…
Extremely long action block. Break that up. I can’t picture any of the 3 people you mention. I imagine most people can’t either for the most part, lose it.
You’re hitting the Red way too hard. You already accomplished the red, I get it, that’s what the challenge called for, but it wasn’t “whoever gets the most red in their script wins.”
She doesn’t know he speaks French? He’s about to propose. Your logline said they’ve been together for 3 years, no chance she wouldn’t know that… and let’s say it was a big surprise for the proposal, her reaction would be that of shock, not “I didn’t know you spoke French.”
They’re not talking like a couple on the verge of marriage.
She also says his name too much. That never rings authentic to me. How often do you say a person’s name while having a conversation with them? Mayyyybe once.
She’s 24 and not ready but earlier made it seem like jumping back into the dating pool at the ripe old age of… 24 would be impossible.
Dennis has read like multiple people – first he’s an intelligent suave Frenchman, then he basically says “your tits are lookin good, girl” now he’s being the insecure accusing boyfriend “you got someone else?!”
This is overwritten.
Another script that gets really weird out of nowhere. She loves chocolate covered roaches to the point she has a seizure? What…
The relationship never rang true, the characters were inconsistent and the out of leftfield resolution was ridiculous. It’s like you handed it off to someone else midway through, and they just said “I’m gonna fuck around with this.”
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