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The primary purpose of the SimplyScripts Discussion Board is the discussion of unproduced screenplays. If you are a producer or director lookng for your next project, the works here are available for option, purchase or production only if you receive permission from the author.
NOTE: these screenplays are NOT in the public domain and MAY NOT be used or reproduced for any purpose (including eductional purposes) without the expressedwrittenpermission of the author.
I usually have a film soundtrack on rotation in the car. While not an OST, the soundtrack for 28 Days Later is pretty kick ass IMO - In Da House In A Heartbeat and An Ending(ascent) are pretty cool.
Always been a fan of Craig Armstrong (Escape and Ruthless Gravity are 2 of my favs) - check out the soundtrack to Plunkett & Macleane
The soundtracks to Gladiator and The Kingdom are also pretty good.
The Elevator Most Belonging To Alice - Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
Crouching Tiger, Hidden Dragon was an awesome score.
I also loved the Social Network soundtrack as well as The Girl With the Dragon Tattoo. Both feel so cold and mechanical...love it. Trent Reznor is an amazing musician.
Found Goldsmith's THE WIND AND THE LION last night on vinyl at a used bookstore. It felt like Christmas.
TW&TL, since it's not a very popular movie, stars Sean Connery who plays a Moroccan chieftain in the 1900s and kidnaps an American woman (Candice Bergen) and her two kids, in order to rattle Teddy Roosevelt's imperialistic cage. It's directed by John Milius and feels similar in tone to his best-known film: CONAN THE BARBARIAN. I would argue that this one of Connery's best. Goldsmith's score is every bit as epic as Poledouris' CONAN. In fact, it's like a perfect cross between Poledouris' CONAN scores and Jarre's LAWRENCE OF ARABIA. I highly recommend both the film and the score.
"I remember a time of chaos. Ruined dreams. This wasted land. But most of all, I remember The Road Warrior. The man we called 'Max'."
Let's see Christoper Young- Drag me to Hell, Hellraiser Pino Donaggio- Carrie Ennio Morricone- Exorcist 2: The Heretic, For a Few Dollars More Wojciech Kilar- Dracula, Ninth Gate As for TV, Frans Bak who scores both the American and Danish versions of The Killing. Eric Neveux- Borgia: Faith and Fear (European version) Very memorable.
As for soundtracks, Graeme Revell is excellent with Strange Days, Daredevil, etc.
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