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Placebo Button by 0 - Short, Thriller - After a traumatic encounter in an elevator, a dejected man risks his life in an effort to save one stranger from another. 11 pages - pdf, format
I thought this was well written but I have to say... I was confused by the ending and the switching of Jack and Gary, I didn't connect the dots. There was a building tension throughout the piece... but I got a bit lost trying to follow what was actually going on and that's probably my fault. I'm not all that clever sometimes at figuring things out on the page.
I'm going to give this another read later and give my final thoughts, it would be too early for me to give it a score.
It might click for me later, it's only fair that I give it another read because it did build really well and some of the imagery which was painted I could picture, for example... the elevator doors constantly trying to close on Jack, the falling back on the marble floor ect.
I would like some others to chime in on this one because it was well constructed, holla back peeps.
This could be visually stylish, kinda like a Michael Mann vibe. The mind game the story plays is engaging, but after a few repeat viewings—can the audience draw a conclusion?
I'll take a stab here, there seems to be a "puppet" symmetry between Jack & Gary. It's symmetrical, but I'm having a hard time trying to figure it out myself. Part of me is like Quantum Leap, and another is thinking time travel. This is a well written brain buster, my friend.
Okay, so something happened in Jack's life and he's Gary. Or it's Gary that Jack. Double identity, probably bad conscious, something on Jack's conscious that keeps bothering him - either one would be an excellent idea and a little bit of clarity would let know which of the two was it - is Gary Jack's another identity, or Jack did something in the past he really regrets.
Or maybe he did take smthing, like security guard said, that messed up his mind?
This could be excellent and I suggest you rewrite and make it clearer.
Nicely written. Some rather complicated set ups that the author did a great job of letting me see clearly. The dialogue was spot on. The opening page was riveting. First 2/3rds of the script were really good
Then, I got lost in the ending. It just didn't pan out for me. I re-checked the title and the log line for clues - tried to find out what I was missing. Couldn't find it. That was disappointing because I really enjoyed the journey of the story until the end. I have a suggested alternative for the ending - PM me if you are interested.
A couple of very minor comments:
Quoted Text
With the gun still pressed against his temple, Jack glances up at a security camera covered by a handkerchief.
The first thing I thought when I read this was wouldn't the security guy be extremely alarmed by someone concealing the camera?? The story would end there. I think you need to nuke the camera.
Quoted Text
LOUISA (CONT’D) Don’t touch me.
Louisa recoils, she backs away from Jack.
Very minor - but I think it reads more natural if she recoils first and then the dialogue. I think the instant physical reaction would precede the verbal - but that may be just me.
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I've no doubt some call a lift 'a cab', but I'm not one of them. Every time I see it I imagine they're in the back of a taxi.
The series of shots reminded me of Jack in the Shining. No, not like that. Like "All work and no play makes Jack a dull boy." I think they need a bit of work. Even if you just phrase them differently it would be an improvement.
I thought a lot of this was pretty good. It is a bit bewildering in parts, and some things could be clearer. Overall though there's some clever stuff going on. As per some parts needs improvement.
Still, it is one of the better ones I've read so far.
Like the others, the ending lost me. Perhaps Jack was re-living his father's death or joining him. Were Louisa and the stranger real? Got me. Was any of it real? Got me.
You are a good writer. May be time was short and you couldn't fine tune the end..I know the feeling.
Good writing. Not quite there. Oh I did like this. In fact I was seriously impressed. Oh so close.
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Okay, went back over this a couple of times and I’m sorry to say I just couldn’t piece it together. There’s a clue in here somewhere, but I can’t for the life of me see the where, how or when. Pity as this was shaping up to be in the top three I’d read so far.
All I can guess is Jack is forcing himself to ‘relive’ the events leading up to his parents murders as seen through some-kind of delusional nightmare…
I’m guessing poor old Gary (and Elise) were the victims of a con-job from Stranger and Louisa. What could be clearer (at least hinted at) is if the culprits are actually present in the building or figments of Jack’s imagination. The security guard had info on the crime; an extra clue as to the fate of the culprits could’ve gone some way to better understanding our current time-frame and your intent.
Or I could be completely wrong. In any case the story is strong enough to make me want to know and that’s something.
Writing was solid and built both tension and atmosphere. Dialogue was to the point and organic. Characters had a sense of mystery, though without a better understanding of how we reach that ending I’m left disconnected from Jack. Was his suicide out of guilt? Remorse? His inability to get revenge?
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Yep, to echo everyone else...excellent first half. Was looking forward to a great conclusion but it sorta lost its way. Shame as it would've become my fave one.