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SimplyScripts Screenwriting Discussion Board    Screenwriting Discussion    Screenwriting Class  ›  When is it OK to use DUSK, DAWN, ETC.? Moderators: George Willson
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  Author    When is it OK to use DUSK, DAWN, ETC.?  (currently 495 views)
JohnI
Posted: January 8th, 2019, 3:42pm Report to Moderator
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I use morning, afternoon, and evening - same as day / night. If it needs more description (i.e. dawn is breaking, dusk,) then i include that in my first action description,  Key is to be consistent in headings.
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Matthew Taylor
Posted: January 9th, 2019, 5:08am Report to Moderator
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Don't understand why as a writer you would want to limit yourself to only DAY and NIGHT


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Dreamscale
Posted: January 9th, 2019, 10:10am Report to Moderator
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Quoted from Matthew Taylor
Don't understand why as a writer you would want to limit yourself to only DAY and NIGHT


Great question and great point!

Using only DAY or NIGHT is downright foolish.



To ski or not to ski...that's not even a question.
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ReneC
Posted: January 10th, 2019, 12:42pm Report to Moderator
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It's all about the lighting and the look. DAY and NIGHT are usually sufficient but sometimes you want to literally cast a different light on the scene, or the time of day is important for the story, and you should always include it in the slug line.

Something else to consider is the logistics of filming. I use MORNING, DAY, AFTERNOON, EVENING, and NIGHT all the time, but I reserve anything more specific (DAWN, DUSK, EARLY MORNING, NOON, etc.) for when it is absolutely necessary. You have a very small window to capture the right light for those times of day, so it better be crucial to the story. And if you can cheat it, you can probably just stick with MORNING or EVENING or whatever more generic time is appropriate.



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Dreamscale
Posted: January 10th, 2019, 6:14pm Report to Moderator
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Quoted from ReneC
It's all about the lighting and the look. DAY and NIGHT are usually sufficient but sometimes you want to literally cast a different light on the scene, or the time of day is important for the story, and you should always include it in the slug line.

Something else to consider is the logistics of filming. I use MORNING, DAY, AFTERNOON, EVENING, and NIGHT all the time, but I reserve anything more specific (DAWN, DUSK, EARLY MORNING, NOON, etc.) for when it is absolutely necessary. You have a very small window to capture the right light for those times of day, so it better be crucial to the story. And if you can cheat it, you can probably just stick with MORNING or EVENING or whatever more generic time is appropriate.


AGREED, AGREED, AGREED!!!!!!  



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eldave1
Posted: January 10th, 2019, 7:07pm Report to Moderator
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MarkRenshaw
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INT. MARK'S HOUSE: 11th JANUARY 2019 - SUPPER TIME


For more of my scripts, stories, produced movies and the ocassional blog, check out my new website. CLICK
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eldave1
Posted: January 11th, 2019, 4:27pm Report to Moderator
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Quoted from MarkRenshaw
INT. MARK'S HOUSE: 11th JANUARY 2019 - SUPPER TIME


Perfect


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FrankM
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INT. HOTEL ROOM - SUPPOSED TO BE DOING WORK ON THIS TRIP BUT CHECKING SS INSTEAD


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eldave1
Posted: January 11th, 2019, 6:33pm Report to Moderator
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Quoted from FrankM
INT. HOTEL ROOM - SUPPOSED TO BE DOING WORK ON THIS TRIP BUT CHECKING SS INSTEAD


lol


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Sandra Elstree.
Posted: January 11th, 2019, 11:07pm Report to Moderator
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Quoted from Dreamscale


NO!  Disagree completely.

If dusk, dawn, whatever is the time, use it in your Slug, just like you would day or night.

One can argue that unless we're dealing with a vampire or the like, it doesn't or shouldn't matter, but it can matter...and it can make a scene much more powerful because of it.



I agree with Jeff, completely.

Just think in terms of your script...

The mood you've created-- Think Contact- VEGA!!!! ... Oh that's me, But think how the sun just barely on the rise or sets and impacts that mood. For heaven's sake, don't write  merely "Day" in your slug if the "time of day" is  "more significant and meaningful".  

In your script, you make the call.

If you determine it doesn't matter, then of course:

Toss the specifics; otherwise, make your slug count.

Sandra



A known mistake is better than an unknown truth.
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