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Pretty obviously a rushed job. It has all the makings of a decent script, I just think the writer was hurrying to beat the deadline and lost a bit of control.
EXT. ABANDONED VICTORIAN HOUSE - NIGHT
Frantic, SHANNON (early 30s) sprints towards the front.
She knocks. Looks back. Knocks again. The iron door
stutters open.
INT. ABANDONED VICTORIAN HOUSE -LIVING ROOM - SAME
And shuts it behind her.
I had to read the above several times to get it. Towards the front of the house? She knocks the front door? Which is now an iron front door. The images aren't coming through properly for me. You need to describe what I should be seeing when I should be seeing it. I don't know it's a door until the final sentence. I still don't know if she knocked the door, or if the door merely opened as a response to her knocking the front of the house.
The line of action that follows inside the house doesn't go with the previous line from outside the house. The door opens itself and then 'and' shuts it behind her.
If you're trying something here, it isn't working.
Code
Out of breath, she peers through the glass of the iron
door. Backs away from it.
Now there's glass in the iron door. WTF? When you write something like 'iron door' this immediately conjures an image of a large, heavy door. I did not picture glass in it at all.
If this keeps up I'm not going to be able to read it. It's your job to convey what I should be seeing. I shouldn't have to wait until the 3rd action block to get the complete description of a door.
Code
She hears a bump in a room off to his right.
Is it a male or a female?
Code
SHANNON
Sorry about breaking in. I’m not
going to hurt you. I just need to
use the phone. Someone’s after me.
Hmmmm. I like this one in many ways. A bit rushed in execution, so typos need to be cleaned up. But - the visuals are effectively scary, and this could work on screen.
My overall thoughts: I like the banter and the situation... though I'd argue that you could tighten up the pace by a few pages, and not lose anything. Also, shouldn't Shannon be freaking out far more when the Jesters clearly come to life? And begging fervently for Alice to open that damned door?
The end itself - kind of weird. I know where you were going with that... but maybe throw in a touch of foreshadowing about what Alice is, and the past "lives" of those jesters to justify it?
To sum up - I DO think this is a submission that has promise and can be polished into something creepy. So go for it! IMHO...
Here are a few generic notes: hope they help!
P 1: and shuts behind her (delete it) P 1: off to HER – delete extra space – right P 1: ew – a jack in the box and a clown? Already creepy! And jester dolls, in rocking chairs too? Yuck! P 1: have issues, get tissues – do you make that one up? It’s positively evil and inspired. P 3: scared me (comma) little girl p. 5: that is so gross – nice line! P 5: no YOU have to play checkers P 6: NOW sitting straight P 7: Shannon (comma) scared more of the dolls than the threat in the hallway (comma) P 11: extra page
Umm. I take this as an open ender without a true aim at understanding. More like a feverish dream. If there's any logic how Brandy can turn people into dolls, I didn't get it, nor where ghost Alice comes from and what's her connection to sister Brandy exactly.
I also was confused how long Brandy was outside, screaming she'd come in but then nothing happened.
The POV from Shanon while she became a doll - was an awesome image. Kudos. I also liked Alice.
There's some potential; but as it is - No title page, overall execution – that's not an impressing condition in my eyes.
Out of all the entries, this one strikes me as the most cinematic. I'm a fan of the writing, a few rushed errors and inconsistencies, but well scribed nonetheless.
This tale doesn't quite fit the level of visual standards the author demands in their writing. It's not bad, but the dialogue and pace could use polish. Tone was great though, and the way the story starts already gives that dreamlike sensation I think the writer went for, and it works well.
Good job, although I'm not entirely convinced I understood it. (Maybe I'm not supposed to)
Thanks to everyone who read this. Had the title page stuck (it didn't print in the PDF, but hey, worst things have happened. remember the time where it was just the title page? Shark week, no less.) my alias would have been Paul laGrasse, an HP Lovecraft reference as the original intent was to have the game be based on RPG that involved Lovercraft mythology. The idea was sound, but it was too complex for a short time in a 10-15 page count. So I switched gears on that Monday. The original protag was also a guy, and in writing it visually I thought it would play better if it was a woman instead. So I missed a he for a she.
When my sub was put up I almost missed it. "Jack Frost?' huh? Then people commented, and up until someone mentioned it, I didn't know the title page got zapped. Actually, since I'll revise the script, it isn't that bad as it looks.
I didn't know what to call the short./ Pop Goes The Wesel was the first thing thaty came to mind because of the jack-in-the-box gag in the script. I had forgotten Pop was also a game itself. Maybe I should have had something like musical chairs, or something...anyway, in the revision, I'm calling the script Aliice's Jesters.
On the plus side, though, while my vision is still off, it is improving and 'puter wise, I'm back in business. Now I just need to stop procrastinating and finish up Feed.
You also don't signify the script is finished and there's an extra blank page at the end. Easy fixes like this should be taken care of.
An easy fix, yes. But one extra blank page at script's end hurts no one.
Quoted from Dustin
Iron door
It's actually a line I rewrote. The original passage had the protag come up to 'an iron front door with a glass window.' when she came to the front of the house. But I reread that description a few times and even though I looked up a picture of such a door, the sentence was awkward and didn't read right to me. So I nixed it and only mentioned it when we get ta better, closer look. Anyway, here's kind of what it would look like:
While I didn't need to describe the door itself, visually I would have to, for once inside, light has to be seen through the glass.
However, such a door still has a downside, as does the room where most of the action takes place, and my peers are correct. The house doesn't feel abandoned. Derlict, maybe, but not abandoned. I agree- poor choce of words. Expect that correction in the near future.
Quoted from wonkavite
"Inspired"
"Have issues, got tissues" this was a self-made inside joke with me. At the time I was writing the short, the air in the house was so dry that if I didn't run the humidifier, my nose would be making donations to the Red Cross.