All screenplays on the simplyscripts.com and simplyscripts.net domain are copyrighted to their respective authors. All rights reserved. This screenplaymay not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.
Homa by Mark Dykshoorn (TheCasualScreenwriter) writing as Claude Cooper - Short, Horror, Scifi - A man's home network of smart-speakers attempts to murder him. 6 pages - pdf format
What we got, what we got, what WE got...angry robotic home help, it’s kinda like A Space Odyssey, but not in space, therefore An Odyssey. But that’s problematic as then it could be confused with Homer’s work, the Greek dude, not the Simpson’s one. Just imagine, Brad Pitt as Achillies slowly going insane after a Trojan virus infects his computer and steals his passwords, there’s a script in that...I’ll get on with the review.
I fear you’re gonna have a few issues here. The writing was overall decent, but I did find it clunky in parts, such as the delayed intro of Matt and no real description or character depth to play with on his part. We need to build the character in order to make the horror element work, as with an under developed central protagonist in horror we can often lapse into accidental comedy if we don’t care enough about what happens to them.
Also, develop Homa. Why’s this IT demon from hell so worked up with poor Matt? Is he malfunctioning or has Matt had the Back Street Boys on repeat for a solid week now and it’s finally broken it? Mirror the strength in protagonist and antagonist, let them fight the battle and hook us in.
I think you could rework this to be more impactful and could really sing. Scratch the scene with the detectives, build the relationship between Matt and his electronic assistant demon, build the tension and let a complex and engaging hell ensue.
It’s not there for me yet, but a little bit of work and you could be dancing.
On the first page I’m thinking why in the heck does he a traditional alarm clock when he has this HOMA device?? It seems to know and do everything other than the time. Lose the alarm clock.
You need to give your HOMA’s different character names. You have two talking to each other with the same character name – that’s confusing. E.g., rather than:
DEMONIC HOMA So, do we do it tonight?
Something like: FRONT DOOR SPEAKER (demonic voice)
The dialogue from the cop and the coroner was really unnatural to me.
Story-wise - I like the concept - a man being attacked by his own home - felt that you were missing the deserving why and why now.
I picked this one first because, if I had entered, I would have written a script much like this.
I liked it pretty well.
My major concern is - why are the HOMAs all of a sudden plotting to kill Matt? I would have liked a scene early in the script showing Matt dissing one of the HOMAs, or even a news report about a nation-wide HOMA recall after a few "technical malfunctions" were reported. Something to build suspense, before the HOMAs attack.
Also the police scene at the end is an unnecessary epilog. Maybe use the last page to include more attacks on Matt. Or give Matt a false victory before the final HOMA does him in.
Anyway, good job. I enjoyed reading it. Good luck in the contest.
Though a house killing its owner has been done before, I think this effort is the best one yet. The casual way Homa decided this was the day Matt died was a little bit chilling. I was left with one question, however: Why? Or do houses not need a motive for killing the owner?
Another script that uses a person’s fortress to turn against them, as in a prison, all conducted by a demonic AI system.
The story is fast paced, and it was a super easy read that went by like butter, but… where’s the angle, the arc, the driving force behind the murder of the homeowner? Sorry if this issue has already been addressed, I’m not really looking at previous comments cause that tends to influence a read, even if consciously unintended.
Anyway, yeah, just not feeling anything remotely sinister here, of course, the speakers controlling the home are a bunch of homicidal psychopaths, but we’re missing a main catalyst of Matt’s demise… why?
Perhaps a quick re-write after the OWC to flesh out a more intriguing story, but I’ll leave that up to you.
Technology turning against their owners seems to be a theme within this challenge.
I liked the story but with no backstory I don't know why the tech turned and I got confused as to why the cops or forensics would move the body from the bedroom to the living room floor.
Otherwise an enjoyable read.
Well done.
If at first you don't succeed........bribe someone.
I liked the concept. Also, I definitely felt the tension of the attack.
But, maybe you've heard the saying "begin after the beginning, and end before the end."? This is a classic case of ending too late. Consider cutting everything after the death.
Also, the dialogue from Matt as his dear HOMA is turning on him is just clunky.
Still, there's some fun to be had here. I hope you do a polish and share the rewrite.
Best, Paul
PaulKWrites.com
60 Feet Under - Low budget, contained thriller/Feature The Hand of God - Low budget, semi-contained thriller/Feature Wait Till Next Year - Disney-style family sports comedy/Feature
Many shorts available for production: comedy, thriller, drama, light horror
Great concept but not a big fan of the execution here. I think you tried TOO hard. A pleasant woman's voice saying horrible things is scarier than reverting to a deep demonic tone shift. It would be obvious by what HOMA says, not by sounding demonic. Much of Matt's dialogue was really on the nose and unnatural too. Show it don't say it. Not sure HOMA would talk to itself either. The blue turning to red says it all. HOMA also needs a reason. That would help immensely. Maybe Matt was talking about changing systems to Alexa and HOMA got jealous!
Story: Well, poor Matt. Whatever did he do to all the Homas to deserve that ending? The story is okay, but there’s really no explanation for it. Seems like a missed opportunity there.
Characters: The characters don’t have much depth. Don’t really know much about Matt, what he does, why the Homas are mad at him, etc. Need a little more characterization here I think.
Dialogue: The dialogue is fine, no complaints.
Writing: The writing itself is not bad at all. That’s why I’m a little mystified at how you came to this conclusion for the story. Just give me a reason to buy into what’s happening.
Meeting the challenge: Meets the challenge, I think.
Some of my scripts:
Bounty (TV Pilot) -- Top 1% of discoverable screenplays on Coverfly I'll Be Seeing You (short) - OWC winner The Gambler (short) - OWC winner Skip (short) - filmed Country Road 12 (short) - filmed The Family Man (short) - filmed The Journeyers (feature) - optioned
I think this has potential, but needs more meat on the bone. You had the best part of a page left available to do that too.
As it stood, I didn't care about him dying. Don't really know if he was nice or an asshole, just seemed like he was put there to die.
Actually I do know something about him. He was easily spooked and, and other than bolting for the door went to hide in bed like some kind of man-child. Didn't even think to switch off the plug. Would have fun to see him have a scrap with a hoover. But that didn't happen and now I'm glad he's dead.
The Homa dialogue to Matt was a bit in the nose and the detectives at the end weren’t really required for a short.
The last laugh has a nice ring to it.
I also liked the way they plotted as though they are more than one. If extended you could see them get miffed by some other purchase, as though a jilted lover - they then seek revenge !
The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
All the parameters ticked I think, it just didn't work for me.
There is no explanation for why this smart speaker turned demonic. In fact, when Demonic Homa starts plotting Matt's demise, it's comical and it shouldn't be. The cops arriving adds nothing to the story and the ending is unsatisfactory. Have a think about why this one person out of the billions on the planet has been singled out for attack and how the smart speaker became corrupted in the first place. Once you've figured that out, more depth can be added to the story and it may give you new directions to explore.
Some clunky action as well but that can be fixed.
Best of luck with this.
-Mark
For more of my scripts, stories, produced movies and the ocassional blog, check out my new website. CLICK
Writing is a bit stiff. A lot of “is placed” type writing that reads poorly.
Smart home turning on the homeowner. Been done, but still a cool premise.
It’s a short, so it’s hard to foreshadow, but I would think Matt should have been shown being nasty to the Homa system to something. It wouldn’t warrant his death, but it would at least give us something.
If you take away the Cops at the end, you have 3 pages to work with where it could have just been cat and mouse with Matt and Homa. Could have been some really cool shit and justification for the tech to turn against him. Without that, it’s just “Evil House with zero motivation or history kills man we don’t know.”
I'd list my "work" here, but I don't know how to hyperlink.
"Career" Highlights -2, count em, 2 credits on my IMDB page. -One time a fairly prominent producer e-mailed me back. -I have made more than $1000 with my writing! -I've won 2 mugs... and a thong. (polaroids of me in thong available for $10 through PM)