All screenplays on the simplyscripts.com and simplyscripts.net domain are copyrighted to their respective authors. All rights reserved. This screenplaymay not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.
I notice that this board was originally intended as a forum for on the fly collaborations between SS residents.
It appears that there was initial interest, but that it quickly died down.
I would very much like to revive this idea, but am aware that they are clearly some problems when it comes to something like this, not least of which is the fact that a lack of structure and cohesiveness to the project can undermine and ultimately kill it.
I was hoping we could get into a debate about how it would be possible to run a collaboration without it stalling.
With the talent on the board, I think we could quickly knock together some interesting ideas.
The biggest problem is that these usually turn silly -- or worse, downright stupid -- within a day or so.
I won't mention any specific names, but the biggest problem is that you have no control over who chooses to participate, dropping in 1 or 2 ridiculous or inappropriate lines.
I will not have time to play -- but as you want to host a thread with yourself as "producer" where you have final say -- I think I can help you out a bit with your experiment.
Since people know beforehand -- going in -- that their entries may be cut, drop me a PM if you want something deleted and I can do that. Give me the specific post #.
It may increase your odds of success.
Just know that I will direct any "where is my post??!!" bitching directly to you.
I agree with Bert that things just get silly with these things. At the very least, it goes in a direction that no one anticipates.
The only collaboration I participated in was 'The Donut Thread.' I tried making a point with my 'contribution' but it was completely glossed over by other people.
Personally, I wouldn't want to collaborate wth anyone on a project anyway. I have too many ideas in my head trying to burst out. I don't have time to work on other people's ideas and I wouldn't want anyone toying with mine.
I always thought a good idea for a collaboration would be to have a story revolving around a number of characters, each written by different writers, but overall intertwine to make up the final outcome.
I know this would be difficult but if you had an outline of the major storyline and then some flexability for each character you might get some interesting ideas. Of course it's the linking the stories together to form the planned outcome which would ultimately be the difficult part.
Not at all sure if this would work, and I'm not putting myself forward here, but there are some good examples of these, Four Rooms, Pulp Fiction, Go, Timecode to name but a few.
Check out my scripts...if you want to, no pressure.
It's definitely a route to go. I'm a perfectionist and have had success in other small writing endeavors, but I often feel I fall short in the research department.
Sometimes, in longer works I get bogged down in details; that's why I came to script. It's a fresh concise approach to story. It's visual. It's specific. It's another craft altogether as far as I'm concerned.
With a set number of people who can be trusted. Character plans that we work on in advance so that they remain consistent?
Having it so that discussion takes place before people actually write so that a focus can be maintained?
I've seen it work with the Wild Card series. George R. R. Martin got a bunch of sci-fi writers together and they did about twenty 'mosiac' novels. IIRC, he gave them the general stories and they wrote it.
OTOH, Jim Shooter tried the same thing at Marvel Comics when he created The New Universe. He gave the stories to the writers of each comic book and nearly destroyed Marvel in doing it.
The other thing to remember is that in a collaboration like this, all of the people involved have to maintain their commitment. I've done a couple of collaborations, one of which actually made it to the stage, but the other four died after the first or second meeting.
In college, I was with a group of pretty solid writers and we were going to create a soap opera for the school using a similar method to the one Phil decribed with Wild Cards (which I used to love, but after five books, started losing steam) where we each wrote a storyline with specific characters. This collaboration lasted exactly two meetings.